Gehobene Häuser mit grauer Fassadenfarbe Ideen und Design
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Zweistöckiges, Mittelgroßes Modernes Haus mit Mix-Fassade, grauer Fassadenfarbe und Flachdach in Seattle
bspk design inc.Einstöckiges, Großes Modernes Haus mit Putzfassade und grauer Fassadenfarbe in Los Angeles
Oakley Home BuildersMittelgroße, Dreistöckige Klassische Holzfassade Haus mit grauer Fassadenfarbe und Satteldach in Chicago
Kirsten Johnstone ArchitectureGroßes, Zweistöckiges Modernes Einfamilienhaus mit Metallfassade, grauer Fassadenfarbe, Flachdach, Blechdach und grauem Dach in Melbourne
Domiteaux Garza ArchitectureGroßes, Dreistöckiges Modernes Einfamilienhaus mit Backsteinfassade, grauer Fassadenfarbe, Schmetterlingsdach, Blechdach und grauem Dach in Dallas
Z Double B IncModern exterior aluminum windows
Großes, Einstöckiges Modernes Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe und Schindeldach in Denver
Großes, Einstöckiges Modernes Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe und Schindeldach in Denver
City Homes, LLCGroßes, Zweistöckiges Klassisches Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Satteldach und Schindeldach in Minneapolis
Starr Custom HomesDreamDesign®25, Springmoor House, is a modern rustic farmhouse and courtyard-style home. A semi-detached guest suite (which can also be used as a studio, office, pool house or other function) with separate entrance is the front of the house adjacent to a gated entry. In the courtyard, a pool and spa create a private retreat. The main house is approximately 2500 SF and includes four bedrooms and 2 1/2 baths. The design centerpiece is the two-story great room with asymmetrical stone fireplace and wrap-around staircase and balcony. A modern open-concept kitchen with large island and Thermador appliances is open to both great and dining rooms. The first-floor master suite is serene and modern with vaulted ceilings, floating vanity and open shower.
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
The Design Build CompanyGroßes, Einstöckiges Modernes Haus mit Mix-Fassade, grauer Fassadenfarbe und Walmdach in San Francisco
Cadence Design StudioPhoto by JC Buck
Mittelgroßes Mid-Century Haus mit grauer Fassadenfarbe in Denver
Mittelgroßes Mid-Century Haus mit grauer Fassadenfarbe in Denver
Design PlatformSecond story was added to original 1917 brick single story home. New modern steel canopy over front porch to disguise the area of the addition. Cedar shake shingles on gable of second floor. Matching brick brought up to the second floor on the left. Photo by Jess Blackwell
Audrey Matlock ArchitectThe swimming pool sits between the main living wing and the upper level family wing. The master bedroom has a private terrace with forest views. Below is a pool house sheathed with zinc panels with an outdoor shower facing the forest.
Photographer - Peter Aaron
Meredith Owen InteriorsGroßes, Zweistöckiges Country Haus mit grauer Fassadenfarbe, Satteldach und Blechdach in Austin
StudioMET ArchitectsMittelgroßes, Zweistöckiges Modernes Einfamilienhaus mit Backsteinfassade, grauer Fassadenfarbe und Flachdach in Houston
Chris Ridgway Architect IncGroßes, Zweistöckiges Klassisches Haus mit grauer Fassadenfarbe, Satteldach und Schindeldach in San Francisco
BeldonMittelgroßes, Zweistöckiges Klassisches Einfamilienhaus mit Faserzement-Fassade, grauer Fassadenfarbe, Walmdach und Schindeldach in Kansas City
Whitlock BuildersMittelgroßes, Zweistöckiges Klassisches Einfamilienhaus mit Steinfassade, grauer Fassadenfarbe, Walmdach und Schindeldach in Charlotte
Anchor BuildersDesign & Build Team: Anchor Builders,
Photographer: Andrea Rugg Photography
Zweistöckiges, Mittelgroßes Klassisches Haus mit Faserzement-Fassade, grauer Fassadenfarbe und Satteldach in Minneapolis
Zweistöckiges, Mittelgroßes Klassisches Haus mit Faserzement-Fassade, grauer Fassadenfarbe und Satteldach in Minneapolis
Gehobene Häuser mit grauer Fassadenfarbe Ideen und Design
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