Industrial Esszimmer Ideen und Design
Breathe Design StudioA transitional townhouse for a family with a touch of modern design and blue accents. When I start a project, I always ask a client to describe three words that they want to describe their home. In this instance, the owner asked for a modern, clean, and functional aesthetic that would be family-friendly, while also allowing him to entertain. We worked around the owner's artwork by Ryan Fugate in order to choose a neutral but also sophisticated palette of blues, greys, and green for the entire home. Metallic accents create a more modern feel that plays off of the hardware already in the home. The result is a comfortable and bright home where everyone can relax at the end of a long day.
Photography by Reagen Taylor Photography
Collaboration with lead designer Travis Michael Interiors
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Project designed by the Atomic Ranch featured modern designers at Breathe Design Studio. From their Austin design studio, they serve an eclectic and accomplished nationwide clientele including in Palm Springs, LA, and the San Francisco Bay Area.
For more about Breathe Design Studio, see here: https://www.breathedesignstudio.com/
Dohn ConstructionGeschlossenes, Mittelgroßes Industrial Esszimmer ohne Kamin mit brauner Wandfarbe, braunem Holzboden und braunem Boden in Denver
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Possibilities for DesignEric Lucero Photography
Kleine Industrial Wohnküche mit grauer Wandfarbe und hellem Holzboden in Denver
Kleine Industrial Wohnküche mit grauer Wandfarbe und hellem Holzboden in Denver
Possibilities for DesignEric Lucero Photography
Kleine Industrial Wohnküche mit grauer Wandfarbe und hellem Holzboden in Denver
Kleine Industrial Wohnküche mit grauer Wandfarbe und hellem Holzboden in Denver
Mary Rossi DesignsMittelgroße Industrial Wohnküche mit beiger Wandfarbe, dunklem Holzboden, Kamin, Kaminumrandung aus Stein und braunem Boden in Phoenix
ARCO DesignsWhite colour and limewashed plywood panels were used to keep the interior as light as possible.
Industrial Shed Conversion
Photo by Cheryl O'Shea.
Offenes, Mittelgroßes Industrial Esszimmer mit weißer Wandfarbe und Betonboden in Gold Coast - Tweed
Offenes, Mittelgroßes Industrial Esszimmer mit weißer Wandfarbe und Betonboden in Gold Coast - Tweed
Domus NovaNaturally, many of the pieces were sourced from Portobello Road. “I love 1970s lighting, and so I spent hours on the Portobello Road sourcing original lights,” says the owner. “I also made the large mirror using an old picture frame from one of the local shops, spraying it and getting a mirror put in. Similarly with the glass cabinet – it was a cheap purchase which I sprayed entirely black aside from the back which was painted purple. I also inserted a blue light into it, and now it’s my favourite piece". The EXIT sign is from Islington – perfect for when guests overstay their welcome.
TPA StudioTPA Architecture
Industrial Esszimmer mit beiger Wandfarbe und hellem Holzboden in Los Angeles
Industrial Esszimmer mit beiger Wandfarbe und hellem Holzboden in Los Angeles
Thomas Roszak Architecture, LLCPhotography-Hedrich Blessing
Glass House:
The design objective was to build a house for my wife and three kids, looking forward in terms of how people live today. To experiment with transparency and reflectivity, removing borders and edges from outside to inside the house, and to really depict “flowing and endless space”. To construct a house that is smart and efficient in terms of construction and energy, both in terms of the building and the user. To tell a story of how the house is built in terms of the constructability, structure and enclosure, with the nod to Japanese wood construction in the method in which the concrete beams support the steel beams; and in terms of how the entire house is enveloped in glass as if it was poured over the bones to make it skin tight. To engineer the house to be a smart house that not only looks modern, but acts modern; every aspect of user control is simplified to a digital touch button, whether lights, shades/blinds, HVAC, communication/audio/video, or security. To develop a planning module based on a 16 foot square room size and a 8 foot wide connector called an interstitial space for hallways, bathrooms, stairs and mechanical, which keeps the rooms pure and uncluttered. The base of the interstitial spaces also become skylights for the basement gallery.
This house is all about flexibility; the family room, was a nursery when the kids were infants, is a craft and media room now, and will be a family room when the time is right. Our rooms are all based on a 16’x16’ (4.8mx4.8m) module, so a bedroom, a kitchen, and a dining room are the same size and functions can easily change; only the furniture and the attitude needs to change.
The house is 5,500 SF (550 SM)of livable space, plus garage and basement gallery for a total of 8200 SF (820 SM). The mathematical grid of the house in the x, y and z axis also extends into the layout of the trees and hardscapes, all centered on a suburban one-acre lot.
kimberly peck architectphotos by Pedro Marti
This large light-filled open loft in the Tribeca neighborhood of New York City was purchased by a growing family to make into their family home. The loft, previously a lighting showroom, had been converted for residential use with the standard amenities but was entirely open and therefore needed to be reconfigured. One of the best attributes of this particular loft is its extremely large windows situated on all four sides due to the locations of neighboring buildings. This unusual condition allowed much of the rear of the space to be divided into 3 bedrooms/3 bathrooms, all of which had ample windows. The kitchen and the utilities were moved to the center of the space as they did not require as much natural lighting, leaving the entire front of the loft as an open dining/living area. The overall space was given a more modern feel while emphasizing it’s industrial character. The original tin ceiling was preserved throughout the loft with all new lighting run in orderly conduit beneath it, much of which is exposed light bulbs. In a play on the ceiling material the main wall opposite the kitchen was clad in unfinished, distressed tin panels creating a focal point in the home. Traditional baseboards and door casings were thrown out in lieu of blackened steel angle throughout the loft. Blackened steel was also used in combination with glass panels to create an enclosure for the office at the end of the main corridor; this allowed the light from the large window in the office to pass though while creating a private yet open space to work. The master suite features a large open bath with a sculptural freestanding tub all clad in a serene beige tile that has the feel of concrete. The kids bath is a fun play of large cobalt blue hexagon tile on the floor and rear wall of the tub juxtaposed with a bright white subway tile on the remaining walls. The kitchen features a long wall of floor to ceiling white and navy cabinetry with an adjacent 15 foot island of which half is a table for casual dining. Other interesting features of the loft are the industrial ladder up to the small elevated play area in the living room, the navy cabinetry and antique mirror clad dining niche, and the wallpapered powder room with antique mirror and blackened steel accessories.
Bennett Frank McCarthy Architects, Inc.Offenes, Mittelgroßes Industrial Esszimmer mit weißer Wandfarbe, braunem Holzboden und braunem Boden in Washington, D.C.
ELØ HOMEMittelgroßes Industrial Esszimmer mit schwarzer Wandfarbe, hellem Holzboden und braunem Boden in Nancy
BKA Architecture Pty LtdGroße Industrial Wohnküche ohne Kamin mit weißer Wandfarbe, Betonboden und grauem Boden in Sydney
PAUZARQ arquitectosFelipe Aurtenetxe
Mittelgroße Industrial Wohnküche ohne Kamin mit grauer Wandfarbe und gebeiztem Holzboden in Sonstige
Mittelgroße Industrial Wohnküche ohne Kamin mit grauer Wandfarbe und gebeiztem Holzboden in Sonstige
Industrial Esszimmer Ideen und Design
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