Häuser mit roter Fassadenfarbe und pinker Fassadenfarbe Ideen und Design
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Timberlake Custom Homes
Kurtis Miller - KM Pics
Zweistöckiges, Mittelgroßes Landhausstil Einfamilienhaus mit Mix-Fassade, roter Fassadenfarbe, Satteldach, Schindeldach, Wandpaneelen und Schindeln in Atlanta
Zweistöckiges, Mittelgroßes Landhausstil Einfamilienhaus mit Mix-Fassade, roter Fassadenfarbe, Satteldach, Schindeldach, Wandpaneelen und Schindeln in Atlanta
CK Architects
Russell Campaigne
Kleines, Einstöckiges Modernes Tiny House mit Mix-Fassade, roter Fassadenfarbe und Pultdach in New York
Kleines, Einstöckiges Modernes Tiny House mit Mix-Fassade, roter Fassadenfarbe und Pultdach in New York
Feature Projects Ltd.
Große, Zweistöckige Rustikale Holzfassade Haus mit roter Fassadenfarbe und Satteldach in Vancouver
VanderHorn Architects
Dreistöckiges, Geräumiges Klassisches Einfamilienhaus mit Backsteinfassade, roter Fassadenfarbe, Walmdach und Schindeldach in New York
Terracotta Design Build
Jeff Herr
Mittelgroßes, Zweistöckiges Klassisches Haus mit Backsteinfassade und roter Fassadenfarbe in Atlanta
Mittelgroßes, Zweistöckiges Klassisches Haus mit Backsteinfassade und roter Fassadenfarbe in Atlanta
Kraft Custom Construction
Built from the ground up on 80 acres outside Dallas, Oregon, this new modern ranch house is a balanced blend of natural and industrial elements. The custom home beautifully combines various materials, unique lines and angles, and attractive finishes throughout. The property owners wanted to create a living space with a strong indoor-outdoor connection. We integrated built-in sky lights, floor-to-ceiling windows and vaulted ceilings to attract ample, natural lighting. The master bathroom is spacious and features an open shower room with soaking tub and natural pebble tiling. There is custom-built cabinetry throughout the home, including extensive closet space, library shelving, and floating side tables in the master bedroom. The home flows easily from one room to the next and features a covered walkway between the garage and house. One of our favorite features in the home is the two-sided fireplace – one side facing the living room and the other facing the outdoor space. In addition to the fireplace, the homeowners can enjoy an outdoor living space including a seating area, in-ground fire pit and soaking tub.
Donald Lococo Architects
Horizontal and vertical wood grid work wood boards is overlaid on an existing 1970s home and act architectural layers to the interior of the home providing privacy and shade. A pallet of three colors help to distinguish the layers. The project is the recipient of a National Award from the American Institute of Architects: Recognition for Small Projects. !t also was one of three houses designed by Donald Lococo Architects that received the first place International HUE award for architectural color by Benjamin Moore
Conservatory Craftsmen
Zweistöckiges, Geräumiges Klassisches Haus mit Backsteinfassade, roter Fassadenfarbe und Satteldach in Minneapolis
Window Design Center
Marvin Windows and Doors
Dreistöckiges, Geräumiges Klassisches Einfamilienhaus mit Backsteinfassade, roter Fassadenfarbe, Satteldach und Schindeldach in Sonstige
Dreistöckiges, Geräumiges Klassisches Einfamilienhaus mit Backsteinfassade, roter Fassadenfarbe, Satteldach und Schindeldach in Sonstige
Amantea Architects
Rosedale ‘PARK’ is a detached garage and fence structure designed for a residential property in an old Toronto community rich in trees and preserved parkland. Located on a busy corner lot, the owner’s requirements for the project were two fold:
1) They wanted to manage views from passers-by into their private pool and entertainment areas while maintaining a connection to the ‘park-like’ public realm; and
2) They wanted to include a place to park their car that wouldn’t jeopardize the natural character of the property or spoil one’s experience of the place.
The idea was to use the new garage, fence, hard and soft landscaping together with the existing house, pool and two large and ‘protected’ trees to create a setting and a particular sense of place for each of the anticipated activities including lounging by the pool, cooking, dining alfresco and entertaining large groups of friends.
Using wood as the primary building material, the solution was to create a light, airy and luminous envelope around each component of the program that would provide separation without containment. The garage volume and fence structure, framed in structural sawn lumber and a variety of engineered wood products, are wrapped in a dark stained cedar skin that is at once solid and opaque and light and transparent.
The fence, constructed of staggered horizontal wood slats was designed for privacy but also lets light and air pass through. At night, the fence becomes a large light fixture providing an ambient glow for both the private garden as well as the public sidewalk. Thin striations of light wrap around the interior and exterior of the property. The wall of the garage separating the pool area and the parked car is an assembly of wood framed windows clad in the same fence material. When illuminated, this poolside screen transforms from an edge into a nearly transparent lantern, casting a warm glow by the pool. The large overhang gives the area by the by the pool containment and sense of place. It edits out the view of adjacent properties and together with the pool in the immediate foreground frames a view back toward the home’s family room. Using the pool as a source of light and the soffit of the overhang a reflector, the bright and luminous water shimmers and reflects light off the warm cedar plane overhead. All of the peripheral storage within the garage is cantilevered off of the main structure and hovers over native grade to significantly reduce the footprint of the building and minimize the impact on existing tree roots.
The natural character of the neighborhood inspired the extensive use of wood as the projects primary building material. The availability, ease of construction and cost of wood products made it possible to carefully craft this project. In the end, aside from its quiet, modern expression, it is well-detailed, allowing it to be a pragmatic storage box, an elevated roof 'garden', a lantern at night, a threshold and place of occupation poolside for the owners.
Photo: Bryan Groulx
Yankee Barn Homes
Yankee Barn Homes - the red barn carriage house is the epitome of the Vermont vernacular.
Landhaus Haus mit roter Fassadenfarbe und Satteldach in Manchester
Landhaus Haus mit roter Fassadenfarbe und Satteldach in Manchester
A.GRUPPO Architects - Dallas
Craig Kuhner Architectural Photography
Modernes Haus mit roter Fassadenfarbe in Austin
Modernes Haus mit roter Fassadenfarbe in Austin
Northworks Architects + Planners
Located upon a 200-acre farm of rolling terrain in western Wisconsin, this new, single-family sustainable residence implements today’s advanced technology within a historic farm setting. The arrangement of volumes, detailing of forms and selection of materials provide a weekend retreat that reflects the agrarian styles of the surrounding area. Open floor plans and expansive views allow a free-flowing living experience connected to the natural environment.
Michael Piccirillo Architecture PLLC
Photo credit: Jeff Rhode
Landhaus Holzfassade Haus mit roter Fassadenfarbe in New York
Landhaus Holzfassade Haus mit roter Fassadenfarbe in New York
Lands End Development - Designers & Builders
Großes, Zweistöckiges Rustikales Haus mit Mix-Fassade und roter Fassadenfarbe in Minneapolis
Wellborn Inc.
Geräumiges, Zweistöckiges Klassisches Haus mit Backsteinfassade, roter Fassadenfarbe und Satteldach in Atlanta
Vetter Architects
A tea pot, being a vessel, is defined by the space it contains, it is not the tea pot that is important, but the space.
Crispin Sartwell
Located on a lake outside of Milwaukee, the Vessel House is the culmination of an intense 5 year collaboration with our client and multiple local craftsmen focused on the creation of a modern analogue to the Usonian Home.
As with most residential work, this home is a direct reflection of it’s owner, a highly educated art collector with a passion for music, fine furniture, and architecture. His interest in authenticity drove the material selections such as masonry, copper, and white oak, as well as the need for traditional methods of construction.
The initial diagram of the house involved a collection of embedded walls that emerge from the site and create spaces between them, which are covered with a series of floating rooves. The windows provide natural light on three sides of the house as a band of clerestories, transforming to a floor to ceiling ribbon of glass on the lakeside.
The Vessel House functions as a gallery for the owner’s art, motorcycles, Tiffany lamps, and vintage musical instruments – offering spaces to exhibit, store, and listen. These gallery nodes overlap with the typical house program of kitchen, dining, living, and bedroom, creating dynamic zones of transition and rooms that serve dual purposes allowing guests to relax in a museum setting.
Through it’s materiality, connection to nature, and open planning, the Vessel House continues many of the Usonian principles Wright advocated for.
Overview
Oconomowoc, WI
Completion Date
August 2015
Services
Architecture, Interior Design, Landscape Architecture
McNeill Baker Design Associates
This home is quint-essential perfection with the collaboration of architect, kitchen design and interior decorator.
McNeill Baker designed the home, Hunt Country Kitchens (Kathy Gray) design the kitchen, and Daniel J. Moore Designs handled colors and furnishings.
Häuser mit roter Fassadenfarbe und pinker Fassadenfarbe Ideen und Design
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