© Roland Halbe Fotografie
Haus mit grauer Fassadenfarbe, Satteldach und Betonfassade in Stuttgart

Projekt von Baufritz Zwei Schlafkojen – die Bodenseeschifffahrt lässt grüßen – hinter einer Schiebewand schaffen einen Erlebnis-Übernachtungsraum nicht nur für Kinder.

D.C. production

by andy

gariselli associati

世田谷HN邸＜建物を貫く光のクレバスの家＞

ZeitRaumDesign & Feng Shui & Innendesign
Wohnküche ohne Kamin mit Landhausspüle, flächenbündigen Schrankfronten, weißen Schränken, Quarzwerkstein-Arbeitsplatte, Glasrückwand, Küchengeräten aus Edelstahl, Kücheninsel, beiger Wandfarbe, hellem Holzboden und beigem Boden in Frankfurt

敷地の周囲には田園風景がひろがっています photo.A.Fukuzawa

Recomposition mélodique pour cette cage d'escalier menant à un palier de distribution vers les chambres des enfants, espace servant aussi de lieu de détente et de jeux.

Eiche Massivholztreppe, Stufen auf Gehrung verleimt, Oberfläche geölt

アトリエＲ／畑亮夫

ビビッドなクロスで明るいトイレへ

2015 V-wall Wallcoverings Catalog LV-6331

Badezimmer En Suite mit flächenbündigen Schrankfronten, weißen Schränken, beigen Fliesen, Steinfliesen und Quarzwerkstein-Waschtisch in Munich

Goetheanum | Dornach | Switzerland An architectural series of an anthroposophic building in Dornach, Switzerland. The Goetheanum is the world center for the anthroposophical movement. The building was designed by Rudolf Steiner and named after Johann Wolfgang von Goethe. It includes two performance halls (1500 seats), gallery and lecture spaces, a library, a bookstore, and administrative spaces for the Anthroposophical Society; neighboring buildings house the society's research and educational facilities. Conferences focusing on themes of general interest or directed toward teachers, farmers, doctors, therapists, and other professionals are held at the center throughout the year. Both the present Goetheanum building and its precursor have been widely cited as masterpieces of modern architecture. Steiner's architecture is characterized by a liberation from traditional architectural constraints, especially through the departure from the right-angle as a basis for the building plan. For the first Goetheanum he achieved this in wood by employing boat builders to construct its rounded forms; for the second Goetheanum by using concrete to achieve sculptural shapes on an architectural scale. The use of concrete to achieve organically expressive forms was an innovation for the times; in both buildings, Steiner sought to create forms that were spiritually expressive. -- Photo by #matthiasdengler #snapshopped #architekturfotograf #basel #stuttgart #nürnberg #architecture