Esszimmer mit grauer Wandfarbe und Kaminumrandungen Ideen und Design
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Kennedy Cole Interior DesignGroßes, Geschlossenes Klassisches Esszimmer mit grauer Wandfarbe, hellem Holzboden, braunem Boden, Kamin, Kaminumrandung aus Holz, freigelegten Dachbalken und vertäfelten Wänden in Orange County
Morgante Wilson ArchitectsWerner Straube Photography
Klassisches Esszimmer mit grauer Wandfarbe, dunklem Holzboden, Kaminumrandung aus Stein und Kamin in Chicago
Klassisches Esszimmer mit grauer Wandfarbe, dunklem Holzboden, Kaminumrandung aus Stein und Kamin in Chicago
Vision InteriorsThis cozy lake cottage skillfully incorporates a number of features that would normally be restricted to a larger home design. A glance of the exterior reveals a simple story and a half gable running the length of the home, enveloping the majority of the interior spaces. To the rear, a pair of gables with copper roofing flanks a covered dining area and screened porch. Inside, a linear foyer reveals a generous staircase with cascading landing.
Further back, a centrally placed kitchen is connected to all of the other main level entertaining spaces through expansive cased openings. A private study serves as the perfect buffer between the homes master suite and living room. Despite its small footprint, the master suite manages to incorporate several closets, built-ins, and adjacent master bath complete with a soaker tub flanked by separate enclosures for a shower and water closet.
Upstairs, a generous double vanity bathroom is shared by a bunkroom, exercise space, and private bedroom. The bunkroom is configured to provide sleeping accommodations for up to 4 people. The rear-facing exercise has great views of the lake through a set of windows that overlook the copper roof of the screened porch below.
Homes of Distinction, Inc.• SEE THROUGH FIREPLACE WITH CUSTOM TRIMMED MANTLE AND MARBLE SURROUND
• TWO STORY CEILING WITH CUSTOM DESIGNED WINDOW WALLS
• CUSTOM TRIMMED ACCENT COLUMNS
Talie Jane InteriorsBrad Scott Photography
Geschlossenes, Mittelgroßes Uriges Esszimmer mit grauer Wandfarbe, braunem Holzboden, Tunnelkamin, Kaminumrandung aus Stein und braunem Boden in Sonstige
Geschlossenes, Mittelgroßes Uriges Esszimmer mit grauer Wandfarbe, braunem Holzboden, Tunnelkamin, Kaminumrandung aus Stein und braunem Boden in Sonstige
LD&AMittelgroßes Modernes Esszimmer mit grauer Wandfarbe, braunem Holzboden, Kamin, Kaminumrandung aus Stein und braunem Boden in Calgary
A Curated RoomMittelgroße Klassische Wohnküche mit grauer Wandfarbe, dunklem Holzboden, Kamin, Kaminumrandung aus Stein und braunem Boden in Atlanta
Period Architecture Ltd.Angle Eye Photography
Großes Landhausstil Esszimmer mit grauer Wandfarbe, braunem Holzboden, Kamin, Kaminumrandung aus Stein und braunem Boden in Philadelphia
Großes Landhausstil Esszimmer mit grauer Wandfarbe, braunem Holzboden, Kamin, Kaminumrandung aus Stein und braunem Boden in Philadelphia
Karen Kempf InteriorsReagan Taylor Photography
Klassisches Esszimmer mit grauer Wandfarbe, braunem Holzboden, Kamin, gefliester Kaminumrandung und braunem Boden in Milwaukee
Klassisches Esszimmer mit grauer Wandfarbe, braunem Holzboden, Kamin, gefliester Kaminumrandung und braunem Boden in Milwaukee
Bergamot InteriorsNick Smith Photography
Geschlossenes, Mittelgroßes Klassisches Esszimmer mit grauer Wandfarbe, hellem Holzboden, Kaminofen, Kaminumrandung aus Stein und beigem Boden in London
Geschlossenes, Mittelgroßes Klassisches Esszimmer mit grauer Wandfarbe, hellem Holzboden, Kaminofen, Kaminumrandung aus Stein und beigem Boden in London
Francesca Morgan InteriorsOffenes, Mittelgroßes Klassisches Esszimmer mit grauer Wandfarbe, dunklem Holzboden, Kamin und gefliester Kaminumrandung in Miami
VMAX LLCAnna Zagorodna
Mittelgroßes Modernes Esszimmer mit grauer Wandfarbe, braunem Holzboden, gefliester Kaminumrandung und Gaskamin in Richmond
Mittelgroßes Modernes Esszimmer mit grauer Wandfarbe, braunem Holzboden, gefliester Kaminumrandung und Gaskamin in Richmond
Towery Builders, Inc.Offenes, Großes Landhausstil Esszimmer mit grauer Wandfarbe, dunklem Holzboden, Kamin und Kaminumrandung aus Stein in Sonstige
Robeson DesignThis is the perfect game room for a family, the concrete stamped stone fireplace offers personalized details and adds visual interest to this warm space.
Kelly Rogers InteriorsEric Roth Photography
Geschlossenes, Großes Klassisches Esszimmer mit grauer Wandfarbe, braunem Holzboden, Kamin und gefliester Kaminumrandung in Boston
Geschlossenes, Großes Klassisches Esszimmer mit grauer Wandfarbe, braunem Holzboden, Kamin und gefliester Kaminumrandung in Boston
Rethink Design StudioRichard Leo Johnson
Wall Color: Gray Owl - Regal Wall Satin, Latex Flat (Benjamin Moore)
Trim Color: Super White - Oil, Semi Gloss (Benjamin Moore)
Wallpaper: Trove
Chandelier: Old Plank
Wall Plaques: Lazy Susan Gazelle Horns - J Douglas
Mirror: Prescott Gold Leaf Round Mirror - Arteriors
Dining Table: Oval Dining Table - DWR
Dining Chairs: Eames Molded Plastic Wood Dowel Chairs - DWR
Dining Chairs (Captain): Antique (reupholstered)
Bar Cart: Ponce Iron Bar Cart - Arteriors
Stools: Suite NY
Hensley Custom Building GroupModernes Esszimmer mit grauer Wandfarbe, gefliester Kaminumrandung und Keramikboden in Cincinnati
Parc MonceauPhoto Credit: Neil
Mittelgroße Country Wohnküche mit grauer Wandfarbe, braunem Holzboden, Kamin, Kaminumrandung aus Stein und braunem Boden in New York
Mittelgroße Country Wohnküche mit grauer Wandfarbe, braunem Holzboden, Kamin, Kaminumrandung aus Stein und braunem Boden in New York
Architecture Saville IsaacsInterior - Living Room and Dining
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
STEPHEN FLETCHER ARCHITECTSThe tapered staircase is formed of laminated oak and was supplied and installed by SMET, a Belgian company. It matches the parquet flooring, and sits elegantly in the space by the sliding doors.
Structural glass balustrades help maintain just the right balance of solidity, practicality and lightness of touch and allow the proportions of the rooms and front-to-rear views to dominate.
Photography: Bruce Hemming
Esszimmer mit grauer Wandfarbe und Kaminumrandungen Ideen und Design
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