Schwarze Häuser mit grauer Fassadenfarbe Ideen und Design
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Koch Architects: Exterior façade of modern farmhouse style home, clad in corrugated grey steel with wall lighting, offset gable roof with chimney, detached guest house and connecting breezeway, night shot. Photo by Tory Taglio Photography
Balodemas ArchitectsAnice Hoachlander, Hoachlander Davis Photography
Großes Mid-Century Haus mit Mix-Fassade, grauer Fassadenfarbe und Satteldach in Washington, D.C.
Großes Mid-Century Haus mit Mix-Fassade, grauer Fassadenfarbe und Satteldach in Washington, D.C.
BlueStone Construction, LLCZweistöckige Klassische Holzfassade Haus mit grauer Fassadenfarbe und Misch-Dachdeckung in Sonstige
ZWADA homeInterior Design :
ZWADA home Interiors & Design
Architectural Design :
Bronson Design
Builder:
Kellton Contracting Ltd.
Photography:
Paul Grdina
Amy Storm & CompanyMittelgroßes, Zweistöckiges Klassisches Einfamilienhaus mit Putzfassade, grauer Fassadenfarbe, Schindeldach, grauem Dach und Schindeln in Chicago
Jordan Iverson Signature HomesThis is our take on a modern farmhouse. With mixed exterior textures and materials, we accomplished both the modern feel with the attraction of farmhouse style.
KG ArchitectureGroßes, Zweistöckiges Modernes Einfamilienhaus mit Betonfassade, grauer Fassadenfarbe und Flachdach in Melbourne
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Lost Industries, LLCMittelgroßes, Zweistöckiges Landhausstil Einfamilienhaus mit Faserzement-Fassade, grauer Fassadenfarbe, Satteldach und Blechdach in Sonstige
Zweistöckiges Asiatisches Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe und Flachdach in Tokio Peripherie
designpad architecture - Patrick Perez ArchitectClose up of rear facade with folding glass door and shou sugi ban burnt wood japanese siding
Moderne Holzfassade Haus mit grauer Fassadenfarbe in San Francisco
Moderne Holzfassade Haus mit grauer Fassadenfarbe in San Francisco
Marlies TimmGroßes, Zweistöckiges Modernes Einfamilienhaus mit grauer Fassadenfarbe und Flachdach in Berlin
New Frontier Tiny HomesStudioBell
Einstöckiges Industrial Containerhaus mit Metallfassade, grauer Fassadenfarbe und Flachdach in Nashville
Einstöckiges Industrial Containerhaus mit Metallfassade, grauer Fassadenfarbe und Flachdach in Nashville
Sierra Building Group, LLCMittelgroßes, Zweistöckiges Landhaus Einfamilienhaus mit Faserzement-Fassade, grauer Fassadenfarbe, Satteldach und Blechdach in Austin
UserLakehouse renovation exterior
Großes, Zweistöckiges Modernes Einfamilienhaus mit Faserzement-Fassade, grauer Fassadenfarbe, Schindeldach und Satteldach in Boston
Großes, Zweistöckiges Modernes Einfamilienhaus mit Faserzement-Fassade, grauer Fassadenfarbe, Schindeldach und Satteldach in Boston
Cascade West DevelopmentPaint by Sherwin Williams
Body Color - Anonymous - SW 7046
Accent Color - Urban Bronze - SW 7048
Trim Color - Worldly Gray - SW 7043
Front Door Stain - Northwood Cabinets - Custom Truffle Stain
Exterior Stone by Eldorado Stone
Stone Product Rustic Ledge in Clearwater
Outdoor Fireplace by Heat & Glo
Live Edge Mantel by Outside The Box Woodworking
Doors by Western Pacific Building Materials
Windows by Milgard Windows & Doors
Window Product Style Line® Series
Window Supplier Troyco - Window & Door
Lighting by Destination Lighting
Garage Doors by NW Door
Decorative Timber Accents by Arrow Timber
Timber Accent Products Classic Series
LAP Siding by James Hardie USA
Fiber Cement Shakes by Nichiha USA
Construction Supplies via PROBuild
Landscaping by GRO Outdoor Living
Customized & Built by Cascade West Development
Photography by ExposioHDR Portland
Original Plans by Alan Mascord Design Associates
Dames DesignMittelgroßes, Dreistöckiges Klassisches Haus mit Mix-Fassade, grauer Fassadenfarbe und Mansardendach in Orange County
HSPartnersNew Orleans Style home in the Houston Heights Area
Photo by MJ Schimmer
Zweistöckiges, Großes Klassisches Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Satteldach und Schindeldach in Houston
Zweistöckiges, Großes Klassisches Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Satteldach und Schindeldach in Houston
Sturman ArchitectsGroßes, Zweistöckiges Modernes Haus mit grauer Fassadenfarbe, Walmdach und Faserzement-Fassade in Seattle
Spacecrafting / Architectural PhotographyBuilder: Denali Custom Homes - Architectural Designer: Alexander Design Group - Interior Designer: Studio M Interiors - Photo: Spacecrafting Photography
Schwarze Häuser mit grauer Fassadenfarbe Ideen und Design
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