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HEYDT DESIGNSGroßes, Zweistöckiges Klassisches Haus mit weißer Fassadenfarbe, Satteldach, Schindeldach, grauem Dach, Schindeln und Dachgaube in San Francisco
L. Lumpkins Architect, Inc.Named one the 10 most Beautiful Houses in Dallas
Großes, Zweistöckiges Maritimes Haus mit grauer Fassadenfarbe, Mansardendach, Schindeldach, grauem Dach und Schindeln in Dallas
Großes, Zweistöckiges Maritimes Haus mit grauer Fassadenfarbe, Mansardendach, Schindeldach, grauem Dach und Schindeln in Dallas
Linnane HomesGroßes, Zweistöckiges Landhausstil Einfamilienhaus mit gestrichenen Ziegeln, weißer Fassadenfarbe, Satteldach, Schindeldach, schwarzem Dach und Wandpaneelen in Charlotte
KW DesignsPhoto: Tyler Van Stright, JLC Architecture
Architect: JLC Architecture
General Contractor: Naylor Construction
Landscape Architect: Marcie Harris Landscape Architecture
Casework: Artistic Freedom Designs
Metalwork: Noe Design Co.
DEMESNEPhotography by Sean Gallagher
Große, Zweistöckige Country Holzfassade Haus mit weißer Fassadenfarbe und Satteldach in Dallas
Große, Zweistöckige Country Holzfassade Haus mit weißer Fassadenfarbe und Satteldach in Dallas
Baker + Hesseldenz Design, Inc.Einstöckiges, Großes Modernes Einfamilienhaus mit Putzfassade, weißer Fassadenfarbe und Flachdach in Phoenix
Cella ArchitectureCella Architecture - Erich Karp, AIA
Laurelhurst
Portland, OR
This new Tudor Revival styled home, situated in Portland’s Laurelhurst area, was designed to blend with one of the city’s distinctive old neighborhoods. While there are a variety of existing house styles along the nearby streets, the Tudor Revival style with its characteristic steeply pitched roof lines, arched doorways, and heavy chimneys occurs throughout the neighborhood and was the ideal style choice for the new home. The house was conceived with a steeply pitched asymmetric gable facing the street with the longer rake sweeping down in a gentle arc to stop near the entry. The front door is sheltered by a gracefully arched canopy supported by twin wooden corbels. Additional details such as the stuccoed walls with their decorative banding that wraps the house or the flare of the stucco hood over the second floor windows or the use of unique materials such as the Old Carolina brick window sills and entry porch paving add to the character of the house. But while the form and details for the home are drawn from styles of the last century, the home is certainly of this era with noticeably cleaner lines, details, and configuration than would occur in older variants of the style.
Pro-Land Landscape Construction Inc.Beautiful country estate complimented by contemporary landscaping. This property sits on the highest point in the area, overlooking a vast forested region.
Regarding DesignSumptuous spaces are created throughout the house with the use of dark, moody colors, elegant upholstery with bespoke trim details, unique wall coverings, and natural stone with lots of movement.
The mix of print, pattern, and artwork creates a modern twist on traditional design.
By Darash - Kitchen Cabinets, Vanities & ClosetsBeautiful landscaping design path to this modern rustic home in Hartford, Austin, Texas, 2022 project By Darash
Großes, Zweistöckiges Modernes Haus mit weißer Fassadenfarbe, Pultdach, Schindeldach, grauem Dach und Wandpaneelen in Austin
Großes, Zweistöckiges Modernes Haus mit weißer Fassadenfarbe, Pultdach, Schindeldach, grauem Dach und Wandpaneelen in Austin
WINN Design+BuildGroßes, Dreistöckiges Einfamilienhaus mit Backsteinfassade, weißer Fassadenfarbe, Satteldach und Schindeldach in Washington, D.C.
Justin Doyle HomesThis gorgeous modern farmhouse features hardie board board and batten siding with stunning black framed Pella windows. The soffit lighting accents each gable perfectly and creates the perfect farmhouse.
Kent Shaffer Builders, Inc.The Home Aesthetic
Geräumiges, Zweistöckiges Landhausstil Einfamilienhaus mit Backsteinfassade, weißer Fassadenfarbe, Satteldach und Blechdach in Indianapolis
Geräumiges, Zweistöckiges Landhausstil Einfamilienhaus mit Backsteinfassade, weißer Fassadenfarbe, Satteldach und Blechdach in Indianapolis
E Builders HomesZachary Molino
Großes, Zweistöckiges Country Haus mit Faserzement-Fassade und weißer Fassadenfarbe in Salt Lake City
Großes, Zweistöckiges Country Haus mit Faserzement-Fassade und weißer Fassadenfarbe in Salt Lake City
MarvinArchitect: Blaine Bonadies, Bonadies Architect
Photography By: Jean Allsopp Photography
“Just as described, there is an edgy, irreverent vibe here, but the result has an appropriate stature and seriousness. Love the overscale windows. And the outdoor spaces are so great.”
Situated atop an old Civil War battle site, this new residence was conceived for a couple with southern values and a rock-and-roll attitude. The project consists of a house, a pool with a pool house and a renovated music studio. A marriage of modern and traditional design, this project used a combination of California redwood siding, stone and a slate roof with flat-seam lead overhangs. Intimate and well planned, there is no space wasted in this home. The execution of the detail work, such as handmade railings, metal awnings and custom windows jambs, made this project mesmerizing.
Cues from the client and how they use their space helped inspire and develop the initial floor plan, making it live at a human scale but with dramatic elements. Their varying taste then inspired the theme of traditional with an edge. The lines and rhythm of the house were simplified, and then complemented with some key details that made the house a juxtaposition of styles.
The wood Ultimate Casement windows were all standard sizes. However, there was a desire to make the windows have a “deep pocket” look to create a break in the facade and add a dramatic shadow line. Marvin was able to customize the jambs by extruding them to the exterior. They added a very thin exterior profile, which negated the need for exterior casing. The same detail was in the stone veneers and walls, as well as the horizontal siding walls, with no need for any modification. This resulted in a very sleek look.
MARVIN PRODUCTS USED:
Marvin Ultimate Casement Window
Design Associates - Lynette Zambon, Carol MericaExterior of transitional mountain home with inviting hot tub.
Großes, Zweistöckiges Uriges Einfamilienhaus mit Mix-Fassade, brauner Fassadenfarbe und Satteldach in Sonstige
Großes, Zweistöckiges Uriges Einfamilienhaus mit Mix-Fassade, brauner Fassadenfarbe und Satteldach in Sonstige
Exterior Worlds Landscaping & DesignThe problem this Memorial-Houston homeowner faced was that her sumptuous contemporary home, an austere series of interconnected cubes of various sizes constructed from white stucco, black steel and glass, did not have the proper landscaping frame. It was out of scale. Imagine Robert Motherwell's "Black on White" painting without the Museum of Fine Arts-Houston's generous expanse of white walls surrounding it. It would still be magnificent but somehow...off.
Intuitively, the homeowner realized this issue and started interviewing landscape designers. After talking to about 15 different designers, she finally went with one, only to be disappointed with the results. From the across-the-street neighbor, she was then introduced to Exterior Worlds and she hired us to correct the newly-created problems and more fully realize her hopes for the grounds. "It's not unusual for us to come in and deal with a mess. Sometimes a homeowner gets overwhelmed with managing everything. Other times it is like this project where the design misses the mark. Regardless, it is really important to listen for what a prospect or client means and not just what they say," says Jeff Halper, owner of Exterior Worlds.
Since the sheer size of the house is so dominating, Exterior Worlds' overall job was to bring the garden up to scale to match the house. Likewise, it was important to stretch the house into the landscape, thereby softening some of its severity. The concept we devised entailed creating an interplay between the landscape and the house by astute placement of the black-and-white colors of the house into the yard using different materials and textures. Strategic plantings of greenery increased the interest, density, height and function of the design.
First we installed a pathway of crushed white marble around the perimeter of the house, the white of the path in homage to the house’s white facade. At various intervals, 3/8-inch steel-plated metal strips, painted black to echo the bones of the house, were embedded and crisscrossed in the pathway to turn it into a loose maze.
Along this metal bunting, we planted succulents whose other-worldly shapes and mild coloration juxtaposed nicely against the hard-edged steel. These plantings included Gulf Coast muhly, a native grass that produces a pink-purple plume when it blooms in the fall. A side benefit to the use of these plants is that they are low maintenance and hardy in Houston’s summertime heat.
Next we brought in trees for scale. Without them, the impressive architecture becomes imposing. We placed them along the front at either corner of the house. For the left side, we found a multi-trunk live oak in a field, transported it to the property and placed it in a custom-made square of the crushed marble at a slight distance from the house. On the right side where the house makes a 90-degree alcove, we planted a mature mesquite tree.
To finish off the front entry, we fashioned the black steel into large squares and planted grass to create islands of green, or giant lawn stepping pads. We echoed this look in the back off the master suite by turning concrete pads of black-stained concrete into stepping pads.
We kept the foundational plantings of Japanese yews which add green, earthy mass, something the stark architecture needs for further balance. We contoured Japanese boxwoods into small spheres to enhance the play between shapes and textures.
In the large, white planters at the front entrance, we repeated the plantings of succulents and Gulf Coast muhly to reinforce symmetry. Then we built an additional planter in the back out of the black metal, filled it with the crushed white marble and planted a Texas vitex, another hardy choice that adds a touch of color with its purple blooms.
To finish off the landscaping, we needed to address the ravine behind the house. We built a retaining wall to contain erosion. Aesthetically, we crafted it so that the wall has a sharp upper edge, a modern motif right where the landscape meets the land.
Lloyd ArchitectsPhoto by Mark Weinberg
Geräumiges, Zweistöckiges Klassisches Haus mit Backsteinfassade, weißer Fassadenfarbe und Satteldach in Salt Lake City
Geräumiges, Zweistöckiges Klassisches Haus mit Backsteinfassade, weißer Fassadenfarbe und Satteldach in Salt Lake City
Jordan Iverson Signature Homes2012 KuDa Photography
Großes, Dreistöckiges Modernes Haus mit Metallfassade, grauer Fassadenfarbe und Pultdach in Portland
Großes, Dreistöckiges Modernes Haus mit Metallfassade, grauer Fassadenfarbe und Pultdach in Portland
Preiswerte, Exklusive Häuser Ideen und Design
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