Mittelgroße Häuser mit grauer Fassadenfarbe Ideen und Design
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Wilber Windows & DoorsEinstöckiges, Mittelgroßes Klassisches Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Satteldach und Schindeldach in Sonstige
Anchor BuildersDesign & Build Team: Anchor Builders,
Photographer: Andrea Rugg Photography
Zweistöckiges, Mittelgroßes Klassisches Haus mit Faserzement-Fassade, grauer Fassadenfarbe und Satteldach in Minneapolis
Zweistöckiges, Mittelgroßes Klassisches Haus mit Faserzement-Fassade, grauer Fassadenfarbe und Satteldach in Minneapolis
Ridge Creek Custom HomesZweistöckiges, Mittelgroßes Klassisches Haus mit Steinfassade, grauer Fassadenfarbe und Satteldach in Minneapolis
Casabella InteriorsMittelgroßes, Zweistöckiges Klassisches Einfamilienhaus mit grauer Fassadenfarbe, Satteldach und Schindeldach in Boston
Homes by Pinnacle, Inc.Mittelgroßes, Zweistöckiges Klassisches Einfamilienhaus mit Faserzement-Fassade, grauer Fassadenfarbe, Satteldach und Schindeldach in Chicago
Murakami Design Inc.At Murakami Design Inc., we are in the business of creating and building residences that bring comfort and delight to the lives of their owners.
Murakami provides the full range of services involved in designing and building new homes, or in thoroughly reconstructing and updating existing dwellings.
From historical research and initial sketches to construction drawings and on-site supervision, we work with clients every step of the way to achieve their vision and ensure their satisfaction.
We collaborate closely with such professionals as landscape architects and interior designers, as well as structural, mechanical and electrical engineers, respecting their expertise in helping us develop fully integrated design solutions.
Finally, our team stays abreast of all the latest developments in construction materials and techniques.
kds design groupExterior addition to front elevation to an existing ranch style home.
Mittelgroßes, Einstöckiges Modernes Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Satteldach, Schindeldach und schwarzem Dach in San Francisco
Mittelgroßes, Einstöckiges Modernes Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Satteldach, Schindeldach und schwarzem Dach in San Francisco
Craftbuilt, Inc.Second story addition onto an older brick ranch.
Mittelgroßes, Zweistöckiges Mid-Century Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Satteldach, Schindeldach, schwarzem Dach und Wandpaneelen in Atlanta
Mittelgroßes, Zweistöckiges Mid-Century Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Satteldach, Schindeldach, schwarzem Dach und Wandpaneelen in Atlanta
Gill Design Co.Designed around the sunset downtown views from the living room with open-concept living, the split-level layout provides gracious spaces for entertaining, and privacy for family members to pursue distinct pursuits.
Amy Storm & CompanyMittelgroßes, Zweistöckiges Klassisches Einfamilienhaus mit Putzfassade, grauer Fassadenfarbe, Schindeldach, grauem Dach und Schindeln in Chicago
CRG CompaniesMittelgroßes, Zweistöckiges Einfamilienhaus mit Steinfassade, grauer Fassadenfarbe, Satteldach und Misch-Dachdeckung in Sonstige
Jordan Iverson Signature HomesThis is our take on a modern farmhouse. With mixed exterior textures and materials, we accomplished both the modern feel with the attraction of farmhouse style.
Allard + Roberts Interior Design, IncMittelgroßes, Zweistöckiges Modernes Haus mit grauer Fassadenfarbe, Pultdach und Blechdach in Sonstige
Architectural CollaborativeWe designed this 3,162 square foot home for empty-nesters who love lake life. Functionally, the home accommodates multiple generations. Elderly in-laws stay for prolonged periods, and the homeowners are thinking ahead to their own aging in place. This required two master suites on the first floor. Accommodations were made for visiting children upstairs. Aside from the functional needs of the occupants, our clients desired a home which maximizes indoor connection to the lake, provides covered outdoor living, and is conducive to entertaining. Our concept celebrates the natural surroundings through materials, views, daylighting, and building massing.
We placed all main public living areas along the rear of the house to capitalize on the lake views while efficiently stacking the bedrooms and bathrooms in a two-story side wing. Secondary support spaces are integrated across the front of the house with the dramatic foyer. The front elevation, with painted green and natural wood siding and soffits, blends harmoniously with wooded surroundings. The lines and contrasting colors of the light granite wall and silver roofline draws attention toward the entry and through the house to the real focus: the water. The one-story roof over the garage and support spaces takes flight at the entry, wraps the two-story wing, turns, and soars again toward the lake as it approaches the rear patio. The granite wall extending from the entry through the interior living space is mirrored along the opposite end of the rear covered patio. These granite bookends direct focus to the lake.
Christopher D. Marshall Architect, LLCWe added a 3 story addition to this 1920's Dutch colonial style home. The addition consisted of an unfinished basement/future playroom, a main floor kitchen and family room and a master suite above. We also added a screened porch with double french doors that became the transition between the existing living room, the new kitchen addition and the backyard. We matched the interior and exterior details of the original home to create a seamless addition.
Photos- Chris Marshall & Sole Van Emden
Mass Architect, LLCsecond floor addition on an existing ranch house
Mittelgroßes, Zweistöckiges Klassisches Einfamilienhaus mit Faserzement-Fassade, grauer Fassadenfarbe, Satteldach und Schindeldach in Providence
Mittelgroßes, Zweistöckiges Klassisches Einfamilienhaus mit Faserzement-Fassade, grauer Fassadenfarbe, Satteldach und Schindeldach in Providence
CTA Design Builders, Inc.Mittelgroßes, Einstöckiges Retro Einfamilienhaus mit grauer Fassadenfarbe, Satteldach und Blechdach in Seattle
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Mary Hannah InteriorsThis coastal cottage packs the perfect punch of charm for its growing family in the heart of Cary, North Carolina, by Mary Hannah Interiors.
Mittelgroßes, Zweistöckiges Klassisches Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Schindeldach und Satteldach in Raleigh
Mittelgroßes, Zweistöckiges Klassisches Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Schindeldach und Satteldach in Raleigh
西島正樹／プライム PRIME Inc.architecture & planningMittelgroßes, Dreistöckiges Modernes Einfamilienhaus mit Betonfassade, grauer Fassadenfarbe und Flachdach in Tokio
Mittelgroße Häuser mit grauer Fassadenfarbe Ideen und Design
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