Suchergebnisse für „Moderner bungalow“ in Wohnideen
Finden Sie den richtigen Experten für Ihr Projekt
HA Architecture
Photo by: Leonid Furmansky
Offene, Zweizeilige, Mittelgroße Klassische Küche mit Unterbauwaschbecken, Schrankfronten mit vertiefter Füllung, türkisfarbenen Schränken, Speckstein-Arbeitsplatte, Küchenrückwand in Beige, Rückwand aus Keramikfliesen, Küchengeräten aus Edelstahl, braunem Holzboden und Halbinsel in Austin
Offene, Zweizeilige, Mittelgroße Klassische Küche mit Unterbauwaschbecken, Schrankfronten mit vertiefter Füllung, türkisfarbenen Schränken, Speckstein-Arbeitsplatte, Küchenrückwand in Beige, Rückwand aus Keramikfliesen, Küchengeräten aus Edelstahl, braunem Holzboden und Halbinsel in Austin
HA Architecture
Photo by: Leonid Furmansky
Offene, Zweizeilige, Mittelgroße Klassische Küche mit Unterbauwaschbecken, Schrankfronten mit vertiefter Füllung, türkisfarbenen Schränken, Speckstein-Arbeitsplatte, Küchenrückwand in Beige, Rückwand aus Keramikfliesen, Küchengeräten aus Edelstahl, braunem Holzboden und Halbinsel in Austin
Offene, Zweizeilige, Mittelgroße Klassische Küche mit Unterbauwaschbecken, Schrankfronten mit vertiefter Füllung, türkisfarbenen Schränken, Speckstein-Arbeitsplatte, Küchenrückwand in Beige, Rückwand aus Keramikfliesen, Küchengeräten aus Edelstahl, braunem Holzboden und Halbinsel in Austin
HA Architecture
Photo by: Leonid Furmansky
Mittelgroßes Klassisches Badezimmer En Suite mit flächenbündigen Schrankfronten, hellen Holzschränken, Duschnische, Toilette mit Aufsatzspülkasten, schwarz-weißen Fliesen, Porzellanfliesen, weißer Wandfarbe, Keramikboden, Unterbauwaschbecken und Speckstein-Waschbecken/Waschtisch in Austin
Mittelgroßes Klassisches Badezimmer En Suite mit flächenbündigen Schrankfronten, hellen Holzschränken, Duschnische, Toilette mit Aufsatzspülkasten, schwarz-weißen Fliesen, Porzellanfliesen, weißer Wandfarbe, Keramikboden, Unterbauwaschbecken und Speckstein-Waschbecken/Waschtisch in Austin
Rawlyk Developments
Architect- DeJong Design Associates Ltd.
Großes, Zweistöckiges Modernes Haus mit Mix-Fassade, weißer Fassadenfarbe und Flachdach in Calgary
Großes, Zweistöckiges Modernes Haus mit Mix-Fassade, weißer Fassadenfarbe und Flachdach in Calgary
Laden Sie die Seite neu, um diese Anzeige nicht mehr zu sehen
Moore Architects, PC
Originally built as a modest two-bedroom post-World War II brick and block rambler in 1951, this house has assumed an entirely new identity, assimilating the turn-of-the-century farmhouse and early century Craftsman bungalow aesthetic.
The program for this project was tightly linked to aesthetics, function and budget. The owner had lived in this plain brick box for eight years, making modest changes, which included new windows, a new kitchen addition on the rear, and a new coat of paint. While this helped to lessen the stark contrast between his house and the wonderful Craftsman style houses in the neighborhood, the changes weren’t enough to satisfy the owner’s love of the great American bungalow. The architect was called back to create a house that truly fit the neighborhood. The renovated house had to: 1) fit the bungalow style both outside and inside; 2) double the square footage of the existing house, creating new bedrooms on the second floor, and reorganizing the first floor spaces; and 3) fit a budget that forced the total reuse of the existing structure, including the new replacement windows and new kitchen wing from the previous project.
The existing front wall of the house was pulled forward three feet to maximize the existing front yard building setback. A six-foot deep porch that stretched across most of the new front elevation was added, pulling the house closer to the street to match the front yard setbacks of other local early twentieth century houses. This cozier relationship to the street and the public made for a more comfortable and less imposing siting. The front rooms of the house became new public spaces, with the old living room becoming the Inglenook and entry foyer, while the old front bedroom became the new living room. A new stairway was positioned on axis with the new front door, but set deep into the house adjacent to the reconfigured dining room. The kitchen at the rear that had been opened up during the 1996 modifications was closed down again, creating clearly defined spaces, but spaces that are connected visually from room to room.
At the top of the new stair to the second floor is a short efficient hall with a twin window view to the rear yard. From this hall are entrances to the master bedroom, second bedroom and master bathroom. The new master bedroom located on the centerline of the front of the house, fills the entire front dormer with three exposures of windows facing predominately east to catch the morning light. Off of this private space is a study and walk-in closet tucked under the roof eaves of the new second floor. The new master bathroom, adjacent to the master bedroom with an exit to the hall, has matching pedestal sinks with custom wood medicine cabinets, a soaking tub, a large shower with a round-river-stone floor with a high window facing into the rear yard, and wood paneling similar to the new wood paneling on the first floor spaces.
Hoachlander Davis Photography
Whitestone Building and Renovations
One level bungalow.
Photo Credit- Natalie Wyman
Kleines, Einstöckiges Modernes Einfamilienhaus mit Mix-Fassade, schwarzer Fassadenfarbe und Schindeldach in Sonstige
Kleines, Einstöckiges Modernes Einfamilienhaus mit Mix-Fassade, schwarzer Fassadenfarbe und Schindeldach in Sonstige
Moore Architects, PC
Originally built as a modest two-bedroom post-World War II brick and block rambler in 1951, this house has assumed an entirely new identity, assimilating the turn-of-the-century farmhouse and early century Craftsman bungalow aesthetic.
The program for this project was tightly linked to aesthetics, function and budget. The owner had lived in this plain brick box for eight years, making modest changes, which included new windows, a new kitchen addition on the rear, and a new coat of paint. While this helped to lessen the stark contrast between his house and the wonderful Craftsman style houses in the neighborhood, the changes weren’t enough to satisfy the owner’s love of the great American bungalow. The architect was called back to create a house that truly fit the neighborhood. The renovated house had to: 1) fit the bungalow style both outside and inside; 2) double the square footage of the existing house, creating new bedrooms on the second floor, and reorganizing the first floor spaces; and 3) fit a budget that forced the total reuse of the existing structure, including the new replacement windows and new kitchen wing from the previous project.
The existing front wall of the house was pulled forward three feet to maximize the existing front yard building setback. A six-foot deep porch that stretched across most of the new front elevation was added, pulling the house closer to the street to match the front yard setbacks of other local early twentieth century houses. This cozier relationship to the street and the public made for a more comfortable and less imposing siting. The front rooms of the house became new public spaces, with the old living room becoming the Inglenook and entry foyer, while the old front bedroom became the new living room. A new stairway was positioned on axis with the new front door, but set deep into the house adjacent to the reconfigured dining room. The kitchen at the rear that had been opened up during the 1996 modifications was closed down again, creating clearly defined spaces, but spaces that are connected visually from room to room.
At the top of the new stair to the second floor is a short efficient hall with a twin window view to the rear yard. From this hall are entrances to the master bedroom, second bedroom and master bathroom. The new master bedroom located on the centerline of the front of the house, fills the entire front dormer with three exposures of windows facing predominately east to catch the morning light. Off of this private space is a study and walk-in closet tucked under the roof eaves of the new second floor. The new master bathroom, adjacent to the master bedroom with an exit to the hall, has matching pedestal sinks with custom wood medicine cabinets, a soaking tub, a large shower with a round-river-stone floor with a high window facing into the rear yard, and wood paneling similar to the new wood paneling on the first floor spaces.
Hoachlander Davis Photography
Moore Architects, PC
Originally built as a modest two-bedroom post-World War II brick and block rambler in 1951, this house has assumed an entirely new identity, assimilating the turn-of-the-century farmhouse and early century Craftsman bungalow aesthetic.
The program for this project was tightly linked to aesthetics, function and budget. The owner had lived in this plain brick box for eight years, making modest changes, which included new windows, a new kitchen addition on the rear, and a new coat of paint. While this helped to lessen the stark contrast between his house and the wonderful Craftsman style houses in the neighborhood, the changes weren’t enough to satisfy the owner’s love of the great American bungalow. The architect was called back to create a house that truly fit the neighborhood. The renovated house had to: 1) fit the bungalow style both outside and inside; 2) double the square footage of the existing house, creating new bedrooms on the second floor, and reorganizing the first floor spaces; and 3) fit a budget that forced the total reuse of the existing structure, including the new replacement windows and new kitchen wing from the previous project.
The existing front wall of the house was pulled forward three feet to maximize the existing front yard building setback. A six-foot deep porch that stretched across most of the new front elevation was added, pulling the house closer to the street to match the front yard setbacks of other local early twentieth century houses. This cozier relationship to the street and the public made for a more comfortable and less imposing siting. The front rooms of the house became new public spaces, with the old living room becoming the Inglenook and entry foyer, while the old front bedroom became the new living room. A new stairway was positioned on axis with the new front door, but set deep into the house adjacent to the reconfigured dining room. The kitchen at the rear that had been opened up during the 1996 modifications was closed down again, creating clearly defined spaces, but spaces that are connected visually from room to room.
At the top of the new stair to the second floor is a short efficient hall with a twin window view to the rear yard. From this hall are entrances to the master bedroom, second bedroom and master bathroom. The new master bedroom located on the centerline of the front of the house, fills the entire front dormer with three exposures of windows facing predominately east to catch the morning light. Off of this private space is a study and walk-in closet tucked under the roof eaves of the new second floor. The new master bathroom, adjacent to the master bedroom with an exit to the hall, has matching pedestal sinks with custom wood medicine cabinets, a soaking tub, a large shower with a round-river-stone floor with a high window facing into the rear yard, and wood paneling similar to the new wood paneling on the first floor spaces.
Hoachlander Davis Photography
Moore Architects, PC
A simple one-story white clapboard 1920s cottage bungalow sat on a narrow straight street with many older homes, all of which meeting the street with a similar dignified approach. This house was the smallest of them all, built in 1922 as a weekend cottage, near the old East Falls Church rail station which provided direct access to Washington D.C. Its diminutive scale, low-pitched roof with the ridge parallel to the street, and lack of superfluous decoration characterized this cottage bungalow. Though the owners fell in love with the charm of the original house, their growing family presented an architectural dilemma: how do you significantly expand a charming little 1920’s Craftsman style house that you love without totally losing the integrity that made it so perfect?
The answer began to formulate after a review of the houses in the turn-of-the-century neighborhood; every older house was two stories tall, each built in a different style, each beautifully proportioned, each much larger than this cottage bungalow. Most of the neighborhood houses had been significantly renovated or expanded. Growing this one-story house would certainly not adversely affect the architectural character of the neighborhood. Given that, the house needed to maintain a diminutive scale in order to appear friendly and avoid a dominating presence.
The simplistic, crisp, honest materials and details of the little house, all painted white, would be saved and incorporated into a new house. Across the front of the house, the three public spaces would be saved, connected along an axis anchored on the left by the living room fireplace, with the dining room and the sitting room to the right. These three rooms are punctuated by thirteen windows, which for this house age and style, really suggests a more modern aesthetic.
Hoachlander Davis Photography.
Laden Sie die Seite neu, um diese Anzeige nicht mehr zu sehen
Moore Architects, PC
Originally built as a modest two-bedroom post-World War II brick and block rambler in 1951, this house has assumed an entirely new identity, assimilating the turn-of-the-century farmhouse and early century Craftsman bungalow aesthetic.
The program for this project was tightly linked to aesthetics, function and budget. The owner had lived in this plain brick box for eight years, making modest changes, which included new windows, a new kitchen addition on the rear, and a new coat of paint. While this helped to lessen the stark contrast between his house and the wonderful Craftsman style houses in the neighborhood, the changes weren’t enough to satisfy the owner’s love of the great American bungalow. The architect was called back to create a house that truly fit the neighborhood. The renovated house had to: 1) fit the bungalow style both outside and inside; 2) double the square footage of the existing house, creating new bedrooms on the second floor, and reorganizing the first floor spaces; and 3) fit a budget that forced the total reuse of the existing structure, including the new replacement windows and new kitchen wing from the previous project.
The existing front wall of the house was pulled forward three feet to maximize the existing front yard building setback. A six-foot deep porch that stretched across most of the new front elevation was added, pulling the house closer to the street to match the front yard setbacks of other local early twentieth century houses. This cozier relationship to the street and the public made for a more comfortable and less imposing siting. The front rooms of the house became new public spaces, with the old living room becoming the Inglenook and entry foyer, while the old front bedroom became the new living room. A new stairway was positioned on axis with the new front door, but set deep into the house adjacent to the reconfigured dining room. The kitchen at the rear that had been opened up during the 1996 modifications was closed down again, creating clearly defined spaces, but spaces that are connected visually from room to room.
At the top of the new stair to the second floor is a short efficient hall with a twin window view to the rear yard. From this hall are entrances to the master bedroom, second bedroom and master bathroom. The new master bedroom located on the centerline of the front of the house, fills the entire front dormer with three exposures of windows facing predominately east to catch the morning light. Off of this private space is a study and walk-in closet tucked under the roof eaves of the new second floor. The new master bathroom, adjacent to the master bedroom with an exit to the hall, has matching pedestal sinks with custom wood medicine cabinets, a soaking tub, a large shower with a round-river-stone floor with a high window facing into the rear yard, and wood paneling similar to the new wood paneling on the first floor spaces.
Hoachlander Davis Photography
Moore Architects, PC
A simple one-story white clapboard 1920s cottage bungalow sat on a narrow straight street with many older homes, all of which meeting the street with a similar dignified approach. This house was the smallest of them all, built in 1922 as a weekend cottage, near the old East Falls Church rail station which provided direct access to Washington D.C. Its diminutive scale, low-pitched roof with the ridge parallel to the street, and lack of superfluous decoration characterized this cottage bungalow. Though the owners fell in love with the charm of the original house, their growing family presented an architectural dilemma: how do you significantly expand a charming little 1920’s Craftsman style house that you love without totally losing the integrity that made it so perfect?
The answer began to formulate after a review of the houses in the turn-of-the-century neighborhood; every older house was two stories tall, each built in a different style, each beautifully proportioned, each much larger than this cottage bungalow. Most of the neighborhood houses had been significantly renovated or expanded. Growing this one-story house would certainly not adversely affect the architectural character of the neighborhood. Given that, the house needed to maintain a diminutive scale in order to appear friendly and avoid a dominating presence.
The simplistic, crisp, honest materials and details of the little house, all painted white, would be saved and incorporated into a new house. Across the front of the house, the three public spaces would be saved, connected along an axis anchored on the left by the living room fireplace, with the dining room and the sitting room to the right. These three rooms are punctuated by thirteen windows, which for this house age and style, really suggests a more modern aesthetic.
Hoachlander Davis Photography.
Ed Hughey, Architect & Realtor
Kleines, Einstöckiges Nordisches Haus mit schwarzer Fassadenfarbe, Satteldach und Schindeldach in Austin
J. Jorgensen
Photography : 2nd Truth Photography
Mittelgroßes Skandinavisches Badezimmer En Suite mit Duschbadewanne, weißen Fliesen, Metrofliesen, Marmorboden, weißem Boden und Duschvorhang-Duschabtrennung in Minneapolis
Mittelgroßes Skandinavisches Badezimmer En Suite mit Duschbadewanne, weißen Fliesen, Metrofliesen, Marmorboden, weißem Boden und Duschvorhang-Duschabtrennung in Minneapolis
Moderner Bungalow Ideen und Bilder | Houzz
Laden Sie die Seite neu, um diese Anzeige nicht mehr zu sehen
Moore Architects, PC
Originally built as a modest two-bedroom post-World War II brick and block rambler in 1951, this house has assumed an entirely new identity, assimilating the turn-of-the-century farmhouse and early century Craftsman bungalow aesthetic.
The program for this project was tightly linked to aesthetics, function and budget. The owner had lived in this plain brick box for eight years, making modest changes, which included new windows, a new kitchen addition on the rear, and a new coat of paint. While this helped to lessen the stark contrast between his house and the wonderful Craftsman style houses in the neighborhood, the changes weren’t enough to satisfy the owner’s love of the great American bungalow. The architect was called back to create a house that truly fit the neighborhood. The renovated house had to: 1) fit the bungalow style both outside and inside; 2) double the square footage of the existing house, creating new bedrooms on the second floor, and reorganizing the first floor spaces; and 3) fit a budget that forced the total reuse of the existing structure, including the new replacement windows and new kitchen wing from the previous project.
The existing front wall of the house was pulled forward three feet to maximize the existing front yard building setback. A six-foot deep porch that stretched across most of the new front elevation was added, pulling the house closer to the street to match the front yard setbacks of other local early twentieth century houses. This cozier relationship to the street and the public made for a more comfortable and less imposing siting. The front rooms of the house became new public spaces, with the old living room becoming the Inglenook and entry foyer, while the old front bedroom became the new living room. A new stairway was positioned on axis with the new front door, but set deep into the house adjacent to the reconfigured dining room. The kitchen at the rear that had been opened up during the 1996 modifications was closed down again, creating clearly defined spaces, but spaces that are connected visually from room to room.
At the top of the new stair to the second floor is a short efficient hall with a twin window view to the rear yard. From this hall are entrances to the master bedroom, second bedroom and master bathroom. The new master bedroom located on the centerline of the front of the house, fills the entire front dormer with three exposures of windows facing predominately east to catch the morning light. Off of this private space is a study and walk-in closet tucked under the roof eaves of the new second floor. The new master bathroom, adjacent to the master bedroom with an exit to the hall, has matching pedestal sinks with custom wood medicine cabinets, a soaking tub, a large shower with a round-river-stone floor with a high window facing into the rear yard, and wood paneling similar to the new wood paneling on the first floor spaces.
Hoachlander Davis Photography
Moore Architects, PC
A simple one-story white clapboard 1920s cottage bungalow sat on a narrow straight street with many older homes, all of which meeting the street with a similar dignified approach. This house was the smallest of them all, built in 1922 as a weekend cottage, near the old East Falls Church rail station which provided direct access to Washington D.C. Its diminutive scale, low-pitched roof with the ridge parallel to the street, and lack of superfluous decoration characterized this cottage bungalow. Though the owners fell in love with the charm of the original house, their growing family presented an architectural dilemma: how do you significantly expand a charming little 1920’s Craftsman style house that you love without totally losing the integrity that made it so perfect?
The answer began to formulate after a review of the houses in the turn-of-the-century neighborhood; every older house was two stories tall, each built in a different style, each beautifully proportioned, each much larger than this cottage bungalow. Most of the neighborhood houses had been significantly renovated or expanded. Growing this one-story house would certainly not adversely affect the architectural character of the neighborhood. Given that, the house needed to maintain a diminutive scale in order to appear friendly and avoid a dominating presence.
The simplistic, crisp, honest materials and details of the little house, all painted white, would be saved and incorporated into a new house. Across the front of the house, the three public spaces would be saved, connected along an axis anchored on the left by the living room fireplace, with the dining room and the sitting room to the right. These three rooms are punctuated by thirteen windows, which for this house age and style, really suggests a more modern aesthetic.
Hoachlander Davis Photography.
Moore Architects, PC
Originally built as a modest two-bedroom post-World War II brick and block rambler in 1951, this house has assumed an entirely new identity, assimilating the turn-of-the-century farmhouse and early century Craftsman bungalow aesthetic.
The program for this project was tightly linked to aesthetics, function and budget. The owner had lived in this plain brick box for eight years, making modest changes, which included new windows, a new kitchen addition on the rear, and a new coat of paint. While this helped to lessen the stark contrast between his house and the wonderful Craftsman style houses in the neighborhood, the changes weren’t enough to satisfy the owner’s love of the great American bungalow. The architect was called back to create a house that truly fit the neighborhood. The renovated house had to: 1) fit the bungalow style both outside and inside; 2) double the square footage of the existing house, creating new bedrooms on the second floor, and reorganizing the first floor spaces; and 3) fit a budget that forced the total reuse of the existing structure, including the new replacement windows and new kitchen wing from the previous project.
The existing front wall of the house was pulled forward three feet to maximize the existing front yard building setback. A six-foot deep porch that stretched across most of the new front elevation was added, pulling the house closer to the street to match the front yard setbacks of other local early twentieth century houses. This cozier relationship to the street and the public made for a more comfortable and less imposing siting. The front rooms of the house became new public spaces, with the old living room becoming the Inglenook and entry foyer, while the old front bedroom became the new living room. A new stairway was positioned on axis with the new front door, but set deep into the house adjacent to the reconfigured dining room. The kitchen at the rear that had been opened up during the 1996 modifications was closed down again, creating clearly defined spaces, but spaces that are connected visually from room to room.
At the top of the new stair to the second floor is a short efficient hall with a twin window view to the rear yard. From this hall are entrances to the master bedroom, second bedroom and master bathroom. The new master bedroom located on the centerline of the front of the house, fills the entire front dormer with three exposures of windows facing predominately east to catch the morning light. Off of this private space is a study and walk-in closet tucked under the roof eaves of the new second floor. The new master bathroom, adjacent to the master bedroom with an exit to the hall, has matching pedestal sinks with custom wood medicine cabinets, a soaking tub, a large shower with a round-river-stone floor with a high window facing into the rear yard, and wood paneling similar to the new wood paneling on the first floor spaces.
Hoachlander Davis Photography
3