Gehobene Esszimmer mit grauer Wandfarbe Ideen und Design
Suche verfeinern:
Budget
Sortieren nach:Heute beliebt
21 – 40 von 10.093 Fotos
1 von 3
Laurie Demetrio InteriorsOffenes Maritimes Esszimmer mit grauer Wandfarbe, hellem Holzboden, braunem Boden, gewölbter Decke und Tapetenwänden in Chicago
Anouska Tamony Designs- Architecture & InteriorsModernes Esszimmer mit grauer Wandfarbe und braunem Holzboden in London
NB Interiors UKColourful open plan living dining area.
Offenes, Mittelgroßes Modernes Esszimmer mit grauer Wandfarbe, Vinylboden, Hängekamin, Kaminumrandung aus Holz und grauem Boden in Essex
Offenes, Mittelgroßes Modernes Esszimmer mit grauer Wandfarbe, Vinylboden, Hängekamin, Kaminumrandung aus Holz und grauem Boden in Essex
Krieger + Associates Architects, Inc.A new small addition on an old stone house contains this breakfast room or casual dining room leading to a renovated kitchen, plus a mudroom entrance and a basement-level workout room.
Photo: (c) Jeffrey Totaro 2020
Beau IntérieurGroße Moderne Wohnküche mit grauer Wandfarbe, hellem Holzboden, Kassettendecke und Tapetenwänden in Paris
Architecture Saville IsaacsInterior - Living Room and Dining
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Zehnder HomesFormal dining features wainscoting, wallpaper, unique light fixture, and hardwood floors.
Geschlossenes, Großes Klassisches Esszimmer ohne Kamin mit braunem Holzboden, braunem Boden und grauer Wandfarbe in Minneapolis
Geschlossenes, Großes Klassisches Esszimmer ohne Kamin mit braunem Holzboden, braunem Boden und grauer Wandfarbe in Minneapolis
J Brothers Design | Build | RemodelGroßes, Geschlossenes Klassisches Esszimmer ohne Kamin mit grauer Wandfarbe, dunklem Holzboden und braunem Boden in Minneapolis
Crisp ArchitectsDining room view off of main entry hallway.
Photographer: Rob Karosis
Große Landhaus Wohnküche mit grauer Wandfarbe, dunklem Holzboden und braunem Boden in New York
Große Landhaus Wohnküche mit grauer Wandfarbe, dunklem Holzboden und braunem Boden in New York
David Bauer, Cornerstone Builders of SW FlLarge Built in sideboard with glass upper cabinets to display crystal and china in the dining room. Cabinets are painted shaker doors with glass inset panels. the project was designed by David Bauer and built by Cornerstone Builders of SW FL. in Naples the client loved her round mirror and wanted to incorporate it into the project so we used it as part of the backsplash display. The built in actually made the dining room feel larger.
Curated NestFormal dining room: This light-drenched dining room in suburban New Jersery was transformed into a serene and comfortable space, with both luxurious elements and livability for families. Moody grasscloth wallpaper lines the entire room above the wainscoting and two aged brass lantern pendants line up with the tall windows. We added linen drapery for softness with stylish wood cube finials to coordinate with the wood of the farmhouse table and chairs. We chose a distressed wood dining table with a soft texture to will hide blemishes over time, as this is a family-family space. We kept the space neutral in tone to both allow for vibrant tablescapes during large family gatherings, and to let the many textures create visual depth.
Photo Credit: Erin Coren, Curated Nest Interiors
Solitude HomesOffenes, Mittelgroßes Modernes Esszimmer mit grauer Wandfarbe, hellem Holzboden, Gaskamin, gefliester Kaminumrandung und beigem Boden in Boise
Johnson Bespoke LtdWhen closed, the doors give complete privacy thanks the the fluted glass, yet let in ample light and ambience through the high level clear panel.
Offenes, Großes Modernes Esszimmer mit grauer Wandfarbe, braunem Holzboden und braunem Boden in Sussex
Offenes, Großes Modernes Esszimmer mit grauer Wandfarbe, braunem Holzboden und braunem Boden in Sussex
Samartzis Minchew Design, LLCGeschlossenes, Mittelgroßes Modernes Esszimmer ohne Kamin mit grauer Wandfarbe, Travertin und beigem Boden in Phoenix
CM Natural DesignsThese young hip professional clients love to travel and wanted a home where they could showcase the items that they've collected abroad. Their fun and vibrant personalities are expressed in every inch of the space, which was personalized down to the smallest details. Just like they are up for adventure in life, they were up for for adventure in the design and the outcome was truly one-of-kind.
Photos by Chipper Hatter
TotalCare OrlandoGeschlossenes, Mittelgroßes Klassisches Esszimmer ohne Kamin mit grauem Boden, grauer Wandfarbe und dunklem Holzboden in Orlando
KingsHavenGeschlossenes, Mittelgroßes Klassisches Esszimmer mit grauer Wandfarbe, dunklem Holzboden, gefliester Kaminumrandung, Kamin und braunem Boden in Philadelphia
Marker Girl HomeFamily photos to create a wonderful accent to the walls in this Breakfast Room. Wall Color Natural Cream Benjamin Moore.
Mittelgroße Klassische Wohnküche mit grauer Wandfarbe, Travertin und beigem Boden in Houston
Mittelgroße Klassische Wohnküche mit grauer Wandfarbe, Travertin und beigem Boden in Houston
John Bynum Custom Homes, Inc.Geschlossenes, Mittelgroßes Klassisches Esszimmer ohne Kamin mit grauer Wandfarbe und braunem Holzboden in Atlanta
Clearcut Construction, Inc.This project consisted of stripping everything to the studs and removing walls on half of the first floor and replacing with custom finishes creating an open concept with zoned living areas.
Gehobene Esszimmer mit grauer Wandfarbe Ideen und Design
2