Flur mit Betonboden und grauem Boden Ideen und Design
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Dettaglio Interior DesignInckx
Großer Klassischer Flur mit weißer Wandfarbe, Betonboden und grauem Boden in Phoenix
Großer Klassischer Flur mit weißer Wandfarbe, Betonboden und grauem Boden in Phoenix
Jamie Armstrong PhotographyJamie Armstrong Photography
Moderner Flur mit Betonboden und grauem Boden in Christchurch
Moderner Flur mit Betonboden und grauem Boden in Christchurch
Juan Felipe Goldstein Design Co.Mittelgroßer Moderner Flur mit weißer Wandfarbe, Betonboden und grauem Boden in Los Angeles
SmbarquitecturaDavid Zarzoso (Fotografía)
Großer Moderner Flur mit weißer Wandfarbe, Betonboden und grauem Boden in Valencia
Großer Moderner Flur mit weißer Wandfarbe, Betonboden und grauem Boden in Valencia
Birdseye DesignMittelgroßer Moderner Flur mit weißer Wandfarbe, Betonboden und grauem Boden in Burlington
A.C.T. llc2886 La Casita Ave Las Vegas NV 89120
Mittelgroßer Moderner Flur mit weißer Wandfarbe, Betonboden und grauem Boden in Las Vegas
Mittelgroßer Moderner Flur mit weißer Wandfarbe, Betonboden und grauem Boden in Las Vegas
Dan Nelson, Designs Northwest ArchitectsMud room with tight knot cedar paneling.
Image Lucas Henning.
Mittelgroßer Industrial Flur mit brauner Wandfarbe, Betonboden und grauem Boden in Seattle
Mittelgroßer Industrial Flur mit brauner Wandfarbe, Betonboden und grauem Boden in Seattle
RoomService 360The Wing Mirror is a a masterpiece with intensity and dimension that reimagines reflection through its unusual surface. Designed by the brilliant Daniel Libeskind whose accolades include the Ground Zero master-plan, The Wing collection is manufactured in Italy by Fiam and is available elliptical, rectangular and trapezoid shapes with various sizes.
Galaxy Concrete Polishing & GrindingGALAXY-Polished Concrete Floor in Semi Gloss sheen finish with Full Stone exposure revealing the customized selection of pebbles & stones within the 32 MPa concrete slab. Customizing your concrete is done prior to pouring concrete with Pre Mix Concrete supplier
Hsu McCulloughA 60-foot long central passage carves a path from the aforementioned Great Room and Foyer to the private Bedroom Suites: This hallway is capped by an enclosed shower garden - accessed from the Master Bath - open to the sky above and the south lawn beyond. In lieu of using recessed lights or wall sconces, the architect’s dreamt of a clever architectural detail that offers diffused daylighting / moonlighting of the home’s main corridor. The detail was formed by pealing the low-pitched gabled roof back at the high ridge line, opening the 60-foot long hallway to the sky via a series of seven obscured Solatube skylight systems and a sharp-angled drywall trim edge: Inspired by a James Turrell art installation, this detail directs the natural light (as well as light from an obscured continuous LED strip when desired) to the East corridor wall via the 6-inch wide by 60-foot long cove shaping the glow uninterrupted: An elegant distillation of Hsu McCullough's painting of interior spaces with various qualities of light - direct and diffused.
Ed Hughey, Architect & RealtorMittelgroßer Country Flur mit weißer Wandfarbe, Betonboden und grauem Boden in Austin
Regal Construction & Remodeling Inc.Großer Moderner Flur mit weißer Wandfarbe, Betonboden und grauem Boden in Los Angeles
EthosLabDISIMPEGNO CON PAVIMENTO IN RESINA GRIGIA E ILLUMINAZIONE CON STRIP LED A SOFFITTO E PARETE
Mittelgroßer Moderner Flur mit weißer Wandfarbe, Betonboden und grauem Boden in Neapel
Mittelgroßer Moderner Flur mit weißer Wandfarbe, Betonboden und grauem Boden in Neapel
E&K Vintage WoodE&K Del Mar Siding, Jean Randazzo Photography
Moderner Flur mit beiger Wandfarbe, Betonboden und grauem Boden in Los Angeles
Moderner Flur mit beiger Wandfarbe, Betonboden und grauem Boden in Los Angeles
Mon Concept HabitationNos clients, une famille avec 3 enfants, ont fait l'acquisition de ce bien avec une jolie surface de type loft (200 m²). Cependant, ce dernier manquait de personnalité et il était nécessaire de créer de belles liaisons entre les différents étages afin d'obtenir un tout cohérent et esthétique.
Nos équipes, en collaboration avec @charlotte_fequet, ont travaillé des tons pastel, camaïeux de bleus afin de créer une continuité et d’amener le ciel bleu à l’intérieur.
Pour le sol du RDC, nous avons coulé du béton ciré @okre.eu afin d'accentuer le côté loft tout en réduisant les coûts de dépose parquet. Néanmoins, pour les pièces à l'étage, un nouveau parquet a été posé pour plus de chaleur.
Au RDC, la chambre parentale a été remplacée par une cuisine. Elle s'ouvre à présent sur le salon, la salle à manger ainsi que la terrasse. La nouvelle cuisine offre à la fois un côté doux avec ses caissons peints en Biscuit vert (@ressource_peintures) et un côté graphique grâce à ses suspensions @celinewrightparis et ses deux verrières sur mesure.
Ce côté graphique est également présent dans les SDB avec des carreaux de ciments signés @mosaic.factory. On y retrouve des choix avant-gardistes à l'instar des carreaux de ciments créés en collaboration avec Valentine Bärg ou encore ceux issus de la collection "Forma".
Des menuiseries sur mesure viennent embellir le loft tout en le rendant plus fonctionnel. Dans le salon, les rangements sous l'escalier et la banquette ; le salon TV où nos équipes ont fait du semi sur mesure avec des caissons @ikeafrance ; les verrières de la SDB et de la cuisine ; ou encore cette somptueuse bibliothèque qui vient structurer le couloir
Kasia Karska DesignBrent Bingham Photography: http://www.brentbinghamphoto.com/
Mittelgroßer Moderner Flur mit Betonboden und grauem Boden in Denver
Mittelgroßer Moderner Flur mit Betonboden und grauem Boden in Denver
InchoatePhotos by Brian Reitz, Creative Vision Studios
Kleiner Moderner Flur mit weißer Wandfarbe, Betonboden und grauem Boden in Los Angeles
Kleiner Moderner Flur mit weißer Wandfarbe, Betonboden und grauem Boden in Los Angeles
Studio BuaThe Guesthouse Nýp at Skarðsströnd is situated on a former sheep farm overlooking the Breiðafjörður Nature Reserve in western Iceland. Originally constructed as a farmhouse in 1936, the building was deserted in the 1970s, slowly falling into disrepair before the new owners eventually began rebuilding in 2001. Since 2006, it has come to be known as a cultural hub of sorts, playing host to various exhibitions, lectures, courses and workshops.
The brief was to conceive a design that would make better use of the existing facilities, allowing for more multifunctional spaces for various cultural activities. This not only involved renovating the main house, but also rebuilding and enlarging the adjoining sheep-shed. Nýp’s first guests arrived in 2013 and where accommodated in two of the four bedrooms in the remodelled farmhouse. The reimagined sheep shed added a further three ensuite guestrooms with a separate entrance. This offers the owners greater flexibility, with the possibility of hosting larger events in the main house without disturbing guests. The new entrance hall and connection to the farmhouse has been given generous dimensions allowing it to double as an exhibition space.
The main house is divided vertically in two volumes with the original living quarters to the south and a barn for hay storage to the North. Bua inserted an additional floor into the barn to create a raised event space with a series of new openings capturing views to the mountains and the fjord. Driftwood, salvaged from a neighbouring beach, has been used as columns to support the new floor. Steel handrails, timber doors and beams have been salvaged from building sites in Reykjavik old town.
The ruins of concrete foundations have been repurposed to form a structured kitchen garden. A steel and polycarbonate structure has been bolted to the top of one concrete bay to create a tall greenhouse, also used by the client as an extra sitting room in the warmer months.
Staying true to Nýp’s ethos of sustainability and slow tourism, Studio Bua took a vernacular approach with a form based on local turf homes and a gradual renovation that focused on restoring and reinterpreting historical features while making full use of local labour, techniques and materials such as stone-turf retaining walls and tiles handmade from local clay.
Since the end of the 19th century, the combination of timber frame and corrugated metal cladding has been widespread throughout Iceland, replacing the traditional turf house. The prevailing wind comes down the valley from the north and east, and so it was decided to overclad the rear of the building and the new extension in corrugated aluzinc - one of the few materials proven to withstand the extreme weather.
In the 1930's concrete was the wonder material, even used as window frames in the case of Nýp farmhouse! The aggregate for the house is rather course with pebbles sourced from the beach below, giving it a special character. Where possible the original concrete walls have been retained and exposed, both internally and externally. The 'front' facades towards the access road and fjord have been repaired and given a thin silicate render (in the original colours) which allows the texture of the concrete to show through.
The project was developed and built in phases and on a modest budget. The site team was made up of local builders and craftsmen including the neighbouring farmer – who happened to own a cement truck. A specialist local mason restored the fragile concrete walls, none of which were reinforced.
Flur mit Betonboden und grauem Boden Ideen und Design
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