Häuser mit grauer Fassadenfarbe und grüner Fassadenfarbe Ideen und Design
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Munro ContractingTraditional and rustic Maibec siding will lend organic beauty and warmth to any architectural style! This custom home has Board & Batten Maibec siding in Ocean Spray! Soffit, fascia and eavestrough in Granite really finishes off this outstanding home!
David Small DesignsKlassisches Einfamilienhaus mit Putzfassade, grauer Fassadenfarbe, Satteldach und Schindeldach in Toronto
Amy Storm & CompanyGroßes, Zweistöckiges Klassisches Haus mit grauer Fassadenfarbe und Misch-Dachdeckung in Chicago
James McCalligan ArchitectGroßes, Zweistöckiges Country Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe, Walmdach und Blechdach in San Francisco
Arcanum ArchitectureGroßes, Dreistöckiges Modernes Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe und Satteldach in Sacramento
Andrew HeiserKleines, Einstöckiges Maritimes Wohnung mit Putzfassade, grauer Fassadenfarbe, Satteldach und Schindeldach
Timberlake Custom HomesGorgeous Craftsman mountain home with medium gray exterior paint, Structures Walnut wood stain and walnut (faux-wood) Amarr Oak Summit garage doors. Cultured stone skirt is Bucks County Ledgestone.
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
DOWN to Earth ArchitectsPhoto Credit: S A Homeowner
Großes, Zweistöckiges Modernes Haus mit Betonfassade, grauer Fassadenfarbe und Flachdach in Sonstige
Großes, Zweistöckiges Modernes Haus mit Betonfassade, grauer Fassadenfarbe und Flachdach in Sonstige
Ben The Builder IncA twelve foot Milgard Ultra French sliding door with sidelights and additional windows was installed in the three-season porch. Stucco was matched. Cedar deck.
photo credit: Robert Frost Design
Coastal Signature HomesSiding Color: Sherwin Williams 7015 (Repose Grey)
Windows: Andersen
Trim color: Sherwin Williams 7008 (Alabaster)
Shutter material: James Hardie
Shutter color: Sherwin Williams 6258 (Tricorn Black)
Garage Door: Building Specialties of Carolina
Mahogany Front door
株式会社ハウゼグレーをベースにした外壁に黒いカラークリートの土間が
外観のスタイリッシュな印象を際立たせています。
シンボルツリーの株立ちアオダモが素敵なチョイスです。
Mittelgroßes, Zweistöckiges Modernes Einfamilienhaus mit grauer Fassadenfarbe, Pultdach und Blechdach in Sonstige
Mittelgroßes, Zweistöckiges Modernes Einfamilienhaus mit grauer Fassadenfarbe, Pultdach und Blechdach in Sonstige
Jeri Koegel PhotographyZweistöckiges Modernes Einfamilienhaus mit grauer Fassadenfarbe und Satteldach in Orange County
Hatch Construction LtdThe client wanted to completely strip the property back to the original structure and reconfigure the layout. This included taking all walls back to brickwork, removal of second floor mansard extension, removal of all internal walls and ceilings.
Interior Architecture and Design of the property featured remains the copyright of Mood London.
Vicky's HomesBlack soffits, black window frames, contemporary design, garage doors with windows, led strip lighting, versatile acrylic stucco, triple car garage
Mittelgroßes, Dreistöckiges Modernes Einfamilienhaus mit Putzfassade, grauer Fassadenfarbe, Pultdach und Schindeldach in Edmonton
Mittelgroßes, Dreistöckiges Modernes Einfamilienhaus mit Putzfassade, grauer Fassadenfarbe, Pultdach und Schindeldach in Edmonton
Cascade West DevelopmentPaint Colors by Sherwin Williams
Exterior Body Color : Dorian Gray SW 7017
Exterior Accent Color : Gauntlet Gray SW 7019
Exterior Trim Color : Accessible Beige SW 7036
Exterior Timber Stain : Weather Teak 75%
Stone by Eldorado Stone
Exterior Stone : Shadow Rock in Chesapeake
Windows by Milgard Windows & Doors
Product : StyleLine Series Windows
Supplied by Troyco
Garage Doors by Wayne Dalton Garage Door
Lighting by Globe Lighting / Destination Lighting
Exterior Siding by James Hardie
Product : Hardiplank LAP Siding
Exterior Shakes by Nichiha USA
Roofing by Owens Corning
Doors by Western Pacific Building Materials
Deck by Westcoat
MaterialDenver Modern with natural stone accents.
Mittelgroßes, Dreistöckiges Modernes Einfamilienhaus mit grauer Fassadenfarbe, Flachdach und Mix-Fassade in Denver
Mittelgroßes, Dreistöckiges Modernes Einfamilienhaus mit grauer Fassadenfarbe, Flachdach und Mix-Fassade in Denver
Sopher Sparn Architects LLCZweistöckiges Mid-Century Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe und Flachdach in Denver
Häuser mit grauer Fassadenfarbe und grüner Fassadenfarbe Ideen und Design
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