Gehobene Häuser mit Blechdach Ideen und Design
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hdg Architekten BDAGroßes, Zweistöckiges Modernes Containerhaus mit Metallfassade, schwarzer Fassadenfarbe, Satteldach, Blechdach, schwarzem Dach und Verschalung in Sonstige
Marion Interior DesignGroßes, Zweistöckiges Modernes Einfamilienhaus mit Mix-Fassade, beiger Fassadenfarbe, Walmdach und Blechdach in Austin
Stratos FormPhotography by Aidin Mariscal
Mittelgroßes, Einstöckiges Modernes Haus mit grauer Fassadenfarbe, Walmdach und Blechdach in Orange County
Mittelgroßes, Einstöckiges Modernes Haus mit grauer Fassadenfarbe, Walmdach und Blechdach in Orange County
Lifestyle by Stadler Custom HomesGroßes, Zweistöckiges Klassisches Einfamilienhaus mit Backsteinfassade, weißer Fassadenfarbe, Pultdach, Blechdach und schwarzem Dach in Austin
Fairview Custom HomesModern Contrast Exterior
Zweistöckiges Modernes Einfamilienhaus mit Backsteinfassade, weißer Fassadenfarbe, Satteldach, Blechdach und schwarzem Dach in Sonstige
Zweistöckiges Modernes Einfamilienhaus mit Backsteinfassade, weißer Fassadenfarbe, Satteldach, Blechdach und schwarzem Dach in Sonstige
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Aria Homes, Inc.Jessie Preza Photography
Großes, Zweistöckiges Modernes Haus mit Blechdach in Jacksonville
Großes, Zweistöckiges Modernes Haus mit Blechdach in Jacksonville
Wyrick Residential DesignWilliam David Homes
Großes, Zweistöckiges Landhaus Einfamilienhaus mit Faserzement-Fassade, weißer Fassadenfarbe, Walmdach und Blechdach in Houston
Großes, Zweistöckiges Landhaus Einfamilienhaus mit Faserzement-Fassade, weißer Fassadenfarbe, Walmdach und Blechdach in Houston
Lochwood-Lozier Custom HomesGroßes, Zweistöckiges Modernes Einfamilienhaus mit Mix-Fassade, Flachdach, bunter Fassadenfarbe und Blechdach in Seattle
King Construction Company LLCMittelgroßes, Zweistöckiges Country Haus mit brauner Fassadenfarbe, Walmdach und Blechdach in Sonstige
Tanner Consulting LLC- Landscape ArchitectureDRM Design Group provided Landscape Architecture services for a Local Austin, Texas residence. We worked closely with Redbud Custom Homes and Tim Brown Architecture to create a custom low maintenance- low water use contemporary landscape design. This Eco friendly design has a simple and crisp look with great contrasting colors that really accentuate the existing trees.
www.redbudaustin.com
www.timbrownarch.com
株式会社kotori建物南側の外観。レッドシダーの羽目板で仕上げた出窓部分。敷地形状に沿って三角に組まれたウッドデッキの上にはステンレスで製作したオリジナルの物干し金物を設置しました。ウッドデッキは腰かけて庭を眺めることもできますが、内部の床を延長することにより内部空間を広く見せる効果もあります。
Mittelgroßes, Zweistöckiges Skandinavisches Einfamilienhaus mit Mix-Fassade, weißer Fassadenfarbe, Pultdach, Blechdach, schwarzem Dach und Wandpaneelen in Sonstige
Mittelgroßes, Zweistöckiges Skandinavisches Einfamilienhaus mit Mix-Fassade, weißer Fassadenfarbe, Pultdach, Blechdach, schwarzem Dach und Wandpaneelen in Sonstige
Unfold ArchitectureFront of Building
Mittelgroßes, Dreistöckiges Nordisches Reihenhaus mit Mix-Fassade, brauner Fassadenfarbe, Satteldach, Blechdach und schwarzem Dach in Minneapolis
Mittelgroßes, Dreistöckiges Nordisches Reihenhaus mit Mix-Fassade, brauner Fassadenfarbe, Satteldach, Blechdach und schwarzem Dach in Minneapolis
Bergeron Custom Homes, LLCVertical Artisan ship lap siding is complemented by and assortment or exposed architectural concrete accent
Kleines, Einstöckiges Modernes Einfamilienhaus mit Mix-Fassade, schwarzer Fassadenfarbe, Pultdach, Blechdach und schwarzem Dach in Sonstige
Kleines, Einstöckiges Modernes Einfamilienhaus mit Mix-Fassade, schwarzer Fassadenfarbe, Pultdach, Blechdach und schwarzem Dach in Sonstige
AXIS ARCHITECTSGroßes, Dreistöckiges Retro Einfamilienhaus mit weißer Fassadenfarbe, Satteldach, Blechdach und schwarzem Dach in Washington, D.C.
Mosier Luxury HomesGroßes, Einstöckiges Retro Einfamilienhaus mit Mix-Fassade, beiger Fassadenfarbe, Flachdach, Blechdach, schwarzem Dach und Wandpaneelen in Austin
Younger HomesMittelgroßes, Einstöckiges Landhausstil Einfamilienhaus mit Faserzement-Fassade, weißer Fassadenfarbe, Satteldach, Blechdach, schwarzem Dach und Wandpaneelen in Austin
Mittelgroßes, Zweistöckiges Nordisches Reihenhaus mit Mix-Fassade, beiger Fassadenfarbe, Satteldach, Blechdach und schwarzem Dach in Minneapolis
Oria BuildersClassic sidings- Hamptons Style
Großes, Zweistöckiges Modernes Einfamilienhaus mit Mix-Fassade, weißer Fassadenfarbe, Blechdach und schwarzem Dach in San Francisco
Großes, Zweistöckiges Modernes Einfamilienhaus mit Mix-Fassade, weißer Fassadenfarbe, Blechdach und schwarzem Dach in San Francisco
Guggenheim Architecture + Design StudioGroßes, Einstöckiges Rustikales Haus mit schwarzer Fassadenfarbe, Pultdach und Blechdach in Portland
Gehobene Häuser mit Blechdach Ideen und Design
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