Wintergarten mit Marmorboden Ideen und Design
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L + Architects
Moderner Wintergarten ohne Kamin mit Marmorboden, normaler Decke und braunem Boden in London
Lisa Stewart Design
This modern mansion has a grand entrance indeed. To the right is a glorious 3 story stairway with custom iron and glass stair rail. The dining room has dramatic black and gold metallic accents. To the left is a home office, entrance to main level master suite and living area with SW0077 Classic French Gray fireplace wall highlighted with golden glitter hand applied by an artist. Light golden crema marfil stone tile floors, columns and fireplace surround add warmth. The chandelier is surrounded by intricate ceiling details. Just around the corner from the elevator we find the kitchen with large island, eating area and sun room. The SW 7012 Creamy walls and SW 7008 Alabaster trim and ceilings calm the beautiful home.
Doski Building & Remodeling
Mittelgroßer Klassischer Wintergarten ohne Kamin mit Marmorboden, normaler Decke und braunem Boden
Fritz Carpentry & Contracting, LLC
Mittelgroßer Klassischer Wintergarten mit Marmorboden, normaler Decke und buntem Boden in Philadelphia
Demeure Design
Charming contemporary conservatory in modern family residence in Marrakech, Morocco.
Mittelgroßer Moderner Wintergarten mit Marmorboden, normaler Decke und grauem Boden in Sonstige
Mittelgroßer Moderner Wintergarten mit Marmorboden, normaler Decke und grauem Boden in Sonstige
KIRK
Richard Kirk Architect was one of several architects invited in 2005 to participate in the Elysium development which is an ambitious 189 lot boutique housing sub-division on a site to the west of the centre of Noosa on the Sunshine Coast. Elysium initially adopted architecture as the key driver for the amenity and quality of the environment for the entire development
Our approach was to consider the 6 houses as a family which shared the same materiality, construction and spatial organisation. The purpose of treating the houses as siblings was a deliberate attempt to control the built quality through shared details that would assist in the construction phase which did not involve the architects with the usual level of control and involvement.
Lot 176 is the first of the series and is in effect a prototype using the same materials, construction, and spatial ideas as a shared palette.
The residence on Lot 176 is located on a ridge along the west of the Elysium development with views to the rear into extant landscape and a golf course beyond. The residence occupies the majority of the allowable building envelope and then provides a carved out two story volume in the centre to allow light and ventilation to all interior spaces.
The carved interior volume provides an internal focus visually and functionally. The inside and outside are united by seamless transitions and the consistent use of a restrained palette of materials. Materials are generally timbers left to weather naturally, zinc, and self-finished oxide renders which will improve their appearance with time, allowing the houses to merge with the landscape with an overall desire for applied finishes to be kept to a minimum.
The organisational strategy was delivered by the topography which allowed the garaging of cars to occur below grade with the living spaces on the ground and sleeping spaces placed above. The removal of the garage spaces from the main living level allowed the main living spaces to link visually and physical along the long axis of the rectangular site and allowed the living spaces to be treated as a field of connected spaces and rooms whilst the bedrooms on the next level are conceived as nests floating above.
The building is largely opened on the short access to allow views out of site with the living level utilising sliding screens to opening the interior completely to the exterior. The long axis walls are largely solid and openings are finely screened with vertical timber to blend with the vertical cedar cladding to give the sense of taught solid volume folding over the long sides. On the short axis to the bedroom level the openings are finely screened with horizontal timber members which from within allow exterior views whilst presenting a solid volume albeit with a subtle change in texture. The careful screening allows the opening of the building without compromising security or privacy from the adjacent dwellings.
Photographer: Scott Burrows
Hélène Broderick Interiors
Mittelgroßer Klassischer Wintergarten mit Marmorboden und Glasdecke in Dublin
Mittelgroßer Klassischer Wintergarten mit Marmorboden und Glasdecke in Dublin
Virtual Studio Innovations
Großer Klassischer Wintergarten mit Marmorboden und weißem Boden in Atlanta
Tollgard Design Group
Mittelgroßer Klassischer Wintergarten mit Marmorboden, Oberlicht und beigem Boden in London
Westbury Garden Rooms
Mittelgroßer Klassischer Wintergarten mit Marmorboden, beigem Boden und Glasdecke in Essex
Glass Spaces, Extensions and Rooms
Creating a light cool area within the garden that can be used all year round.
Natural stone walls to the house are not interrupted by this architecturally designed by glasspace.
This is a perfect example of bring the outside in and blurring the lines between old and new
AND GB limited
Klassischer Wintergarten ohne Kamin mit Kaminumrandung aus Stein, Marmorboden und Glasdecke in London
Vale Garden Houses
This impressive dining conservatory was designed for a significant Georgian property. Reeded columns and simple capitals have been inspired by existing detail on the front of the house.
On this project Vale worked closely with interior design specialists Jamie Hempsall Ltd to produce a stunning, unique space. Interior design by Jamie Hempsall Ltd.
Peter Zimmerman Architects
Tom Crane
Großer Klassischer Wintergarten ohne Kamin mit normaler Decke, Marmorboden und grauem Boden in Philadelphia
Großer Klassischer Wintergarten ohne Kamin mit normaler Decke, Marmorboden und grauem Boden in Philadelphia
Christine Dahl Interior Design
Großer Eklektischer Wintergarten ohne Kamin mit Marmorboden, Kaminumrandung aus Stein, grauem Boden und Oberlicht in New York
Doski Building & Remodeling
Mittelgroßer Klassischer Wintergarten ohne Kamin mit Marmorboden, normaler Decke und braunem Boden in New York
The Interior Edge
Sun and Garden Room Aurbach Mansion Showhouse:
This room was restored for a showhouse. We had hand painted murals done for the walls by Bill Riley. They depict walking on paths in a wondrous sculpture garden with flowers lining your every step. The molding was added at the top to make the room feel more intimate, then painted champagne metallic and Ralph Lauren midnight blue above that. The floors are verde marble. The ottoman is Mackenzie Childs. Antique pillows from The Martin Group.
Photography: Robert Benson Photography, Hartford, Ct.
Interiors by Maite Granda
A lot of creativity to bring this kitchen - bbq area outside without being seen from the living room area and minimum space. Custom made counter to accommodate all appliances, white hard ceramic for outdoor, custom made bench with storage for outdoor pillows and umbrellas, next to the covered terrace.
Rolando Diaz Photographer
Wintergarten mit Marmorboden Ideen und Design
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