Eingang Ideen und Design
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Moore Architects, PCOriginally built as a modest two-bedroom post-World War II brick and block rambler in 1951, this house has assumed an entirely new identity, assimilating the turn-of-the-century farmhouse and early century Craftsman bungalow aesthetic.
The program for this project was tightly linked to aesthetics, function and budget. The owner had lived in this plain brick box for eight years, making modest changes, which included new windows, a new kitchen addition on the rear, and a new coat of paint. While this helped to lessen the stark contrast between his house and the wonderful Craftsman style houses in the neighborhood, the changes weren’t enough to satisfy the owner’s love of the great American bungalow. The architect was called back to create a house that truly fit the neighborhood. The renovated house had to: 1) fit the bungalow style both outside and inside; 2) double the square footage of the existing house, creating new bedrooms on the second floor, and reorganizing the first floor spaces; and 3) fit a budget that forced the total reuse of the existing structure, including the new replacement windows and new kitchen wing from the previous project.
The existing front wall of the house was pulled forward three feet to maximize the existing front yard building setback. A six-foot deep porch that stretched across most of the new front elevation was added, pulling the house closer to the street to match the front yard setbacks of other local early twentieth century houses. This cozier relationship to the street and the public made for a more comfortable and less imposing siting. The front rooms of the house became new public spaces, with the old living room becoming the Inglenook and entry foyer, while the old front bedroom became the new living room. A new stairway was positioned on axis with the new front door, but set deep into the house adjacent to the reconfigured dining room. The kitchen at the rear that had been opened up during the 1996 modifications was closed down again, creating clearly defined spaces, but spaces that are connected visually from room to room.
At the top of the new stair to the second floor is a short efficient hall with a twin window view to the rear yard. From this hall are entrances to the master bedroom, second bedroom and master bathroom. The new master bedroom located on the centerline of the front of the house, fills the entire front dormer with three exposures of windows facing predominately east to catch the morning light. Off of this private space is a study and walk-in closet tucked under the roof eaves of the new second floor. The new master bathroom, adjacent to the master bedroom with an exit to the hall, has matching pedestal sinks with custom wood medicine cabinets, a soaking tub, a large shower with a round-river-stone floor with a high window facing into the rear yard, and wood paneling similar to the new wood paneling on the first floor spaces.
Hoachlander Davis Photography
ATELIER RAUMFRAGENSkandinavischer Eingang mit Stauraum, grauer Wandfarbe und hellem Holzboden in Berlin
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Matt Fajkus Architecture
The Control/Shift House is perched on the high side of the site which takes advantage of the view to the southeast. A gradual descending path navigates the change in terrain from the street to the entry of the house. A series of low retaining walls/planter beds gather and release the earth upon the descent resulting in a fairly flat level for the house to sit on the top one third of the site. The entry axis is aligned with the celebrated stair volume and then re-centers on the actual entry axis once you approach the forecourt of the house.
The initial desire was for an “H” scheme house with common entertaining spaces bridging the gap between the more private spaces. After an investigation considering the site, program, and view, a key move was made: unfold the east wing of the “H” scheme to open all rooms to the southeast view resulting in a “T” scheme. The new derivation allows for both a swim pool which is on axis with the entry and main gathering space and a lap pool which occurs on the cross axis extending along the lengthy edge of the master suite, providing direct access for morning exercise and a view of the water throughout the day.
The Control/Shift House was derived from a clever way of following the “rules.” Strict HOA guidelines required very specific exterior massing restrictions which limits the lengths of unbroken elevations and promotes varying sizes of masses. The solution most often used in this neighborhood is one of addition - an aggregation of masses and program randomly attached to the inner core of the house which often results in a parasitic plan. The approach taken with the Control/Shift House was to push and pull program/massing to delineate and define the layout of the house. Massing is intentional and reiterated by the careful selection of materiality that tracks through the house. Voids and relief in the plan are a natural result of this method and allow for light and air to circulate throughout every space of the house, even into the most inner core.
Photography: Charles Davis Smith
Pearson Design GroupMittelgroßer Moderner Eingang mit Korridor, grauer Wandfarbe und Betonboden in Sonstige
Phinney Design GroupScott Bergmann Photography | A turn in the drive reveals the low slung arched timber entry canopy, supported by large fieldstone piers and a long stone wall lining the length of the house. This entry acts as a portal through the stone wall to the open structure beyond, creating a welcoming and dramatic sense of arrival.
roth sheppard architectsThis Boulder home speaks to its Agrarian context and the owners desire to merge the vernacular of barns with Cape Cod imagery. Clean geometrical forms are simply clad in wood, stone and metal, creating an aesthetic that is rooted in tradition yet respectful of a contemporary lifestyle.
The interior flows from an open kitchen living concept to a more traditional layout of defined rooms. An artist studio with an exterior eroded stone façade defines one end of the house while bedrooms define the other end as well as the second floor. Invention and whimsy permeate throughout with surprising interventions including an indoor/outdoor fireplace, a seasonal ‘living room’ space, and a hidden sleeping nook at the top of the stairs.
Strom ArchitectsAndy Stagg
Moderner Eingang mit weißer Wandfarbe, hellem Holzboden, Drehtür und hellbrauner Holzhaustür in Hampshire
Moderner Eingang mit weißer Wandfarbe, hellem Holzboden, Drehtür und hellbrauner Holzhaustür in Hampshire
Peace DesignPhotography by Matthew Millman
Uriger Eingang mit Einzeltür und dunkler Holzhaustür in Atlanta
Uriger Eingang mit Einzeltür und dunkler Holzhaustür in Atlanta
Gordon Tobey DevelopmentsMountain craftsman style front porch
Photo by © Daniel Vaughan (vaughangroup.ca)
Mittelgroßer Uriger Eingang mit grauer Wandfarbe, Einzeltür und hellbrauner Holzhaustür in Toronto
Mittelgroßer Uriger Eingang mit grauer Wandfarbe, Einzeltür und hellbrauner Holzhaustür in Toronto
KIRKArbour House, located on the Bulimba Reach of the Brisbane River, is a study in siting and intricate articulation to yield views and landscape connections .
The long thin 13 meter wide site is located between two key public spaces, namely an established historic arbour of fig trees and a public riverfront boardwalk. The site which once formed part of the surrounding multi-residential enclave is now distinquished by a new single detached dwelling. Unlike other riverfront houses, the new dwelling is sited a respectful distance from the rivers edge, preserving an 80 year old Poincianna tree and historic public views from the boardwalk of the adjoining heritage listed dwelling.
The large setback creates a platform for a private garden under the shade of the canopy of the Poincianna tree. The level of the platform and the height of the Poincianna tree and the Arbour established the two datums for the setout of public and private spaces of the dwelling. The public riverfront living levels are adjacent to this space whilst the rear living spaces are elevated above the garage to look into the canopy of the Arbour. The private bedroom spaces of the upper level are raised to a height to afford views of the tree canopy and river yet privacy from the public river boardwalk.
The dwelling adopts a courtyard typology with two pavilions linked by a large double height stairwell and external courtyard. The form is conceptualised as an object carved from a solid volume of the allowable building area with the courtyard providing a protective volume from which to cross ventilate each of the spaces of the house and to allow the different spaces of the house connection but also discrete and subtle separation – the family home as a village. Photo Credits: Scott Burrows
Anthony Wilder Design/Build, Inc.Photography by Matthew Carrig
Moderne Haustür mit Doppeltür und Haustür aus Glas in Washington, D.C.
Moderne Haustür mit Doppeltür und Haustür aus Glas in Washington, D.C.
Micah Day Construction Inc.Kuda Photography
Urige Haustür mit brauner Wandfarbe, Betonboden, Einzeltür und Haustür aus Glas in Portland
Urige Haustür mit brauner Wandfarbe, Betonboden, Einzeltür und Haustür aus Glas in Portland
Vincent Greene ArchitectsPhotography: Erik Kvalsvik
Interiors: Johnson-Berman Interior Design
Klassischer Eingang mit Stauraum und beiger Wandfarbe in Baltimore
Klassischer Eingang mit Stauraum und beiger Wandfarbe in Baltimore
Eingang Ideen und Design
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