Eingang mit Haustür aus Glas Ideen und Design
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IBB Design Fine FurnishingsDan Piassick
Klassischer Eingang mit Korridor, beiger Wandfarbe, dunklem Holzboden, Haustür aus Glas und braunem Boden in Dallas
Klassischer Eingang mit Korridor, beiger Wandfarbe, dunklem Holzboden, Haustür aus Glas und braunem Boden in Dallas
Inspired InteriorsKlassisches Foyer mit Porzellan-Bodenfliesen, Doppeltür, Haustür aus Glas, grauer Wandfarbe und grauem Boden in Omaha
ID.ology Interiors & DesignMittelgroßer Landhausstil Eingang mit Stauraum, grauer Wandfarbe, Backsteinboden, Einzeltür und Haustür aus Glas in Sonstige
Elan StudioGroßer Klassischer Eingang mit Korridor, blauer Wandfarbe, braunem Holzboden, Doppeltür und Haustür aus Glas in New Orleans
UserMittelgroßes Klassisches Foyer mit weißer Wandfarbe, Keramikboden, Doppeltür und Haustür aus Glas in Los Angeles
Full Circle Custom HomesMittelgroße Moderne Haustür mit Drehtür, beiger Wandfarbe, Keramikboden und Haustür aus Glas in Phoenix
Carpet One Floor & Home Design CenterMittelgroßer Rustikaler Eingang mit Korridor, beiger Wandfarbe, Terrakottaboden, Doppeltür, Haustür aus Glas und braunem Boden in San Francisco
Randy TrainorThis three-story vacation home for a family of ski enthusiasts features 5 bedrooms and a six-bed bunk room, 5 1/2 bathrooms, kitchen, dining room, great room, 2 wet bars, great room, exercise room, basement game room, office, mud room, ski work room, decks, stone patio with sunken hot tub, garage, and elevator.
The home sits into an extremely steep, half-acre lot that shares a property line with a ski resort and allows for ski-in, ski-out access to the mountain’s 61 trails. This unique location and challenging terrain informed the home’s siting, footprint, program, design, interior design, finishes, and custom made furniture.
Credit: Samyn-D'Elia Architects
Project designed by Franconia interior designer Randy Trainor. She also serves the New Hampshire Ski Country, Lake Regions and Coast, including Lincoln, North Conway, and Bartlett.
For more about Randy Trainor, click here: https://crtinteriors.com/
To learn more about this project, click here: https://crtinteriors.com/ski-country-chic/
Sea Green DesignsSequined Asphalt Studios
Mittelgroßer Maritimer Eingang mit Stauraum, beiger Wandfarbe, dunklem Holzboden, Einzeltür und Haustür aus Glas in New York
Mittelgroßer Maritimer Eingang mit Stauraum, beiger Wandfarbe, dunklem Holzboden, Einzeltür und Haustür aus Glas in New York
Crosby Creations Drafting & Design Services, LLCPhotography by: Heirloom Creative, Andrew Cebulka
Mittelgroßes Klassisches Foyer mit blauer Wandfarbe, braunem Holzboden, Einzeltür, Haustür aus Glas und braunem Boden in Charleston
Mittelgroßes Klassisches Foyer mit blauer Wandfarbe, braunem Holzboden, Einzeltür, Haustür aus Glas und braunem Boden in Charleston
Dean Digital Imaging IncEntry. Photography by Floyd Dean, Dean Digital Imaging Inc. ©2016
Klassisches Foyer mit weißer Wandfarbe, dunklem Holzboden, Doppeltür und Haustür aus Glas in Philadelphia
Klassisches Foyer mit weißer Wandfarbe, dunklem Holzboden, Doppeltür und Haustür aus Glas in Philadelphia
Duerden's Appliance and MattressLandhausstil Foyer mit grauer Wandfarbe, hellem Holzboden, Einzeltür und Haustür aus Glas in Salt Lake City
MarvinThe owner’s goal was to create a lifetime family home using salvaged materials from an antique farmhouse and barn that had stood on another portion of the site. The timber roof structure, as well as interior wood cladding, and interior doors were salvaged from that house, while sustainable new materials (Maine cedar, hemlock timber and steel) and salvaged cabinetry and fixtures from a mid-century-modern teardown were interwoven to create a modern house with a strong connection to the past. Integrity® Wood-Ultrex® windows and doors were a perfect fit for this project. Integrity provided the only combination of a durable, thermally efficient exterior frame combined with a true wood interior.
Matt Fajkus Architecture
The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house.
The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day.
The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core.
Photography: Charles Davis Smith
Stuart Pliner DesignKleiner Klassischer Eingang mit dunklem Holzboden, Haustür aus Glas und Einzeltür in Atlanta
AlphaStudio Design GroupConceptually the Clark Street remodel began with an idea of creating a new entry. The existing home foyer was non-existent and cramped with the back of the stair abutting the front door. By defining an exterior point of entry and creating a radius interior stair, the home instantly opens up and becomes more inviting. From there, further connections to the exterior were made through large sliding doors and a redesigned exterior deck. Taking advantage of the cool coastal climate, this connection to the exterior is natural and seamless
Photos by Zack Benson
Montebella Homes, Inc.Photographer: Charles Quinn
Klassische Haustür mit weißer Wandfarbe, Betonboden, Doppeltür und Haustür aus Glas in Austin
Klassische Haustür mit weißer Wandfarbe, Betonboden, Doppeltür und Haustür aus Glas in Austin
Stocks DraperiesHunter Douglas
Mittelgroßes Klassisches Foyer mit weißer Wandfarbe, braunem Holzboden, Doppeltür und Haustür aus Glas in Cleveland
Mittelgroßes Klassisches Foyer mit weißer Wandfarbe, braunem Holzboden, Doppeltür und Haustür aus Glas in Cleveland
Drewett WorksBelieve it or not, this award-winning home began as a speculative project. Typically speculative projects involve a rather generic design that would appeal to many in a style that might be loved by the masses. But the project’s developer loved modern architecture and his personal residence was the first project designed by architect C.P. Drewett when Drewett Works launched in 2001. Together, the architect and developer envisioned a fictitious art collector who would one day purchase this stunning piece of desert modern architecture to showcase their magnificent collection.
The primary views from the site were southwest. Therefore, protecting the interior spaces from the southwest sun while making the primary views available was the greatest challenge. The views were very calculated and carefully managed. Every room needed to not only capture the vistas of the surrounding desert, but also provide viewing spaces for the potential collection to be housed within its walls.
The core of the material palette is utilitarian including exposed masonry and locally quarried cantera stone. An organic nature was added to the project through millwork selections including walnut and red gum veneers.
The eventual owners saw immediately that this could indeed become a home for them as well as their magnificent collection, of which pieces are loaned out to museums around the world. Their decision to purchase the home was based on the dimensions of one particular wall in the dining room which was EXACTLY large enough for one particular painting not yet displayed due to its size. The owners and this home were, as the saying goes, a perfect match!
Project Details | Desert Modern for the Magnificent Collection, Estancia, Scottsdale, AZ
Architecture: C.P. Drewett, Jr., AIA, NCARB | Drewett Works, Scottsdale, AZ
Builder: Shannon Construction | Phoenix, AZ
Interior Selections: Janet Bilotti, NCIDQ, ASID | Naples, FL
Custom Millwork: Linear Fine Woodworking | Scottsdale, AZ
Photography: Dino Tonn | Scottsdale, AZ
Awards: 2014 Gold Nugget Award of Merit
Feature Article: Luxe. Interiors and Design. Winter 2015, “Lofty Exposure”
Eingang mit Haustür aus Glas Ideen und Design
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