Gehobene Häuser mit Flachdach Ideen und Design
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WCC design+buildMittelgroße, Zweistöckige Moderne Holzfassade Haus mit brauner Fassadenfarbe und Flachdach in Sonstige
VictorEric Design+BuildDreistöckiges, Mittelgroßes Modernes Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe und Flachdach in Vancouver
Hammer ArchitectsPeter Vanderwarker
Mittelgroßes, Einstöckiges Modernes Haus mit brauner Fassadenfarbe und Flachdach in Boston
Mittelgroßes, Einstöckiges Modernes Haus mit brauner Fassadenfarbe und Flachdach in Boston
B Street DesignArchitect- Sema Architects
Zweistöckige, Mittelgroße Klassische Holzfassade Haus mit grüner Fassadenfarbe und Flachdach in San Diego
Zweistöckige, Mittelgroße Klassische Holzfassade Haus mit grüner Fassadenfarbe und Flachdach in San Diego
Exterior Worlds Landscaping & DesignA local Houston art collector hired us to create a low maintenance, sophisticated, contemporary landscape design. She wanted her property to compliment her eclectic taste in architecture, outdoor sculpture, and modern art. Her house was built with a minimalist approach to decoration, emphasizing right angles and windows instead of architectural keynotes. The west wing of the house was only one story, while the east wing was two-story. The windows in both wings were larger than usual, so that visitors could see her art collection from the home’s exterior. Near one of the large rear windows, there was an abstract metal sculpture designed in the form of a spiral.
When she initially contacted us, the surrounding property had only a few trees and indigenous grass as vegetation. This was actually a good beginning point with us, because it allowed us to develop a contemporary landscape design that featured a very linear, crisp look supportive of the home and its contents. We began by planting a garden around the large contemporary sculpture near the window. Landscape designers planted horsetail reed under windows, along the sides of the home, and around the corners. This vegetation is very resilient and hardy, and requires little trimming, weeding, or mulching. This helped unite the diverse elements of sculpture, contemporary architecture, and landscape design into a more fluid harmony that preserved the proportions of each unique element, but eliminated any tendency for the elements to clash with one another.
We then added two stonework designs to the landscape surrounding the contemporary art collection and home. The first was a linear walkway we build from concrete pads purchased through a retail vendor as a cost-saving benefit to our client. We created this walkway to follow the perimeter of the home so that visitors could walk around the entire property and admire the outdoor sculptures and the collections of modern art visible through the windows. This was especially enjoyable at night, when the entire home was brightly lit from within.
To add a touch of tranquility and quite repose to the stark right angles of the home and surrounding contemporary landscape, we designed a special seating area toward the northwest corner of the property. We wanted to create a sense of contemplation in this area, so we departed from the linear and angular designs of the surrounding landscape and established a theme of circular geometry. We laid down gravel as ground cover, then placed large, circular pads arranged like giant stepping stones that led up to a stone patio filled with chairs. The shape of the granite pads and the contours of the graveled area further complimented the spirals and turns in the outdoor metal sculpture, and balanced the entire contemporary landscape design with proportional geometric forms of lines, angles, and curves.
This particular contemporary landscape design also has a sense of movement attached to it. All stonework leads to a destination of some sort. The linear pathway provides a guided tour around the home, garden, and modern art collection. The granite pathway stones create movement toward separate space where the entire experience of art, vegetation, and architecture can be viewed and experienced as a unity.
Contemporary landscaping designs like create form out of feeling by using basic geometric forms and variations of forms. Sometimes very stark forms are used to create a sense of absolutism or contrast. At other times, forms are blended, or even distorted to suggest a sense of complex emotion, or a sense of multi-dimensional reality. The exact nature of the design is always highly subjective, and developed on a case-by-case basis with the client.
Noble Ridge Construction, Inc.This great home is situated on a corner lot with amazing views of Meydenbauer Bay from several vantage points throughout the home. The mix of exterior materials adds depth and interest to the exterior.
Moss Yaw Design studioa board-formed concrete wall accentuated by minimalist landscaping adds architectural interest, while providing for privacy at the exterior entry stair
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Josh Wynne ConstructionBeachHaus is built on a previously developed site on Siesta Key. It sits directly on the bay but has Gulf views from the upper floor and roof deck.
The client loved the old Florida cracker beach houses that are harder and harder to find these days. They loved the exposed roof joists, ship lap ceilings, light colored surfaces and inviting and durable materials.
Given the risk of hurricanes, building those homes in these areas is not only disingenuous it is impossible. Instead, we focused on building the new era of beach houses; fully elevated to comfy with FEMA requirements, exposed concrete beams, long eaves to shade windows, coralina stone cladding, ship lap ceilings, and white oak and terrazzo flooring.
The home is Net Zero Energy with a HERS index of -25 making it one of the most energy efficient homes in the US. It is also certified NGBS Emerald.
Photos by Ryan Gamma Photography
StudioMET ArchitectsMittelgroßes, Zweistöckiges Modernes Einfamilienhaus mit Backsteinfassade, grauer Fassadenfarbe und Flachdach in Houston
TrestlewoodNatureAged Barnwood Shiplap Siding
June Cannon
Mittelgroßes, Dreistöckiges Modernes Einfamilienhaus mit Mix-Fassade, bunter Fassadenfarbe und Flachdach in Los Angeles
Mittelgroßes, Dreistöckiges Modernes Einfamilienhaus mit Mix-Fassade, bunter Fassadenfarbe und Flachdach in Los Angeles
Terry and Terry ArchitectureGroße, Einstöckige Moderne Holzfassade Haus mit brauner Fassadenfarbe und Flachdach in Orange County
Boren ConstructionMittelgroßes, Einstöckiges Modernes Haus mit Mix-Fassade, grauer Fassadenfarbe und Flachdach in Seattle
ROJO ArchitectureUlises Escobar, Fotografo
Großes, Zweistöckiges Modernes Haus mit Putzfassade, weißer Fassadenfarbe und Flachdach in Sonstige
Großes, Zweistöckiges Modernes Haus mit Putzfassade, weißer Fassadenfarbe und Flachdach in Sonstige
Sturman ArchitectsThis property is an infill lot located on a dense residential street on Mercer Island. The Design incorporated a Mid Century Chic character with a North West Edgy Vibe and a distinctive architectural detail.
VictorEric Design+BuildMittelgroßes, Dreistöckiges Modernes Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe und Flachdach in Vancouver
Architectures Stéphane DELIGNYStéphane DELIGNY
Große, Einstöckige Moderne Holzfassade Haus mit brauner Fassadenfarbe und Flachdach in Toulouse
Große, Einstöckige Moderne Holzfassade Haus mit brauner Fassadenfarbe und Flachdach in Toulouse
FabCabLocation: Port Townsend, Washington.
Photography by Dale Lang
Mittelgroßes, Einstöckiges Modernes Einfamilienhaus mit Vinylfassade, grauer Fassadenfarbe und Flachdach in Seattle
Mittelgroßes, Einstöckiges Modernes Einfamilienhaus mit Vinylfassade, grauer Fassadenfarbe und Flachdach in Seattle
Vibe Design GroupDesign by Vibe Design Group
Photography by Robert Hamer
Mittelgroße, Zweistöckige Moderne Holzfassade Haus mit brauner Fassadenfarbe und Flachdach in Melbourne
Mittelgroße, Zweistöckige Moderne Holzfassade Haus mit brauner Fassadenfarbe und Flachdach in Melbourne
Gehobene Häuser mit Flachdach Ideen und Design
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