Treppen - Marmortreppen, Holztreppen Ideen und Design
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Bürogemeinschaft | bfl Architekten und Berater
Stufenlandschaft mit Sitzgelegenheit
Gewendelte Moderne Treppe mit Holz-Setzstufen und Holzwänden in Berlin
Gewendelte Moderne Treppe mit Holz-Setzstufen und Holzwänden in Berlin
Studio Catoir
Architecture intérieure d'un appartement situé au dernier étage d'un bâtiment neuf dans un quartier résidentiel. Le Studio Catoir a créé un espace élégant et représentatif avec un soin tout particulier porté aux choix des différents matériaux naturels, marbre, bois, onyx et à leur mise en oeuvre par des artisans chevronnés italiens. La cuisine ouverte avec son étagère monumentale en marbre et son ilôt en miroir sont les pièces centrales autour desquelles s'articulent l'espace de vie. La lumière, la fluidité des espaces, les grandes ouvertures vers la terrasse, les jeux de reflets et les couleurs délicates donnent vie à un intérieur sensoriel, aérien et serein.
Tweak Your Space
Mittelgroße Moderne Holztreppe in L-Form mit Holz-Setzstufen und Stahlgeländer in Tampa
LMK INTERIOR DESIGN
Scott Zimmerman, Floating staircase with walnut treads and glass railing.
Gerade, Mittelgroße Moderne Holztreppe mit offenen Setzstufen in Salt Lake City
Gerade, Mittelgroße Moderne Holztreppe mit offenen Setzstufen in Salt Lake City
Clawson Architects, LLC
Clawson Architects designed the Main Entry/Stair Hall, flooding the space with natural light on both the first and second floors while enhancing views and circulation with more thoughtful space allocations and period details.
AIA Gold Medal Winner for Interior Architectural Element.
Michael Robert Construction
This foyer was updated with the addition of white paneling and new herringbone hardwood floors with a walnut border. The walls are covered in a navy blue grasscloth wallpaper from Thibaut. A navy and white geometric patterned stair-runner, held in place with stair rods capped with pineapple finials, further contributes to the home's coastal feel.
Photo by Mike Mroz of Michael Robert Construction
Sogno Design Group
Michele Lee Wilson
Mittelgroße Urige Treppe in L-Form mit gebeizten Holz-Setzstufen in San Francisco
Mittelgroße Urige Treppe in L-Form mit gebeizten Holz-Setzstufen in San Francisco
William Guidero Planning and Design
interior designer: Kathryn Smith
Mittelgroße Country Holztreppe in L-Form mit gebeizten Holz-Setzstufen und Mix-Geländer in Orange County
Mittelgroße Country Holztreppe in L-Form mit gebeizten Holz-Setzstufen und Mix-Geländer in Orange County
Audino Construction, Inc.
Tommy Kile Photography
Gerade, Mittelgroße Klassische Holztreppe mit gebeizten Holz-Setzstufen und Stahlgeländer in Austin
Gerade, Mittelgroße Klassische Holztreppe mit gebeizten Holz-Setzstufen und Stahlgeländer in Austin
Wyant Architecture
Open stair with steel railing. Photo: Jeffrey Totaro.
Kleine Moderne Holztreppe in U-Form mit Holz-Setzstufen und Stahlgeländer in Philadelphia
Kleine Moderne Holztreppe in U-Form mit Holz-Setzstufen und Stahlgeländer in Philadelphia
Jennifer Stoner Interiors
We carried the wainscoting from the foyer all the way up the stairwell to create a more dramatic backdrop. The newels and hand rails were painted Sherwin Williams Iron Ore, as were all of the interior doors on this project.
Young & Young Interiors
Schwebende Moderne Holztreppe mit offenen Setzstufen und Drahtgeländer in Detroit
Legacy Contracting LLC
Gerade, Mittelgroße Moderne Holztreppe mit gebeizten Holz-Setzstufen und Drahtgeländer in New York
Allard + Roberts Interior Design, Inc
The staircase once housed a traditional railing with twisted iron pickets. During the renovation, the skirt board was painted in the new wall color, and railings replaced in gunmetal gray steel with a stained wood cap. The end result is an aesthetic more in keeping with the homeowner's collection of contemporary artwork mixed with antiques.
Architecture Saville Isaacs
Internal - Floating Staircase
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Garrett Construction Company
Finished stairs with new railings, oak treads and painted risers
Gerade Klassische Holztreppe mit gebeizten Holz-Setzstufen und Mix-Geländer in Cedar Rapids
Gerade Klassische Holztreppe mit gebeizten Holz-Setzstufen und Mix-Geländer in Cedar Rapids
Balodemas Architects
Anice Hoachlander, Hoachlander Davis Photography
Gerade Mid-Century Holztreppe mit offenen Setzstufen in Washington, D.C.
Gerade Mid-Century Holztreppe mit offenen Setzstufen in Washington, D.C.
Lark Architecture
The staircase is the focal point of the home. Chunky floating open treads, blackened steel, and continuous metal rods make for functional and sculptural circulation. Skylights aligned above the staircase illuminate the home and create unique shadow patterns that contribute to the artistic style of the home.
Treppen - Marmortreppen, Holztreppen Ideen und Design
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