Weiße Häuser mit grauer Fassadenfarbe Ideen und Design
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Sears ArchitectsPhotographer: Ashley Avila
For building specifications, please see description on main project page.
For interior images and specifications, please visit: http://www.houzz.com/projects/332182/lake-house.
RénoDéco etc.Designer Lyne Brunet
Mittelgroßes, Zweistöckiges Country Haus mit grauer Fassadenfarbe, Schmetterlingsdach, Schindeldach, schwarzem Dach und Wandpaneelen in Montreal
Mittelgroßes, Zweistöckiges Country Haus mit grauer Fassadenfarbe, Schmetterlingsdach, Schindeldach, schwarzem Dach und Wandpaneelen in Montreal
Quarry MillEmpire real thin stone veneer from the Quarry Mill adds modern elegance to this stunning residential home. Empire natural stone veneer consists of mild shades of gray and a consistent sandstone texture. This stone comes in various sizes of mostly rectangular-shaped stones with squared edges. Empire is a great stone to create a brick wall layout while still creating a natural look and feel. As a result, it works well for large and small projects like accent walls, exterior siding, and features like mailboxes. The light colors will blend well with any décor and provide a neutral backing to any space.
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Studio Boise, LLCMittelgroßes, Dreistöckiges Uriges Einfamilienhaus mit Faserzement-Fassade, grauer Fassadenfarbe, Walmdach und Schindeldach in Boise
MoontowerZweistöckiges, Mittelgroßes Industrial Einfamilienhaus mit Metallfassade, grauer Fassadenfarbe, Pultdach und Blechdach in Austin
Whalen Custom HomesMittelgroßes, Einstöckiges Klassisches Einfamilienhaus mit Vinylfassade, grauer Fassadenfarbe, Satteldach und Schindeldach in St. Louis
RoSal EnterprisesGates on each end to enable cleaning.
Kleines, Einstöckiges Rustikales Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Pultdach und Misch-Dachdeckung in New York
Kleines, Einstöckiges Rustikales Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Pultdach und Misch-Dachdeckung in New York
Meadow Ridge Homes Ltd.Großes, Zweistöckiges Modernes Haus mit Mix-Fassade und grauer Fassadenfarbe in Vancouver
Jim Kuiken DesignLandmark Photography
Mittelgroßes, Einstöckiges Modernes Haus mit Mix-Fassade, grauer Fassadenfarbe und Satteldach in Minneapolis
Mittelgroßes, Einstöckiges Modernes Haus mit Mix-Fassade, grauer Fassadenfarbe und Satteldach in Minneapolis
The Design ShoppeCape Cod-style home in South Tulsa which rich use of color and light.
Builder: Homes by Mark Galbraith, LLC
Photo Cred: Michelle Soden
Mittelgroßes, Zweistöckiges Maritimes Haus mit Steinfassade und grauer Fassadenfarbe in Sonstige
Mittelgroßes, Zweistöckiges Maritimes Haus mit Steinfassade und grauer Fassadenfarbe in Sonstige
VictorEric Design+BuildMittelgroßes, Zweistöckiges Modernes Einfamilienhaus mit Backsteinfassade, grauer Fassadenfarbe und Flachdach in Vancouver
STUDIOMINT Architecture & InteriorsFrench provincial facade of the home. Using a combination of wrought iron, concrete, custom shield and travertine stone.
Geräumiges, Zweistöckiges Klassisches Haus mit Betonfassade und grauer Fassadenfarbe in Melbourne
Geräumiges, Zweistöckiges Klassisches Haus mit Betonfassade und grauer Fassadenfarbe in Melbourne
Four Chairs FurnitureBrighten up the outside of your home with a painted front door! It adds such a fun pop!
Photography by Hiya Papaya
Mittelgroßes, Zweistöckiges Stilmix Haus mit grauer Fassadenfarbe in Salt Lake City
Mittelgroßes, Zweistöckiges Stilmix Haus mit grauer Fassadenfarbe in Salt Lake City
ArchiPlicity, LLCKatherine Jackson Architectural Photography
Mittelgroßes, Dreistöckiges Klassisches Haus mit grauer Fassadenfarbe, Satteldach und Schindeldach in Boston
Mittelgroßes, Dreistöckiges Klassisches Haus mit grauer Fassadenfarbe, Satteldach und Schindeldach in Boston
Jacek's Carpentry IncGroßes, Einstöckiges Modernes Einfamilienhaus mit Faserzement-Fassade, grauer Fassadenfarbe und Schindeldach in Jacksonville
Havlicek Builders Inc.Custom breezeway between the home and additional garage.
Großes, Zweistöckiges Klassisches Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Halbwalmdach und Schindeldach in Chicago
Großes, Zweistöckiges Klassisches Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Halbwalmdach und Schindeldach in Chicago
Prodigy Homes Inc.Einstöckiges, Mittelgroßes Modernes Einfamilienhaus mit Schindeldach, Putzfassade, grauer Fassadenfarbe und Walmdach in Seattle
CK Rogers Design. Build. Remodel.Sunny Daze Photography
Kleines, Einstöckiges Uriges Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Satteldach und Schindeldach in Boise
Kleines, Einstöckiges Uriges Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Satteldach und Schindeldach in Boise
Weiße Häuser mit grauer Fassadenfarbe Ideen und Design
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