Holzfassade Häuser mit schwarzer Fassadenfarbe Ideen und Design
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Lundin Architects LLCthis Breezeway between the garage and house forms a portal framing natural views
Rustikales Haus mit schwarzer Fassadenfarbe, Flachdach und Wandpaneelen in Minneapolis
Rustikales Haus mit schwarzer Fassadenfarbe, Flachdach und Wandpaneelen in Minneapolis
UserThis Ketchum cabin retreat is a modern take of the conventional cabin with clean roof lines, large expanses of glass, and tiered living spaces. The board-form concrete exterior, charred cypress wood siding, and steel panels work harmoniously together. The natural elements of the home soften the hard lines, allowing it to submerge into its surroundings.
The Glo A5 triple-pane windows and doors were utilized for their advanced performance capabilities. Year-round comfort is achieved by the thermally-broken aluminum frame, low iron glass, multiple air seals, and argon-filled glazing. Advanced thermal technology was pivotal for the home’s design considering the amount of glazing that is used throughout the home. The windows and multiple 16’ sliding doors are one of the main features of the home’s design, focusing heavily on the beauty of Idaho. The doors also allow easy access to the deck, creating an eagle-eye view of the Valley.
CHRISTOPHER STROM ARCHITECTSEye-Land: Named for the expansive white oak savanna views, this beautiful 5,200-square foot family home offers seamless indoor/outdoor living with five bedrooms and three baths, and space for two more bedrooms and a bathroom.
The site posed unique design challenges. The home was ultimately nestled into the hillside, instead of placed on top of the hill, so that it didn’t dominate the dramatic landscape. The openness of the savanna exposes all sides of the house to the public, which required creative use of form and materials. The home’s one-and-a-half story form pays tribute to the site’s farming history. The simplicity of the gable roof puts a modern edge on a traditional form, and the exterior color palette is limited to black tones to strike a stunning contrast to the golden savanna.
The main public spaces have oversized south-facing windows and easy access to an outdoor terrace with views overlooking a protected wetland. The connection to the land is further strengthened by strategically placed windows that allow for views from the kitchen to the driveway and auto court to see visitors approach and children play. There is a formal living room adjacent to the front entry for entertaining and a separate family room that opens to the kitchen for immediate family to gather before and after mealtime.
Holzbau KAPPLER GmbH & Co. KGFoto: Andreas Kranz
Zweistöckiges Modernes Haus mit schwarzer Fassadenfarbe und Satteldach in Sonstige
Zweistöckiges Modernes Haus mit schwarzer Fassadenfarbe und Satteldach in Sonstige
Paul Cashin ArchitectsPhotography by Richard Chivers https://www.rchivers.co.uk/
Marshall House is an extension to a Grade II listed dwelling in the village of Twyford, near Winchester, Hampshire. The original house dates from the 17th Century, although it had been remodelled and extended during the late 18th Century.
The clients contacted us to explore the potential to extend their home in order to suit their growing family and active lifestyle. Due to the constraints of living in a listed building, they were unsure as to what development possibilities were available. The brief was to replace an existing lean-to and 20th century conservatory with a new extension in a modern, contemporary approach. The design was developed in close consultation with the local authority as well as their historic environment department, in order to respect the existing property and work to achieve a positive planning outcome.
Like many older buildings, the dwelling had been adjusted here and there, and updated at numerous points over time. The interior of the existing property has a charm and a character - in part down to the age of the property, various bits of work over time and the wear and tear of the collective history of its past occupants. These spaces are dark, dimly lit and cosy. They have low ceilings, small windows, little cubby holes and odd corners. Walls are not parallel or perpendicular, there are steps up and down and places where you must watch not to bang your head.
The extension is accessed via a small link portion that provides a clear distinction between the old and new structures. The initial concept is centred on the idea of contrasts. The link aims to have the effect of walking through a portal into a seemingly different dwelling, that is modern, bright, light and airy with clean lines and white walls. However, complementary aspects are also incorporated, such as the strategic placement of windows and roof lights in order to cast light over walls and corners to create little nooks and private views. The overall form of the extension is informed by the awkward shape and uses of the site, resulting in the walls not being parallel in plan and splaying out at different irregular angles.
Externally, timber larch cladding is used as the primary material. This is painted black with a heavy duty barn paint, that is both long lasting and cost effective. The black finish of the extension contrasts with the white painted brickwork at the rear and side of the original house. The external colour palette of both structures is in opposition to the reality of the interior spaces. Although timber cladding is a fairly standard, commonplace material, visual depth and distinction has been created through the articulation of the boards. The inclusion of timber fins changes the way shadows are cast across the external surface during the day. Whilst at night, these are illuminated by external lighting.
A secondary entrance to the house is provided through a concealed door that is finished to match the profile of the cladding. This opens to a boot/utility room, from which a new shower room can be accessed, before proceeding to the new open plan living space and dining area.
小林良孝建築事務所凛とした平屋
低く構えた軒の深い方形屋根。夏の陽射しは遮り、冬の陽射しは奥深く受け入れる。
Kleine, Einstöckige Asiatische Holzfassade Haus mit schwarzer Fassadenfarbe und Walmdach in Nagoya
Kleine, Einstöckige Asiatische Holzfassade Haus mit schwarzer Fassadenfarbe und Walmdach in Nagoya
Wolveridge ArchitectsDerek Swalwell
Mittelgroße, Einstöckige Country Holzfassade Haus mit schwarzer Fassadenfarbe und Pultdach in Melbourne
Mittelgroße, Einstöckige Country Holzfassade Haus mit schwarzer Fassadenfarbe und Pultdach in Melbourne
ユウ建築設計室Mittelgroßes, Zweistöckiges Nordisches Haus mit schwarzer Fassadenfarbe, Satteldach, Blechdach, grauem Dach und Schindeln in Sonstige
DGK ArchitectsBehind this striking black façade lies a uniquely bespoke, subdued and luxurious masterpiece.
– DGK Architects
Mittelgroßes, Zweistöckiges Modernes Haus mit schwarzer Fassadenfarbe, Flachdach, Blechdach, schwarzem Dach und Wandpaneelen in Perth
Mittelgroßes, Zweistöckiges Modernes Haus mit schwarzer Fassadenfarbe, Flachdach, Blechdach, schwarzem Dach und Wandpaneelen in Perth
First Avenue HomesGroßes, Zweistöckiges Modernes Haus mit schwarzer Fassadenfarbe, Flachdach, Blechdach und Wandpaneelen in Melbourne
ProTEK PaintersThis photo, which shows the tall trees and small shrubs around the house, is a good representation of how paint colors can work well with nature. The gold of the window frames and shutters stand in contrast to the green of the foliage. The charcoal grey works to make the house feel very much as if it belongs to its surroundings.
Atlas ArchitectsThe living space and kitchen have outlook and access to the deck and built-in BBQ. Timber screen and cantilevered pergola frame up the outdoor living space.
Nedoff FotographyNedoff Fotography
Großes, Zweistöckiges Skandinavisches Haus mit schwarzer Fassadenfarbe und Misch-Dachdeckung in Charlotte
Großes, Zweistöckiges Skandinavisches Haus mit schwarzer Fassadenfarbe und Misch-Dachdeckung in Charlotte
Sehw Architektur© Philipp Obkircher
Zweistöckige, Mittelgroße Moderne Holzfassade Haus mit schwarzer Fassadenfarbe und Flachdach in Berlin
Zweistöckige, Mittelgroße Moderne Holzfassade Haus mit schwarzer Fassadenfarbe und Flachdach in Berlin
UserMittelgroßes, Einstöckiges Haus mit schwarzer Fassadenfarbe, Flachdach und Blechdach in Adelaide
Barry Connor DesignView from the street.
Kleines, Zweistöckiges Maritimes Haus mit schwarzer Fassadenfarbe, Satteldach und Blechdach in Christchurch
Kleines, Zweistöckiges Maritimes Haus mit schwarzer Fassadenfarbe, Satteldach und Blechdach in Christchurch
Schwartz and ArchitectureThis project, an extensive remodel and addition to an existing modern residence high above Silicon Valley, was inspired by dominant images and textures from the site: boulders, bark, and leaves. We created a two-story addition clad in traditional Japanese Shou Sugi Ban burnt wood siding that anchors home and site. Natural textures also prevail in the cosmetic remodeling of all the living spaces. The new volume adjacent to an expanded kitchen contains a family room and staircase to an upper guest suite.
The original home was a joint venture between Min | Day as Design Architect and Burks Toma Architects as Architect of Record and was substantially completed in 1999. In 2005, Min | Day added the swimming pool and related outdoor spaces. Schwartz and Architecture (SaA) began work on the addition and substantial remodel of the interior in 2009, completed in 2015.
Photo by Matthew Millman
AAA ArchitectureConstruction photo, AAA Architecture
Große, Zweistöckige Moderne Holzfassade Haus mit schwarzer Fassadenfarbe und Flachdach in San Francisco
Große, Zweistöckige Moderne Holzfassade Haus mit schwarzer Fassadenfarbe und Flachdach in San Francisco
Holzfassade Häuser mit schwarzer Fassadenfarbe Ideen und Design
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