Mittelgroße Häuser mit grauer Fassadenfarbe Ideen und Design
Suche verfeinern:
Budget
Sortieren nach:Heute beliebt
1 – 20 von 23.823 Fotos
1 von 3
Alair Homes ClemsonThis house features an open concept floor plan, with expansive windows that truly capture the 180-degree lake views. The classic design elements, such as white cabinets, neutral paint colors, and natural wood tones, help make this house feel bright and welcoming year round.
Homes by Pinnacle, Inc.Mittelgroßes, Zweistöckiges Klassisches Einfamilienhaus mit Faserzement-Fassade, grauer Fassadenfarbe, Satteldach und Schindeldach in Chicago
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Newport RenewablesMittelgroßes, Zweistöckiges Modernes Haus mit Flachdach und grauer Fassadenfarbe in Providence
Burge Building ConsultantsMittelgroßes, Zweistöckiges Klassisches Einfamilienhaus mit Backsteinfassade, grauer Fassadenfarbe, Satteldach und Schindeldach in Sonstige
k YODER design, LLCLow slung stone gable end walls create the iconic form and frame the glass open areas that bisects the center of the cruciform plan. © Jeffrey Totaro, photographer
Jeannette ArchitectsJeff Jeannette / Jeannette Architects
Mittelgroßes, Zweistöckiges Modernes Haus mit Mix-Fassade, grauer Fassadenfarbe und Flachdach in Orange County
Mittelgroßes, Zweistöckiges Modernes Haus mit Mix-Fassade, grauer Fassadenfarbe und Flachdach in Orange County
Tim Andersen ArchitectExterior of the house was transformed with minor changes to enhance its Cape Cod character. Entry is framed with pair of crape myrtle trees, and new picket fence encloses front garden. Exterior colors are Benjamin Moore: "Smokey Taupe" for siding, "White Dove" for trim, and "Pale Daffodil" for door and windows.
Marina Rubina, ArchitectMittelgroße, Zweistöckige Moderne Doppelhaushälfte mit Faserzement-Fassade, grauer Fassadenfarbe, Schindeldach, grauem Dach und Verschalung in Philadelphia
Maynard Design + ArchitectureMittelgroßes, Zweistöckiges Maritimes Haus mit grauer Fassadenfarbe, Schindeldach und Schindeln in Providence
Bohannon Design TeamThe home features high clerestory windows and a welcoming front porch, nestled between beautiful live oaks.
Mittelgroßes, Einstöckiges Landhausstil Einfamilienhaus mit Steinfassade, grauer Fassadenfarbe, Satteldach, Blechdach, grauem Dach und Wandpaneelen in Dallas
Mittelgroßes, Einstöckiges Landhausstil Einfamilienhaus mit Steinfassade, grauer Fassadenfarbe, Satteldach, Blechdach, grauem Dach und Wandpaneelen in Dallas
First Choice Custom BuildersCustom Barndominium
Mittelgroßes, Einstöckiges Uriges Einfamilienhaus mit Metallfassade, grauer Fassadenfarbe, Satteldach, Blechdach und grauem Dach in Austin
Mittelgroßes, Einstöckiges Uriges Einfamilienhaus mit Metallfassade, grauer Fassadenfarbe, Satteldach, Blechdach und grauem Dach in Austin
Tuck and Tuck ArchitectsShingle style waterfront cottage
Mittelgroßes, Dreistöckiges Klassisches Haus mit grauer Fassadenfarbe, Mansardendach, Schindeldach, grauem Dach und Schindeln in Providence
Mittelgroßes, Dreistöckiges Klassisches Haus mit grauer Fassadenfarbe, Mansardendach, Schindeldach, grauem Dach und Schindeln in Providence
GravitasA Modern Contemporary Home in the Boise Foothills. Anchored to the hillside with a strong datum line. This home sites on the axis of the winter solstice and also features a bisection of the site by the alignment of Capitol Boulevard through a keyhole sculpture across the drive.
Albert Brito ArquitecturaVivienda unifamiliar entre medianeras en Badalona.
Mittelgroßes, Dreistöckiges Industrial Haus mit Betonfassade, grauer Fassadenfarbe und Flachdach in Barcelona
Mittelgroßes, Dreistöckiges Industrial Haus mit Betonfassade, grauer Fassadenfarbe und Flachdach in Barcelona
Brownhill HomesOutdoor entertaining at its finest. Beautifully styled to showcase the black ceiling fan which brings a flow on effect from the internal hardware, glass balustrade, luscious green grass. The decking masterfully erected using James Hardie Hardiedeck product to provide a long lasting effect. The indoor outdoor feel is accentuated by the large sliding doors to make the space feel even larger.
CTA Design Builders, Inc.Mittelgroßes, Einstöckiges Retro Einfamilienhaus mit grauer Fassadenfarbe, Satteldach und Blechdach in Seattle
Architecture Saville IsaacsExterior - Rear
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Quarry MillCorinthian real thin stone veneer from the Quarry Mill adds a sleek and modern touch to this exterior pillar. Corinthian stone brings a calm range of whites, grays, and blacks with a touch of tans to your stone project. The various sizes of the rectangular stones help this natural stone veneer look great on any project.
Wiedemann Architects LLCMittelgroßes, Zweistöckiges Modernes Einfamilienhaus mit Putzfassade, grauer Fassadenfarbe, Flachdach und Misch-Dachdeckung in Washington, D.C.
Mittelgroße Häuser mit grauer Fassadenfarbe Ideen und Design
1