Einfamilienhäuser mit Blechdach Ideen und Design
Suche verfeinern:
Budget
Sortieren nach:Heute beliebt
1 – 20 von 41.386 Fotos
Dallas Property Photos
Zweistöckiges Landhaus Einfamilienhaus mit Backsteinfassade, weißer Fassadenfarbe, Satteldach und Blechdach in Dallas
David Cannon Photography
Amazing front porch of a modern farmhouse built by Steve Powell Homes (www.stevepowellhomes.com). Photo Credit: David Cannon Photography (www.davidcannonphotography.com)
Northworks Architects + Planners
This state-of-the-art residence in Chicago presents a timeless front facade of limestone accents, lime-washed brick and a standing seam metal roof. As the building program leads from a classic entry to the rear terrace, the materials and details open the interiors to direct natural light and highly landscaped indoor-outdoor living spaces. The formal approach transitions into an open, contemporary experience.
Marion Interior Design
Großes, Zweistöckiges Modernes Einfamilienhaus mit Mix-Fassade, beiger Fassadenfarbe, Walmdach und Blechdach in Austin
Stratos Form
Photography by Aidin Mariscal
Mittelgroßes, Einstöckiges Modernes Haus mit grauer Fassadenfarbe, Walmdach und Blechdach in Orange County
Mittelgroßes, Einstöckiges Modernes Haus mit grauer Fassadenfarbe, Walmdach und Blechdach in Orange County
Lifestyle by Stadler Custom Homes
Großes, Zweistöckiges Klassisches Einfamilienhaus mit Backsteinfassade, weißer Fassadenfarbe, Pultdach, Blechdach und schwarzem Dach in Austin
Imbue Design
Einstöckiges Mediterranes Einfamilienhaus mit Putzfassade, Flachdach und Blechdach in Salt Lake City
Fairview Custom Homes
Modern Contrast Exterior
Zweistöckiges Modernes Einfamilienhaus mit Backsteinfassade, weißer Fassadenfarbe, Satteldach, Blechdach und schwarzem Dach in Sonstige
Zweistöckiges Modernes Einfamilienhaus mit Backsteinfassade, weißer Fassadenfarbe, Satteldach, Blechdach und schwarzem Dach in Sonstige
Core Group
Großes, Zweistöckiges Klassisches Einfamilienhaus mit schwarzer Fassadenfarbe, Halbwalmdach, Blechdach und schwarzem Dach in Atlanta
DZN Partners
Front of home from Montgomery Avenue with view of entry steps and planters.
Großes Modernes Einfamilienhaus mit Faserzement-Fassade, grüner Fassadenfarbe, Pultdach und Blechdach in San Diego
Großes Modernes Einfamilienhaus mit Faserzement-Fassade, grüner Fassadenfarbe, Pultdach und Blechdach in San Diego
LARK + PALM
Mittelgroßes, Zweistöckiges Landhaus Einfamilienhaus mit weißer Fassadenfarbe, Pultdach und Blechdach in San Francisco
Red House Architects
The front porch of the existing house remained. It made a good proportional guide for expanding the 2nd floor. The master bathroom bumps out to the side. And, hand sawn wood brackets hold up the traditional flying-rafter eaves.
Max Sall Photography
Haley Custom Homes
Beautiful Cherry HIlls Farm house, with Pool house. A mixture of reclaimed wood, full bed masonry, Steel Ibeams, and a Standing Seam roof accented by a beautiful hot tub and pool
The Ranch Mine
Photo by Roehner + Ryan
Einstöckiges Modernes Haus mit Satteldach und Blechdach in Phoenix
Einstöckiges Modernes Haus mit Satteldach und Blechdach in Phoenix
Architecture Saville Isaacs
Exterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Clinton Built Pty Ltd
Zweistöckiges Modernes Einfamilienhaus mit Backsteinfassade, weißer Fassadenfarbe, Flachdach und Blechdach in Sydney
Young & Borlik Architects, inc.
Columns and stone frame this traditional adaptation of a craftsman front door in the modern farmhouse aesthetic. The long porch overhang separates vertical and horizontal siding materials.
Morning Star Builders LTD
Kolanowski Studio
Mittelgroßes, Einstöckiges Landhaus Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Satteldach und Blechdach in Houston
Mittelgroßes, Einstöckiges Landhaus Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Satteldach und Blechdach in Houston
Westlake Development Group, LLC
Justin Krug Photography
Geräumiges, Zweistöckiges Landhausstil Haus mit Satteldach, Blechdach und grauer Fassadenfarbe in Portland
Geräumiges, Zweistöckiges Landhausstil Haus mit Satteldach, Blechdach und grauer Fassadenfarbe in Portland
Dallas Builders Association
The Rosa Project, John Lively & Associates
Special thanks to: Hayes Signature Homes
Zweistöckiges Landhausstil Einfamilienhaus mit Mix-Fassade, schwarzer Fassadenfarbe, Satteldach und Blechdach in Dallas
Zweistöckiges Landhausstil Einfamilienhaus mit Mix-Fassade, schwarzer Fassadenfarbe, Satteldach und Blechdach in Dallas
Einfamilienhäuser mit Blechdach Ideen und Design
1