Exklusive Moderne Esszimmer Ideen und Design
Suche verfeinern:
Budget
Sortieren nach:Heute beliebt
161 – 180 von 8.017 Fotos
1 von 3
+ Modern DesignModern Penthouse
Kansas City, MO
- High End Modern Design
- Glass Floating Wine Case
- Plaid Italian Mosaic
- Custom Designer Closet
Wesley Piercy, Haus of You Photography
Leslie Hayes InteriorsPhoto: Drew Callaghan
Geräumiges Modernes Esszimmer ohne Kamin mit grauer Wandfarbe und braunem Holzboden in Philadelphia
Geräumiges Modernes Esszimmer ohne Kamin mit grauer Wandfarbe und braunem Holzboden in Philadelphia
Mountainwood HomesOur clients converted their formal living room into the dining room. Now, the dining room is the first area you see as you enter the home, and it connects with the kitchen to create a better flow for entertaining.
TK Interior Design & ConsultingDieser Tisch wurde von uns entworfen und bei einem unserer Lieferanten in Indonesien produziert. Viele unserer Möbel produzieren wir in Jawa/ Indonesien. Bei einiger unserer Projekte werden die Möbel komplett von uns entworfen und in Asian produziert.
K2 Signature HomesDining, wine and bar.
Offenes, Großes Modernes Esszimmer mit hellem Holzboden in Phoenix
Offenes, Großes Modernes Esszimmer mit hellem Holzboden in Phoenix
GRIMM ARCHITEKTEN BDAGRIMM ARCHITEKTEN BDA
Offenes, Geräumiges Modernes Esszimmer mit grauer Wandfarbe, Kaminofen, verputzter Kaminumrandung und grauem Boden in Nürnberg
Offenes, Geräumiges Modernes Esszimmer mit grauer Wandfarbe, Kaminofen, verputzter Kaminumrandung und grauem Boden in Nürnberg
Matrix DesignOpen floor plan dining room with custom solid slab table, granite countertops, glass backsplash, and custom aquarium.
Geräumige Moderne Wohnküche mit weißer Wandfarbe, Travertin, Kamin und Kaminumrandung aus Stein in San Diego
Geräumige Moderne Wohnküche mit weißer Wandfarbe, Travertin, Kamin und Kaminumrandung aus Stein in San Diego
MASSIMO interiorsStu Morley
Offenes, Großes Modernes Esszimmer ohne Kamin mit beiger Wandfarbe, dunklem Holzboden und braunem Boden in Melbourne
Offenes, Großes Modernes Esszimmer ohne Kamin mit beiger Wandfarbe, dunklem Holzboden und braunem Boden in Melbourne
Mihaly SlocombeBrunswick Parlour transforms a Victorian cottage into a hard-working, personalised home for a family of four.
Our clients loved the character of their Brunswick terrace home, but not its inefficient floor plan and poor year-round thermal control. They didn't need more space, they just needed their space to work harder.
The front bedrooms remain largely untouched, retaining their Victorian features and only introducing new cabinetry. Meanwhile, the main bedroom’s previously pokey en suite and wardrobe have been expanded, adorned with custom cabinetry and illuminated via a generous skylight.
At the rear of the house, we reimagined the floor plan to establish shared spaces suited to the family’s lifestyle. Flanked by the dining and living rooms, the kitchen has been reoriented into a more efficient layout and features custom cabinetry that uses every available inch. In the dining room, the Swiss Army Knife of utility cabinets unfolds to reveal a laundry, more custom cabinetry, and a craft station with a retractable desk. Beautiful materiality throughout infuses the home with warmth and personality, featuring Blackbutt timber flooring and cabinetry, and selective pops of green and pink tones.
The house now works hard in a thermal sense too. Insulation and glazing were updated to best practice standard, and we’ve introduced several temperature control tools. Hydronic heating installed throughout the house is complemented by an evaporative cooling system and operable skylight.
The result is a lush, tactile home that increases the effectiveness of every existing inch to enhance daily life for our clients, proving that good design doesn’t need to add space to add value.
MIK ArchitectureOffenes, Großes Modernes Esszimmer mit grauer Wandfarbe, Marmorboden und weißem Boden in Miami
FINNE ArchitectsThe Mazama house is located in the Methow Valley of Washington State, a secluded mountain valley on the eastern edge of the North Cascades, about 200 miles northeast of Seattle.
The house has been carefully placed in a copse of trees at the easterly end of a large meadow. Two major building volumes indicate the house organization. A grounded 2-story bedroom wing anchors a raised living pavilion that is lifted off the ground by a series of exposed steel columns. Seen from the access road, the large meadow in front of the house continues right under the main living space, making the living pavilion into a kind of bridge structure spanning over the meadow grass, with the house touching the ground lightly on six steel columns. The raised floor level provides enhanced views as well as keeping the main living level well above the 3-4 feet of winter snow accumulation that is typical for the upper Methow Valley.
To further emphasize the idea of lightness, the exposed wood structure of the living pavilion roof changes pitch along its length, so the roof warps upward at each end. The interior exposed wood beams appear like an unfolding fan as the roof pitch changes. The main interior bearing columns are steel with a tapered “V”-shape, recalling the lightness of a dancer.
The house reflects the continuing FINNE investigation into the idea of crafted modernism, with cast bronze inserts at the front door, variegated laser-cut steel railing panels, a curvilinear cast-glass kitchen counter, waterjet-cut aluminum light fixtures, and many custom furniture pieces. The house interior has been designed to be completely integral with the exterior. The living pavilion contains more than twelve pieces of custom furniture and lighting, creating a totality of the designed environment that recalls the idea of Gesamtkunstverk, as seen in the work of Josef Hoffman and the Viennese Secessionist movement in the early 20th century.
The house has been designed from the start as a sustainable structure, with 40% higher insulation values than required by code, radiant concrete slab heating, efficient natural ventilation, large amounts of natural lighting, water-conserving plumbing fixtures, and locally sourced materials. Windows have high-performance LowE insulated glazing and are equipped with concealed shades. A radiant hydronic heat system with exposed concrete floors allows lower operating temperatures and higher occupant comfort levels. The concrete slabs conserve heat and provide great warmth and comfort for the feet.
Deep roof overhangs, built-in shades and high operating clerestory windows are used to reduce heat gain in summer months. During the winter, the lower sun angle is able to penetrate into living spaces and passively warm the exposed concrete floor. Low VOC paints and stains have been used throughout the house. The high level of craft evident in the house reflects another key principle of sustainable design: build it well and make it last for many years!
Photo by Benjamin Benschneider
Moss Yaw Design studioan oversized nelson bubble lamp is centered on the sky blue dining room ceiling, complementing the walnut finishes at the mid-century furniture.
jimmy cheng photography
Hillstar Construction Servicesaddet madan Design
Geschlossenes, Großes Modernes Esszimmer ohne Kamin mit grauer Wandfarbe und hellem Holzboden in Los Angeles
Geschlossenes, Großes Modernes Esszimmer ohne Kamin mit grauer Wandfarbe und hellem Holzboden in Los Angeles
Julia Mack Design, LLCKleine Moderne Wohnküche mit weißer Wandfarbe, hellem Holzboden und weißem Boden in New York
HufftThis is take two on ‘The Bent House’, which was canceled
after a design board did not approve the modern style in a
conservative neighbrohood. So we decided to take it one
step further and now it is the ‘bent and sliced house’.
The bend is from the original design (a.k.a.The Bent House),
and is a gesture to the curved slope of the site. This curve,
coincidentally, is almost the same of the previous design’s
site, and thus could be re-utilized.
Similiar to Japanese Oragami, this house unfolds like a piece
of slice paper from the sloped site. The negative space
between the slices creates wonderful clerestories for natural
light and ventilation. Photo Credit: Mike Sinclair
Drewett WorksEnjoying adjacency to a two-sided fireplace is the dining room. Above is a custom light fixture with 13 glass chrome pendants. The table, imported from Thailand, is Acacia wood.
Project Details // White Box No. 2
Architecture: Drewett Works
Builder: Argue Custom Homes
Interior Design: Ownby Design
Landscape Design (hardscape): Greey | Pickett
Landscape Design: Refined Gardens
Photographer: Jeff Zaruba
See more of this project here: https://www.drewettworks.com/white-box-no-2/
ArtechnologyАрхитектурная студия: Artechnology
Архитектор: Георгий Ахвледиани
Архитектор: Тимур Шарипов
Дизайнер: Ольга Истомина
Светодизайнер: Сергей Назаров
Фото: Сергей Красюк
Этот проект был опубликован в журнале AD Russia
STAR ArchitecturePeter Bennetts
Großes, Offenes Modernes Esszimmer mit Kalkstein, grauem Boden und grauer Wandfarbe in Melbourne
Großes, Offenes Modernes Esszimmer mit Kalkstein, grauem Boden und grauer Wandfarbe in Melbourne
Hills & GrantPhoto: Lisa Petrole
Geräumige Moderne Wohnküche ohne Kamin mit weißer Wandfarbe, Porzellan-Bodenfliesen und grauem Boden in San Francisco
Geräumige Moderne Wohnküche ohne Kamin mit weißer Wandfarbe, Porzellan-Bodenfliesen und grauem Boden in San Francisco
Exklusive Moderne Esszimmer Ideen und Design
9