Komfortabele Häuser mit bunter Fassadenfarbe Ideen und Design
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Asha MevlanaWho lives there: Asha Mevlana and her Havanese dog named Bali
Location: Fayetteville, Arkansas
Size: Main house (400 sq ft), Trailer (160 sq ft.), 1 loft bedroom, 1 bath
What sets your home apart: The home was designed specifically for my lifestyle.
My inspiration: After reading the book, "The Life Changing Magic of Tidying," I got inspired to just live with things that bring me joy which meant scaling down on everything and getting rid of most of my possessions and all of the things that I had accumulated over the years. I also travel quite a bit and wanted to live with just what I needed.
About the house: The L-shaped house consists of two separate structures joined by a deck. The main house (400 sq ft), which rests on a solid foundation, features the kitchen, living room, bathroom and loft bedroom. To make the small area feel more spacious, it was designed with high ceilings, windows and two custom garage doors to let in more light. The L-shape of the deck mirrors the house and allows for the two separate structures to blend seamlessly together. The smaller "amplified" structure (160 sq ft) is built on wheels to allow for touring and transportation. This studio is soundproof using recycled denim, and acts as a recording studio/guest bedroom/practice area. But it doesn't just look like an amp, it actually is one -- just plug in your instrument and sound comes through the front marine speakers onto the expansive deck designed for concerts.
My favorite part of the home is the large kitchen and the expansive deck that makes the home feel even bigger. The deck also acts as a way to bring the community together where local musicians perform. I love having a the amp trailer as a separate space to practice music. But I especially love all the light with windows and garage doors throughout.
Design team: Brian Crabb (designer), Zack Giffin (builder, custom furniture) Vickery Construction (builder) 3 Volve Construction (builder)
Design dilemmas: Because the city wasn’t used to having tiny houses there were certain rules that didn’t quite make sense for a tiny house. I wasn’t allowed to have stairs leading up to the loft, only ladders were allowed. Since it was built, the city is beginning to revisit some of the old rules and hopefully things will be changing.
Photo cred: Don Shreve
WERK | Building ModernModern Brick House, Indianapolis, Windcombe Neighborhood - Christopher Short, Derek Mills, Paul Reynolds, Architects, HAUS Architecture + WERK | Building Modern - Construction Managers - Architect Custom Builders
Brendan McHugh, Architect, Manasquan, NJVISION AND NEEDS:
Homeowner sought a ‘retreat’ outside of NY that would have water views and offer options for entertaining groups of friends in the house and by pool. Being a car enthusiast, it was important to have a multi-car-garage.
MCHUGH SOLUTION:
The client sought McHugh because of our recognizable modern designs in the area.
We were up for the challenge to design a home with a narrow lot located in a flood zone where views of the Toms River were secured from multiple rooms; while providing privacy on either side of the house. The elevated foundation offered incredible views from the roof. Each guest room opened up to a beautiful balcony. Flower beds, beautiful natural stone quarried from West Virginia and cedar siding, warmed the modern aesthetic, as you ascend to the front porch.
Kessler Construction LLCCustom two story home with board and batten siding.
Mittelgroßes, Zweistöckiges Country Einfamilienhaus mit Mix-Fassade, bunter Fassadenfarbe, Satteldach, Misch-Dachdeckung, schwarzem Dach und Wandpaneelen
Mittelgroßes, Zweistöckiges Country Einfamilienhaus mit Mix-Fassade, bunter Fassadenfarbe, Satteldach, Misch-Dachdeckung, schwarzem Dach und Wandpaneelen
mark gerwingmodern house made of two repurposed shipping containers
Kleines, Zweistöckiges Modernes Haus mit bunter Fassadenfarbe, Flachdach und Misch-Dachdeckung in Denver
Kleines, Zweistöckiges Modernes Haus mit bunter Fassadenfarbe, Flachdach und Misch-Dachdeckung in Denver
Lagom architectesMittelgroße, Zweistöckige Moderne Holzfassade Haus mit bunter Fassadenfarbe in Paris
Pacific Exteriors LLCMittelgroßes, Zweistöckiges Modernes Haus mit Mix-Fassade, bunter Fassadenfarbe und Satteldach in Seattle
square three architecture, incMittelgroßes, Zweistöckiges Modernes Einfamilienhaus mit bunter Fassadenfarbe und grauem Dach in San Francisco
Alair Homes EdmontonThis modern custom home features large open windows and an open concept layout, creating a bright and airy main living space. The living room features a modern fireplace, hardwood floors, and large, open windows, creating a cozy atmosphere.
Архитектурно-строительное бюро ASTRAGAL ARCHITECTSMittelgroßes, Zweistöckiges Klassisches Haus mit bunter Fassadenfarbe, Mansardendach und Ziegeldach in Sankt Petersburg
Homes By FrameworksZweistöckiges, Mittelgroßes Rustikales Einfamilienhaus mit Mix-Fassade, bunter Fassadenfarbe, Satteldach und Schindeldach in Denver
Refined SpaceWe took a tired 1960s house and transformed it into modern family home. We extended to the back to add a new open plan kitchen & dining area with 3m high sliding doors and to the front to gain a master bedroom, en suite and playroom. We completely overhauled the power and lighting, increased the water flow and added underfloor heating throughout the entire house.
The elegant simplicity of nordic design informed our use of a stripped back internal palette of white, wood and grey to create a continuous harmony throughout the house. We installed oak parquet floors, bespoke douglas fir cabinetry and southern yellow pine surrounds to the high performance windows.
Vision InteriorsAs a conceptual urban infill project, the Wexley is designed for a narrow lot in the center of a city block. The 26’x48’ floor plan is divided into thirds from front to back and from left to right. In plan, the left third is reserved for circulation spaces and is reflected in elevation by a monolithic block wall in three shades of gray. Punching through this block wall, in three distinct parts, are the main levels windows for the stair tower, bathroom, and patio. The right two-thirds of the main level are reserved for the living room, kitchen, and dining room. At 16’ long, front to back, these three rooms align perfectly with the three-part block wall façade. It’s this interplay between plan and elevation that creates cohesion between each façade, no matter where it’s viewed. Given that this project would have neighbors on either side, great care was taken in crafting desirable vistas for the living, dining, and master bedroom. Upstairs, with a view to the street, the master bedroom has a pair of closets and a skillfully planned bathroom complete with soaker tub and separate tiled shower. Main level cabinetry and built-ins serve as dividing elements between rooms and framing elements for views outside.
Architect: Visbeen Architects
Builder: J. Peterson Homes
Photographer: Ashley Avila Photography
steelehouseSharp House Rear Yard View
Kleines, Einstöckiges Modernes Einfamilienhaus mit Backsteinfassade, bunter Fassadenfarbe, Pultdach, Blechdach und grauem Dach in Perth
Kleines, Einstöckiges Modernes Einfamilienhaus mit Backsteinfassade, bunter Fassadenfarbe, Pultdach, Blechdach und grauem Dach in Perth
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
MMAD ArchitectureThe timber clad rear facade glows as night creating a play of light and shadow against the ground and boundary walls.
Image by: Jack Lovel Photography
RW Garage Doors, Inc.Justus Angan
Mittelgroßes, Zweistöckiges Mediterranes Haus mit Lehmfassade, bunter Fassadenfarbe und Walmdach in San Francisco
Mittelgroßes, Zweistöckiges Mediterranes Haus mit Lehmfassade, bunter Fassadenfarbe und Walmdach in San Francisco
Bluestone Building, LLCGroßes, Zweistöckiges Klassisches Einfamilienhaus mit Backsteinfassade, bunter Fassadenfarbe, Satteldach und Schindeldach in Birmingham
Архитектурно-строительное бюро ASTRAGAL ARCHITECTSMittelgroßes, Zweistöckiges Klassisches Haus mit bunter Fassadenfarbe, Mansardendach und Ziegeldach in Sankt Petersburg
Komfortabele Häuser mit bunter Fassadenfarbe Ideen und Design
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