Esszimmer mit Teppichboden und rotem Boden Ideen und Design
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Corinne Acampora Interiors & ArtKlassische Wohnküche ohne Kamin mit blauer Wandfarbe, Teppichboden, rotem Boden und Tapetenwänden in Boston
Michelle Yorke Interior Design LLCA dining area fit for a King and Queen. In the past, royals were known for dressing their homes in dramatic coloring, red being a popular choice. We had a lot of fun creating this style, as we used fiery crimsons, refined patterns, and bold accents of gold and crystal, which was perfect for this large dining room that sits ten!
Project designed by Michelle Yorke Interior Design Firm in Bellevue. Serving Redmond, Sammamish, Issaquah, Mercer Island, Kirkland, Medina, Clyde Hill, and Seattle.
For more about Michelle Yorke, click here: https://michelleyorkedesign.com/
Wallace Wood InteriorsPhoto Credit: Betty Clicker Photography
Mittelgroßes Maritimes Esszimmer mit grüner Wandfarbe, Teppichboden und rotem Boden in Washington, D.C.
Mittelgroßes Maritimes Esszimmer mit grüner Wandfarbe, Teppichboden und rotem Boden in Washington, D.C.
Snow Kreilich ArchitectsDean Kaufman
Modernes Esszimmer mit grauer Wandfarbe, Teppichboden und rotem Boden in Minneapolis
Modernes Esszimmer mit grauer Wandfarbe, Teppichboden und rotem Boden in Minneapolis
Renewal by Andersen Long IslandGreat combination of new windows and a sliding patio door in this attractive dining room in Queens, New York
Windows and Doors from Renewal by Andersen Long Island
Gary Adams Interiors LLCGeschlossenes, Mittelgroßes Stilmix Esszimmer ohne Kamin mit gelber Wandfarbe, Teppichboden und rotem Boden in Las Vegas
Decorating Den InteriorsKlassisches Esszimmer mit grüner Wandfarbe, Teppichboden und rotem Boden in Boston
Kimball Starr Interior DesignA cosmopolitan mix of European and American styles create a livable home balanced with both modern and classic styles. Stylish leather pieces, custom furniture, and jewel toned textiles complement the cherry-toned wood paneling to add warmth and history to this traditional Russian Hill home overlooking the San Francisco Bay.
As an intercontinental businessman, this bachelor needed a comfortable and masculine home to relax and recharge after returning from his European travels. Custom-designed chaise upholstered in a pale watery blue is the perfect spot to enjoy the iconic vistas of Alcatraz Island and Golden Gate Bridge. In the bedroom, dramatic garnet red couture drapery softens the room and ties in the playful British flag rug.
Radnor Residential, LLCGeschlossenes, Kleines Uriges Esszimmer ohne Kamin mit brauner Wandfarbe, Teppichboden und rotem Boden in Nashville
Compass Custom Homes Inc.Offenes, Großes Klassisches Esszimmer ohne Kamin mit bunten Wänden, Teppichboden und rotem Boden in Baltimore
Modifica Interiors LLCRobert Benson Photography
Geschlossenes, Mittelgroßes Klassisches Esszimmer mit grüner Wandfarbe, Teppichboden und rotem Boden in Bridgeport
Geschlossenes, Mittelgroßes Klassisches Esszimmer mit grüner Wandfarbe, Teppichboden und rotem Boden in Bridgeport
Network ArchitectsGeschlossenes, Mittelgroßes Klassisches Esszimmer ohne Kamin mit blauer Wandfarbe, Teppichboden und rotem Boden in Boise
AS InterioristaOffenes Eklektisches Esszimmer mit weißer Wandfarbe, Teppichboden, rotem Boden und Tapetendecke in Madrid
MCM Natural Stone IncGorgeous Honed Calacatta Europa Marble tabletop sits atop a custom made base by John Grieco ( http://www.objectmaker.com/).
Wallace Wood InteriorsPhoto Credit: Betty Clicker Photography
Mittelgroßes Maritimes Esszimmer mit grüner Wandfarbe, Teppichboden und rotem Boden in Washington, D.C.
Mittelgroßes Maritimes Esszimmer mit grüner Wandfarbe, Teppichboden und rotem Boden in Washington, D.C.
Langhorne Carpet CompanyLanghorne Carpet Company proudly announces its latest collaboration with Vermont Custom Rug Company’s David Hunt on an elegant reproduction of the early 19th century worsted wool carpet for the dining room of historic Hyde Hall.
A National Historic Landmark and New York State Historic Site in Springfield, NY, eight miles north of Cooperstown, Hyde Hall is considered “one of the finest examples of the neoclassical country houses in the United States.” The agricultural estate was the project and prize of wealthy British-born landowner George Clarke (1768-1835). Clarke owned 120,000 acres in New York’s Leatherstocking Region and designed Hyde Hall on the bank of Otsego Lake with Albany architect Philip Hooker. The mansion, the estate’s centerpiece, was constructed from 1817 to 1835. Today, Hyde Hall resides within Glimmerglass State Park.
Recent years have brought Hyde Hall a meticulous, history-driven, artisan-fueled restoration to recreate Clarke’s precise original vision.
David Hunt chose Langhorne Carpet Company to recreate the Brussels looped pile carpet for the property’s dining room. Made from the finest worsted wool, a yarn used today almost exclusively in apparel, Brussels carpets were a 19th-century status symbol among America’s wealthiest citizens, including presidents and major landowners. According to Clarke’s scrupulously kept ledgers, in 1831 he purchased “122 linear yards of Brussels body carpet, along with 24 yards of Brussels border carpet from the showroom of Lowe & Connah in New York City for the sum of $308.00. A hefty amount for the period,” said Hunt.
The carpet—which, Hunt said, may well be one of the first examples Wilton carpet woven in the United States—remained in the dining room through the end of the 19th century. As for the two tuffets? They not only survive—they also remain covered in the original textile.
This existence of these original tuffets for nearly two centuries, said Hunt, is both incredibly rare and fortuitous. “Having a documented portion of the original carpet, intact 186 years after manufacture, is, for the textile historian, a gold mine of information. Although the border portion of the design remains most visible, having the ability to document and verify the yarn quality, sett (pattern) of the weave and most importantly the original colors is huge.”
Hunt “dissected” the tuffets to reveal the yarn that, like in all Wilton weaves, is buried beneath the textile’s back, unexposed to sunlight, air, or cleaning agents. When he did, he found the carpet’s original colors and pattern. From there, he and Langhorne used a black-and-white photograph of the original carpet to create a botanical pattern for the field that would, he said, “honor the style of the border.”
He then turned over the work to Langhorne, to create the patterns, match the dye colors, and weave the carpets on narrow looms much like the ones used 200 years ago. Langhorne, he added, is the only mill in the United States—and one of very few in the entire world—capable of doing such a job.
“Langhorne has this wonderful capability to do all sorts of different things. I don’t think a lot of people understand that option is out there, and it’s a lot easier than you think to do it,” he said. What’s more, “They’re real people, working people—the folks on the loom, the weavers, the folks in the office: Except for the clothing, they’re the same type of people you would have found in a mill 200 years ago. It takes special people to do this, and that’s Langhorne.”
RJ Bacon Consulting & DesignGeschlossenes, Mittelgroßes Modernes Esszimmer ohne Kamin mit brauner Wandfarbe, Teppichboden und rotem Boden in Phoenix
MacPherson Architects Inc / 2MAOffenes, Mittelgroßes Klassisches Esszimmer ohne Kamin mit schwarzer Wandfarbe, Teppichboden und rotem Boden in Sonstige
FLOW interiors and stylingGroße Urige Wohnküche mit Teppichboden, brauner Wandfarbe, Kamin, Kaminumrandung aus Stein und rotem Boden in Sydney
Esszimmer mit Teppichboden und rotem Boden Ideen und Design
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