Mittelgroße, Kleine Esszimmer Ideen und Design
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IOANNA LENNOX INTERIORSMittelgroße Moderne Wohnküche mit grauer Wandfarbe, braunem Holzboden und beigem Boden in Sydney
MUR. MUR ARCHITECTESOffenes, Mittelgroßes Uriges Esszimmer mit weißer Wandfarbe, braunem Holzboden und beigem Boden in Paris
EP Architects LtdEP Architects, were recommended by a previous client to provide architectural services to design a single storey side extension and internal alterations to this 1960’s private semi-detached house.
The brief was to design a modern flat roofed, highly glazed extension to allow views over a well maintained garden. Due to the sloping nature of the site the extension sits into the lawn to the north of the site and opens out to a patio to the west. The clients were very involved at an early stage by providing mood boards and also in the choice of external materials and the look that they wanted to create in their project, which was welcomed.
A large flat roof light provides light over a large dining space, in addition to the large sliding patio doors. Internally, the existing dining room was divided to provide a large utility room and cloakroom, accessed from the kitchen and providing rear access to the garden and garage.
The extension is quite different to the original house, yet compliments it, with its simplicity and strong detailing.
Beige and Bleu Design StudioOffenes, Mittelgroßes Eklektisches Esszimmer mit beiger Wandfarbe, dunklem Holzboden, Kamin und Kaminumrandung aus Stein in Boston
Bénédicte Montussacdétail papier peint, mobilier et luminaire
Offenes, Mittelgroßes Modernes Esszimmer ohne Kamin mit blauer Wandfarbe und hellem Holzboden in Paris
Offenes, Mittelgroßes Modernes Esszimmer ohne Kamin mit blauer Wandfarbe und hellem Holzboden in Paris
Userphotography by @schneidervisuals
Mittelgroßes Mid-Century Esszimmer mit weißer Wandfarbe, braunem Holzboden und braunem Boden in Los Angeles
Mittelgroßes Mid-Century Esszimmer mit weißer Wandfarbe, braunem Holzboden und braunem Boden in Los Angeles
Fox InteriorsGeschlossenes, Mittelgroßes Mid-Century Esszimmer mit weißer Wandfarbe, braunem Holzboden, Kamin, Kaminumrandung aus Backstein und braunem Boden in Minneapolis
Allen & James Interior DesignThe breakfast area adjacent to the kitchen did not veer from the New Traditional design of the entire home. Elegant lighting and furnishings were illuminated by an awesome bank of windows. With chairs by Hickory White, table by Iorts and lighting by Currey and Co., each piece is a perfect complement for the gracious space.
Photographer: Michael Blevins Photo
DLT Interiors-Debbie TravinAfter shot of the eat in area/kitchen.
A eat in area space overlooking the bay. DLT Interiors created a clean, white and open transitional/coastal design for this eat in area .
Ronnette Riley ArchitectOffenes, Mittelgroßes Klassisches Esszimmer mit weißer Wandfarbe, braunem Holzboden und braunem Boden in New York
UserA cosy Dining Area for intimate dinners with friends. Surrounded by pieces bought by the client from France
Geschlossenes, Mittelgroßes Landhaus Esszimmer mit hellem Holzboden, Kamin und Kaminumrandung aus Backstein in Sydney
Geschlossenes, Mittelgroßes Landhaus Esszimmer mit hellem Holzboden, Kamin und Kaminumrandung aus Backstein in Sydney
Nine Dot DesignOffenes, Kleines Maritimes Esszimmer mit weißer Wandfarbe, dunklem Holzboden, Kamin, Kaminumrandung aus Backstein und braunem Boden in Los Angeles
ChangoA playground by the beach. This light-hearted family of four takes a cool, easy-going approach to their Hamptons home.
Mittelgroße Maritime Wohnküche mit weißer Wandfarbe, dunklem Holzboden und grauem Boden in New York
Mittelgroße Maritime Wohnküche mit weißer Wandfarbe, dunklem Holzboden und grauem Boden in New York
Mur-Sol Builders IncMittelgroße Mediterrane Wohnküche mit weißer Wandfarbe, hellem Holzboden, Kamin, Kaminumrandung aus Stein und beigem Boden in Los Angeles
Architecture Saville IsaacsInterior - Living Room and Dining
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
Lauren Nicole DesignsOffenes, Mittelgroßes Klassisches Esszimmer ohne Kamin mit weißer Wandfarbe, dunklem Holzboden und braunem Boden in Charlotte
Mary Hannah InteriorsOffenes, Kleines Maritimes Esszimmer ohne Kamin mit weißer Wandfarbe und braunem Holzboden in Sonstige
UserDining room with Craftsman detailing and room separator with built-in cabinets
Geschlossenes, Mittelgroßes Rustikales Esszimmer ohne Kamin mit beiger Wandfarbe, braunem Holzboden und braunem Boden in Atlanta
Geschlossenes, Mittelgroßes Rustikales Esszimmer ohne Kamin mit beiger Wandfarbe, braunem Holzboden und braunem Boden in Atlanta
Kate RenwickRestoration and remodelling of Georgian coastal farmhouse in Dorset.
Interior Kate Renwick
Photography Nick Smith
Photography by Nick Smith
Mittelgroßes Landhaus Esszimmer in Dorset
Mittelgroßes Landhaus Esszimmer in Dorset
Mittelgroße, Kleine Esszimmer Ideen und Design
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