Häuser mit grauer Fassadenfarbe und pinker Fassadenfarbe Ideen und Design
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Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
JB Architecture Group, Inc.For this home we were hired as the Architect only. Siena Custom Builders, Inc. was the Builder.
+/- 5,200 sq. ft. home (Approx. 42' x 110' Footprint)
Cedar Siding - Cabot Solid Stain - Pewter Grey
Ridge Creek Custom HomesZweistöckiges, Mittelgroßes Klassisches Haus mit Steinfassade, grauer Fassadenfarbe und Satteldach in Minneapolis
Acorn Deck House CompanyWith a grand total of 1,247 square feet of living space, the Lincoln Deck House was designed to efficiently utilize every bit of its floor plan. This home features two bedrooms, two bathrooms, a two-car detached garage and boasts an impressive great room, whose soaring ceilings and walls of glass welcome the outside in to make the space feel one with nature.
DEMESNEThe simple volumes of this urban lake house give a nod to the existing 1940’s weekend cottages and farmhouses contained in the mature neighborhood on White Rock Lake. The concept is a modern twist on the vernacular within the area by incorporating the use of modern materials such as concrete, steel, and cable. ©Shoot2Sell Photography
Mark Brand ArchitectureFor this remodel in Portola Valley, California, we were hired to rejuvenate a circa 1980 modernist house clad in deteriorating vertical wood siding. The house included a greenhouse style sunroom which got so unbearably hot as to be unusable. We opened up the floor plan and completely demolished the sunroom, replacing it with a new dining room open to the remodeled living room and kitchen. We added a new office and deck above the new dining room and replaced all of the exterior windows, mostly with oversized sliding aluminum doors by Fleetwood to open the house up to the wooded hillside setting. Stainless steel railings protect the inhabitants where the sliding doors open more than 50 feet above the ground below. We replaced the wood siding with stucco in varying tones of gray, white and black, creating new exterior lines, massing and proportions. We also created a new master suite upstairs and remodeled the existing powder room.
Architecture by Mark Brand Architecture. Interior Design by Mark Brand Architecture in collaboration with Applegate Tran Interiors.
Lighting design by Luminae Souter. Photos by Christopher Stark Photography.
Alair Homes ClemsonThis house features an open concept floor plan, with expansive windows that truly capture the 180-degree lake views. The classic design elements, such as white cabinets, neutral paint colors, and natural wood tones, help make this house feel bright and welcoming year round.
Homes by Pinnacle, Inc.Mittelgroßes, Zweistöckiges Klassisches Einfamilienhaus mit Faserzement-Fassade, grauer Fassadenfarbe, Satteldach und Schindeldach in Chicago
Wiedemann Architects LLCView of home at dusk.
Großes, Zweistöckiges Uriges Haus mit grauer Fassadenfarbe, Walmdach und Schindeldach in Washington, D.C.
Großes, Zweistöckiges Uriges Haus mit grauer Fassadenfarbe, Walmdach und Schindeldach in Washington, D.C.
CTA Design Builders, Inc.Mittelgroßes, Einstöckiges Retro Einfamilienhaus mit grauer Fassadenfarbe, Satteldach und Blechdach in Seattle
Newport RenewablesMittelgroßes, Zweistöckiges Modernes Haus mit Flachdach und grauer Fassadenfarbe in Providence
Burge Building ConsultantsMittelgroßes, Zweistöckiges Klassisches Einfamilienhaus mit Backsteinfassade, grauer Fassadenfarbe, Satteldach und Schindeldach in Sonstige
McCollum Studio ArchitectsShoberg Homes- Contractor
Studio Seiders - Interior Design
Ryann Ford Photography, LLC
Einstöckiges Modernes Einfamilienhaus mit Steinfassade, grauer Fassadenfarbe und Walmdach in Austin
Einstöckiges Modernes Einfamilienhaus mit Steinfassade, grauer Fassadenfarbe und Walmdach in Austin
Coastal Signature HomesTom Jenkins Photography
Siding color: Sherwin Williams 7045 (Intelectual Grey)
Shutter color: Sherwin Williams 7047 (Porpoise)
Trim color: Sherwin Williams 7008 (Alabaster)
Windows: Andersen
Rustic Wood HubDarby Ask Photography
Corral Board siding
Zweistöckiges Rustikales Haus mit grauer Fassadenfarbe, Satteldach, Blechdach und Dachgaube in Sonstige
Zweistöckiges Rustikales Haus mit grauer Fassadenfarbe, Satteldach, Blechdach und Dachgaube in Sonstige
Dawson Design GroupBrady Architectural Photography
Großes, Zweistöckiges Modernes Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe und Flachdach in San Diego
Großes, Zweistöckiges Modernes Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe und Flachdach in San Diego
AOME ArchitectsThe simple entryway, framed in stone, casts a lantern-like glow in the evening.
Photography by Mike Jensen
Großes, Zweistöckiges Rustikales Einfamilienhaus mit Pultdach, Mix-Fassade, grauer Fassadenfarbe und Blechdach in Seattle
Großes, Zweistöckiges Rustikales Einfamilienhaus mit Pultdach, Mix-Fassade, grauer Fassadenfarbe und Blechdach in Seattle
Arnold Lumber Companyoutdoor stone fireplace
Große, Zweistöckige Maritime Holzfassade Haus mit grauer Fassadenfarbe und Satteldach in Providence
Große, Zweistöckige Maritime Holzfassade Haus mit grauer Fassadenfarbe und Satteldach in Providence
Anchor BuildersDesign & Build Team: Anchor Builders,
Photographer: Andrea Rugg Photography
Zweistöckiges, Mittelgroßes Klassisches Haus mit Faserzement-Fassade, grauer Fassadenfarbe und Satteldach in Minneapolis
Zweistöckiges, Mittelgroßes Klassisches Haus mit Faserzement-Fassade, grauer Fassadenfarbe und Satteldach in Minneapolis
John Kraemer & SonsBuilder: John Kraemer & Sons | Photography: Landmark Photography
Kleines, Zweistöckiges Modernes Haus mit Mix-Fassade, grauer Fassadenfarbe und Flachdach in Minneapolis
Kleines, Zweistöckiges Modernes Haus mit Mix-Fassade, grauer Fassadenfarbe und Flachdach in Minneapolis
Häuser mit grauer Fassadenfarbe und pinker Fassadenfarbe Ideen und Design
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