Häuser mit Betonfassade Ideen und Design
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Orren Pickell Building GroupLinda Oyama Bryan, photograper
Stone and Stucco French Provincial with arch top white oak front door and limestone front entry. Asphalt and brick paver driveway and bluestone front walkway.
松原建築計画／matsubara architect design office大開口の書斎スペースのあるファサード
Mittelgroßes, Zweistöckiges Modernes Einfamilienhaus mit weißer Fassadenfarbe, Betonfassade, Pultdach und Blechdach in Nagoya
Mittelgroßes, Zweistöckiges Modernes Einfamilienhaus mit weißer Fassadenfarbe, Betonfassade, Pultdach und Blechdach in Nagoya
Garage Doors UnlimitedThis metal driveway gate was painted and created at GDU.
The sloping top and open panels makes for a traditional look.
Mittelgroßes, Einstöckiges Klassisches Einfamilienhaus mit Betonfassade, blauer Fassadenfarbe, Flachdach und Misch-Dachdeckung in San Diego
Mittelgroßes, Einstöckiges Klassisches Einfamilienhaus mit Betonfassade, blauer Fassadenfarbe, Flachdach und Misch-Dachdeckung in San Diego
Urban Design AssociatesModern home with water feature.
Architect: Urban Design Associates
Builder: RS Homes
Interior Designer: Tamm Jasper Interiors
Photo Credit: Dino Tonn
Beacon StreetBlue cottage home with bright red front door, large covered porch.
Mittelgroßes, Zweistöckiges Maritimes Einfamilienhaus mit Betonfassade, blauer Fassadenfarbe, Satteldach, Schindeldach, schwarzem Dach und Verschalung in Sonstige
Mittelgroßes, Zweistöckiges Maritimes Einfamilienhaus mit Betonfassade, blauer Fassadenfarbe, Satteldach, Schindeldach, schwarzem Dach und Verschalung in Sonstige
Wolfgang Pichler Design Inc.Mittelgroßes, Einstöckiges Mediterranes Einfamilienhaus mit Betonfassade, weißer Fassadenfarbe und Flachdach in Sonstige
Architecture Saville IsaacsExterior - Front Entry
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Highland Builders LLCModern mountain aesthetic in this fully exposed custom designed ranch. Exterior brings together lap siding and stone veneer accents with welcoming timber columns and entry truss. Garage door covered with standing seam metal roof supported by brackets. Large timber columns and beams support a rear covered screened porch. (Ryan Hainey)
CAPD, inc.Photographer 石井紀久
Einstöckiges Modernes Haus mit Betonfassade, grauer Fassadenfarbe und Pultdach in Sonstige
Einstöckiges Modernes Haus mit Betonfassade, grauer Fassadenfarbe und Pultdach in Sonstige
SPACEstudioDavid Taylor
Großes, Einstöckiges Modernes Haus mit Betonfassade, weißer Fassadenfarbe und Pultdach in Sydney
Großes, Einstöckiges Modernes Haus mit Betonfassade, weißer Fassadenfarbe und Pultdach in Sydney
Wolveridge ArchitectsPhotography: Derek Swalwell
Einstöckiges, Mittelgroßes Modernes Haus mit Betonfassade, Flachdach und schwarzer Fassadenfarbe in Melbourne
Einstöckiges, Mittelgroßes Modernes Haus mit Betonfassade, Flachdach und schwarzer Fassadenfarbe in Melbourne
Arrodesign & ConstructionZweistöckiges, Kleines Uriges Haus mit Betonfassade, grüner Fassadenfarbe, Satteldach und Blechdach in Burlington
Dworsky ArchitectureView of exterior from street
Mid-Century Haus mit Betonfassade und Satteldach in Los Angeles
Mid-Century Haus mit Betonfassade und Satteldach in Los Angeles
Mark Dziewulski ArchitectGroßes, Einstöckiges Modernes Haus mit Betonfassade, grauer Fassadenfarbe und Flachdach in San Francisco
Bagnato Architecture & InteriorsBagnato Architects
AXIOM PHOTOGRAPHY
Modernes Haus mit Betonfassade in Melbourne
Modernes Haus mit Betonfassade in Melbourne
Mohler + Ghillino ArchitectsView from the street. Entry garden is to the right and a semi-detached guest suite hovers above the garage to create a covered entry walk.
photo: Ben Benschneider
WA Design ArchitectsPhoto credit: WA design
Einstöckiges, Großes Modernes Haus mit Betonfassade, grauer Fassadenfarbe, Flachdach und Blechdach in San Francisco
Einstöckiges, Großes Modernes Haus mit Betonfassade, grauer Fassadenfarbe, Flachdach und Blechdach in San Francisco
Wall TheoryA close-up of the real concrete panels used on the exterior of this home around the garage. This home exterior combines wood paneling with Wall Theory's RealCast real concrete panels to create a modern and unique exterior appearance. The medium grey concrete panels contrast with the dark roof and contemporary, black garage door and window trims. The angular roof creates a sense of grandeur. These real concrete panels are waterproof, fireproof, and exterior rated, making them excellent for outdoor use, and they're easier to install than any other exterior concrete option.
Horizon HomesHamptons inspired with a contemporary Aussie twist, this five-bedroom home in Ryde was custom designed and built by Horizon Homes to the specifications of the owners, who wanted an extra wide hallway, media room, and upstairs and downstairs living areas. The ground floor living area flows through to the kitchen, generous butler's pantry and outdoor BBQ area overlooking the garden.
Thomas ArchitectsZweistöckiges Landhausstil Einfamilienhaus mit Betonfassade, grauer Fassadenfarbe, Satteldach und Schindeldach in Chicago
Häuser mit Betonfassade Ideen und Design
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