Esszimmer mit Kamin und unterschiedlichen Kaminen Ideen und Design
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Beige and Bleu Design StudioOffenes, Mittelgroßes Eklektisches Esszimmer mit beiger Wandfarbe, dunklem Holzboden, Kamin und Kaminumrandung aus Stein in Boston
Fox InteriorsGeschlossenes, Mittelgroßes Mid-Century Esszimmer mit weißer Wandfarbe, braunem Holzboden, Kamin, Kaminumrandung aus Backstein und braunem Boden in Minneapolis
UserA cosy Dining Area for intimate dinners with friends. Surrounded by pieces bought by the client from France
Geschlossenes, Mittelgroßes Landhaus Esszimmer mit hellem Holzboden, Kamin und Kaminumrandung aus Backstein in Sydney
Geschlossenes, Mittelgroßes Landhaus Esszimmer mit hellem Holzboden, Kamin und Kaminumrandung aus Backstein in Sydney
Nine Dot DesignOffenes, Kleines Maritimes Esszimmer mit weißer Wandfarbe, dunklem Holzboden, Kamin, Kaminumrandung aus Backstein und braunem Boden in Los Angeles
Mur-Sol Builders IncMittelgroße Mediterrane Wohnküche mit weißer Wandfarbe, hellem Holzboden, Kamin, Kaminumrandung aus Stein und beigem Boden in Los Angeles
Architecture Saville IsaacsInterior - Living Room and Dining
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Coats HomesOffenes Klassisches Esszimmer mit grauer Wandfarbe, Teppichboden, Kamin, Kaminumrandung aus Stein und beigem Boden in Dallas
Studio Ness, LLCPhoto by Costas Picadas
Großes Modernes Esszimmer mit braunem Holzboden, Kamin, Kaminumrandung aus Backstein, weißer Wandfarbe und braunem Boden in New York
Großes Modernes Esszimmer mit braunem Holzboden, Kamin, Kaminumrandung aus Backstein, weißer Wandfarbe und braunem Boden in New York
Summer Thornton Design, IncOffenes, Mittelgroßes Klassisches Esszimmer mit bunten Wänden, dunklem Holzboden, Kamin, gefliester Kaminumrandung und braunem Boden in Chicago
Porth Architects, Ltd.The dining room is adjacent to the a porch, providing an al fresco option when weather permits.
Roger Wade photo.
Offenes, Kleines Klassisches Esszimmer mit weißer Wandfarbe, braunem Holzboden, Kamin, Kaminumrandung aus Stein und braunem Boden in Sonstige
Offenes, Kleines Klassisches Esszimmer mit weißer Wandfarbe, braunem Holzboden, Kamin, Kaminumrandung aus Stein und braunem Boden in Sonstige
Mailen ArchitectsPeter Landers
Offenes, Mittelgroßes Landhaus Esszimmer mit weißer Wandfarbe, hellem Holzboden, Kamin, Kaminumrandung aus Backstein und beigem Boden in Oxfordshire
Offenes, Mittelgroßes Landhaus Esszimmer mit weißer Wandfarbe, hellem Holzboden, Kamin, Kaminumrandung aus Backstein und beigem Boden in Oxfordshire
kellydesignsGeschlossenes, Mittelgroßes Klassisches Esszimmer mit grauer Wandfarbe, dunklem Holzboden, Kamin und Kaminumrandung aus Backstein in New York
New River Building Co.Photo Credit: David Cannon; Design: Michelle Mentzer
Instagram: @newriverbuildingco
Geschlossenes, Mittelgroßes Landhausstil Esszimmer mit brauner Wandfarbe, hellem Holzboden, Kamin, beigem Boden und gefliester Kaminumrandung in Atlanta
Geschlossenes, Mittelgroßes Landhausstil Esszimmer mit brauner Wandfarbe, hellem Holzboden, Kamin, beigem Boden und gefliester Kaminumrandung in Atlanta
Karen Kempf InteriorsReagan Taylor Photography
Klassisches Esszimmer mit grauer Wandfarbe, braunem Holzboden, Kamin, gefliester Kaminumrandung und braunem Boden in Milwaukee
Klassisches Esszimmer mit grauer Wandfarbe, braunem Holzboden, Kamin, gefliester Kaminumrandung und braunem Boden in Milwaukee
Judi Lukens & Kim LekasOffenes Esszimmer mit weißer Wandfarbe, Keramikboden, Kamin, verputzter Kaminumrandung und weißem Boden in Sonstige
VMAX LLCPhotography Anna Zagorodna
Geschlossenes, Kleines Retro Esszimmer mit blauer Wandfarbe, hellem Holzboden, Kamin, gefliester Kaminumrandung und braunem Boden in Richmond
Geschlossenes, Kleines Retro Esszimmer mit blauer Wandfarbe, hellem Holzboden, Kamin, gefliester Kaminumrandung und braunem Boden in Richmond
Hierarchy Architecture + Design, PLLCThe formal dining room of this updated 1940's Custom Cape Ranch features custom built-in display shelves to seamlessly match the classically detailed arched doorways and original wainscot paneling in the living room, dining room, stair hall and bedrooms which were kept and refinished, as were the many original red brick fireplaces found in most rooms. These and other Traditional features, such as the traditional chandelier lighting fixture, were kept to balance the contemporary renovations resulting in a Transitional style throughout the home. Large windows and French doors were added to allow ample natural light to enter the home. The mainly white interior enhances this light and brightens a previously dark home.
Architect: T.J. Costello - Hierarchy Architecture + Design, PLLC
Interior Designer: Helena Clunies-Ross
UserThe Meryton Table is inspired by French country kitchens of the past. The table features a sturdy planked top and turned legs.
Tabletop is available in our classic Espresso or Distressed White finish. Optional hammered steel corner brackets in Black or Copper can be added. Light assembly required (comes assembled for local pickup).
All of our tables are handcrafted from solid wood in our woodworking shop in Fort Mill, South Carolina. Our furniture is finished with a multi-step process of distressing and hand-applying varnish to give each piece the look of a cherished antique. Each of our works showcase the natural characteristics of wood, including variations in color, mineral streaks, knots and burls. In addition, our finishing process highlights the organic texture of wood with its pores, ridges, slits and grooves; each piece is a tactile work of art that is truly meant to be appreciated by touch. Every decorative bracket is made from steel, hand-cut and meticulously hammered to create a one-of-a-kind rustic accent for our wood furniture.
Available for local pickup or shipment within 5-7 business days.
DIMENSIONS:
Overall: 72" long x 36" wide x 30" high
Tabletop: 1.5" thick
Apron: 3.5" high
Weight: 132 pounds
CARE AND MAINTENANCE:
Dust with a soft, dry lint-free cloth.
Soak up any water immediately with a soft, dry cloth.
Avoid the use of harsh chemicals or abrasive cleaners.
Photo Credit: Michael Blevins
Via Laulima, LLC©Tessa Marie Images
Offenes Klassisches Esszimmer mit weißer Wandfarbe, braunem Holzboden, Kamin, Kaminumrandung aus Backstein und braunem Boden in Philadelphia
Offenes Klassisches Esszimmer mit weißer Wandfarbe, braunem Holzboden, Kamin, Kaminumrandung aus Backstein und braunem Boden in Philadelphia
Bee's Knees Design, LLCMittelgroße Country Wohnküche mit beiger Wandfarbe, braunem Holzboden, Kamin, verputzter Kaminumrandung und braunem Boden in Boston
Esszimmer mit Kamin und unterschiedlichen Kaminen Ideen und Design
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