Mittelgroße Schwarze Häuser Ideen und Design
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Evergreen Custom ConstructionZweistöckiges, Mittelgroßes Uriges Einfamilienhaus mit Mix-Fassade, grüner Fassadenfarbe und Satteldach in Sonstige
Seven SundaysMittelgroßes, Zweistöckiges Uriges Einfamilienhaus mit grüner Fassadenfarbe, Satteldach und Schindeldach in San Francisco
Searl Lamaster Howe ArchitectsThe front of the house features an open porch, a common feature in the neighborhood. Stairs leading up to it are tucked behind one of a pair of brick walls. The brick was installed with raked (recessed) horizontal joints which soften the overall scale of the walls. The clerestory windows topping the taller of the brick walls bring light into the foyer and a large closet without sacrificing privacy. The living room windows feature a slight tint which provides a greater sense of privacy during the day without having to draw the drapes. An overhang lined on its underside in stained cedar leads to the entry door which again is hidden by one of the brick walls.
Whitney ArchitectureAaron Leitz
Mittelgroßes Klassisches Haus mit Faserzement-Fassade und grauer Fassadenfarbe in Seattle
Mittelgroßes Klassisches Haus mit Faserzement-Fassade und grauer Fassadenfarbe in Seattle
The McKernon GroupThis barn addition was accomplished by dismantling an antique timber frame and resurrecting it alongside a beautiful 19th century farmhouse in Vermont.
What makes this property even more special, is that all native Vermont elements went into the build, from the original barn to locally harvested floors and cabinets, native river rock for the chimney and fireplace and local granite for the foundation. The stone walls on the grounds were all made from stones found on the property.
The addition is a multi-level design with 1821 sq foot of living space between the first floor and the loft. The open space solves the problems of small rooms in an old house.
The barn addition has ICFs (r23) and SIPs so the building is airtight and energy efficient.
It was very satisfying to take an old barn which was no longer being used and to recycle it to preserve it's history and give it a new life.
Hoffman Grayson Architects LLPOriginally, the front of the house was on the left (eave) side, facing the primary street. Since the Garage was on the narrower, quieter side street, we decided that when we would renovate, we would reorient the front to the quieter side street, and enter through the front Porch.
So initially we built the fencing and Pergola entering from the side street into the existing Front Porch.
Then in 2003, we pulled off the roof, which enclosed just one large room and a bathroom, and added a full second story. Then we added the gable overhangs to create the effect of a cottage with dormers, so as not to overwhelm the scale of the site.
The shingles are stained Cabots Semi-Solid Deck and Siding Oil Stain, 7406, color: Burnt Hickory, and the trim is painted with Benjamin Moore Aura Exterior Low Luster Narraganset Green HC-157, (which is actually a dark blue).
Photo by Glen Grayson, AIA
Moore Architects, PCThe renovation of the Woodland Residence centered around two basic ideas. The first was to open the house to light and views of the surrounding woods. The second, due to a limited budget, was to minimize the amount of new footprint while retaining as much of the existing structure as possible.
The existing house was in dire need of updating. It was a warren of small rooms with long hallways connecting them. This resulted in dark spaces that had little relationship to the exterior. Most of the non bearing walls were demolished in order to allow for a more open concept while dividing the house into clearly defined private and public areas. The new plan is organized around a soaring new cathedral space that cuts through the center of the house, containing the living and family room spaces. A new screened porch extends the family room through a large folding door - completely blurring the line between inside and outside. The other public functions (dining and kitchen) are located adjacently. A massive, off center pivoting door opens to a dramatic entry with views through a new open staircase to the trees beyond. The new floor plan allows for views to the exterior from virtually any position in the house, which reinforces the connection to the outside.
The open concept was continued into the kitchen where the decision was made to eliminate all wall cabinets. This allows for oversized windows, unusual in most kitchens, to wrap the corner dissolving the sense of containment. A large, double-loaded island, capped with a single slab of stone, provides the required storage. A bar and beverage center back up to the family room, allowing for graceful gathering around the kitchen. Windows fill as much wall space as possible; the effect is a comfortable, completely light-filled room that feels like it is nestled among the trees. It has proven to be the center of family activity and the heart of the residence.
Hoachlander Davis Photography
North View Architecture2 story side extension and single story rear wraparound extension.
Mittelgroßes, Zweistöckiges Klassisches Haus mit grauer Fassadenfarbe, Satteldach, Ziegeldach, braunem Dach und Wandpaneelen in Sonstige
Mittelgroßes, Zweistöckiges Klassisches Haus mit grauer Fassadenfarbe, Satteldach, Ziegeldach, braunem Dach und Wandpaneelen in Sonstige
Mihaly SlocombeHood House is a playful protector that respects the heritage character of Carlton North whilst celebrating purposeful change. It is a luxurious yet compact and hyper-functional home defined by an exploration of contrast: it is ornamental and restrained, subdued and lively, stately and casual, compartmental and open.
For us, it is also a project with an unusual history. This dual-natured renovation evolved through the ownership of two separate clients. Originally intended to accommodate the needs of a young family of four, we shifted gears at the eleventh hour and adapted a thoroughly resolved design solution to the needs of only two. From a young, nuclear family to a blended adult one, our design solution was put to a test of flexibility.
The result is a subtle renovation almost invisible from the street yet dramatic in its expressive qualities. An oblique view from the northwest reveals the playful zigzag of the new roof, the rippling metal hood. This is a form-making exercise that connects old to new as well as establishing spatial drama in what might otherwise have been utilitarian rooms upstairs. A simple palette of Australian hardwood timbers and white surfaces are complimented by tactile splashes of brass and rich moments of colour that reveal themselves from behind closed doors.
Our internal joke is that Hood House is like Lazarus, risen from the ashes. We’re grateful that almost six years of hard work have culminated in this beautiful, protective and playful house, and so pleased that Glenda and Alistair get to call it home.
NASU CLUB森の中に佇む印象的すまいのシルエット。
室内から笑声が聞こえて来る様＿。
Mittelgroßes, Zweistöckiges Modernes Einfamilienhaus mit brauner Fassadenfarbe, Pultdach, Blechdach und grauem Dach in Sonstige
Mittelgroßes, Zweistöckiges Modernes Einfamilienhaus mit brauner Fassadenfarbe, Pultdach, Blechdach und grauem Dach in Sonstige
HAUS | Architecture For Modern LifestylesEast Exterior Elevation - Welcome to Bridge House - Fennville, Michigan - Lake Michigan, Saugutuck, Michigan, Douglas Michigan - HAUS | Architecture For Modern Lifestyles
Fairview Log HomesGray stained log home with black windows, doors, gutters and black light fixtures. Home is constructed of Milled D Logs with Butt n Pass corners.
Mittelgroßes, Einstöckiges Rustikales Haus mit grauer Fassadenfarbe und Blechdach in Kolumbus
Mittelgroßes, Einstöckiges Rustikales Haus mit grauer Fassadenfarbe und Blechdach in Kolumbus
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
株式会社ハウゼグレーをベースにした外壁に黒いカラークリートの土間が
外観のスタイリッシュな印象を際立たせています。
シンボルツリーの株立ちアオダモが素敵なチョイスです。
Mittelgroßes, Zweistöckiges Modernes Einfamilienhaus mit grauer Fassadenfarbe, Pultdach und Blechdach in Sonstige
Mittelgroßes, Zweistöckiges Modernes Einfamilienhaus mit grauer Fassadenfarbe, Pultdach und Blechdach in Sonstige
Brendan McHugh, Architect, Manasquan, NJMittelgroßes, Zweistöckiges Klassisches Haus mit grauer Fassadenfarbe, Satteldach, Schindeldach, braunem Dach und Schindeln in New York
Birchwood Construction CompanyBirchwood Construction had the pleasure of working with Jonathan Lee Architects to revitalize this beautiful waterfront cottage. Located in the historic Belvedere Club community, the home's exterior design pays homage to its original 1800s grand Southern style. To honor the iconic look of this era, Birchwood craftsmen cut and shaped custom rafter tails and an elegant, custom-made, screen door. The home is framed by a wraparound front porch providing incomparable Lake Charlevoix views.
The interior is embellished with unique flat matte-finished countertops in the kitchen. The raw look complements and contrasts with the high gloss grey tile backsplash. Custom wood paneling captures the cottage feel throughout the rest of the home. McCaffery Painting and Decorating provided the finishing touches by giving the remodeled rooms a fresh coat of paint.
Photo credit: Phoenix Photographic
菊池ひろ建築設計室｜kikuchihiro design office矢ケ崎の家2016｜菊池ひろ建築設計室
撮影：辻岡 利之
Mittelgroßes Modernes Haus mit schwarzer Fassadenfarbe, Walmdach und Blechdach in Sonstige
Mittelgroßes Modernes Haus mit schwarzer Fassadenfarbe, Walmdach und Blechdach in Sonstige
Flavin ArchitectsFlavin Architects was chosen for the renovation due to their expertise with Mid-Century-Modern and specifically Henry Hoover renovations. Respect for the integrity of the original home while accommodating a modern family’s needs is key. Practical updates like roof insulation, new roofing, and radiant floor heat were combined with sleek finishes and modern conveniences. Photo by: Nat Rea Photography
Melbourne Design Studios (MDS)Peter Clarke Photography
Mittelgroßes, Dreistöckiges Modernes Haus mit brauner Fassadenfarbe, Flachdach und Blechdach in Melbourne
Mittelgroßes, Dreistöckiges Modernes Haus mit brauner Fassadenfarbe, Flachdach und Blechdach in Melbourne
Laura Juarez Baggett Studio, PLLCCharles Davis Smith, AIA
Mittelgroßes, Einstöckiges Mid-Century Einfamilienhaus mit Backsteinfassade, beiger Fassadenfarbe, Walmdach und Blechdach in Dallas
Mittelgroßes, Einstöckiges Mid-Century Einfamilienhaus mit Backsteinfassade, beiger Fassadenfarbe, Walmdach und Blechdach in Dallas
Mittelgroße Schwarze Häuser Ideen und Design
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