Zweistöckige Häuser Ideen und Design
Suche verfeinern:
Budget
Sortieren nach:Heute beliebt
81 – 100 von 256.000 Fotos
Anchor BuildersDesign & Build Team: Anchor Builders,
Photographer: Andrea Rugg Photography
Zweistöckiges, Mittelgroßes Klassisches Haus mit Faserzement-Fassade, grauer Fassadenfarbe und Satteldach in Minneapolis
Zweistöckiges, Mittelgroßes Klassisches Haus mit Faserzement-Fassade, grauer Fassadenfarbe und Satteldach in Minneapolis
Siding & Windows Group LtdWilmette, IL Siding Remodel by Siding & Windows Group Ltd. This Cape Cod Style Home in Wimette, IL had the Exterior updated, where we installed Royal Residential CertainTeed Cedar Impressions Vinyl Siding in Lap on the first elevation and Shake on the second elevation. Exterior Remodel was complete with restoration of window trim, top, middle & bottom frieze boards with drip edge, soffit & fascia, restoration of corner posts, and window crossheads with crown moldings
Brookwood Landscape and Stonework Inc.Großes, Zweistöckiges Klassisches Haus mit Vinylfassade, grauer Fassadenfarbe und Satteldach in Boston
Drawing DeptRVP Photography
Zweistöckiges Landhausstil Haus mit Faserzement-Fassade, weißer Fassadenfarbe und Satteldach in Cincinnati
Zweistöckiges Landhausstil Haus mit Faserzement-Fassade, weißer Fassadenfarbe und Satteldach in Cincinnati
Advanced Painting and Wood RepairEntry door
Großes, Zweistöckiges Maritimes Haus mit Putzfassade, beiger Fassadenfarbe und Walmdach in Orange County
Großes, Zweistöckiges Maritimes Haus mit Putzfassade, beiger Fassadenfarbe und Walmdach in Orange County
Peninsula Building MaterialsAmmirato Construction's use of K2's Pacific Ashlar thin veneer, is beautifully displayed on many of the walls of this property.
Großes, Zweistöckiges Retro Einfamilienhaus mit Mix-Fassade, Satteldach und grauer Fassadenfarbe in San Francisco
Großes, Zweistöckiges Retro Einfamilienhaus mit Mix-Fassade, Satteldach und grauer Fassadenfarbe in San Francisco
Stone SelexThis beautiful home has been clad in stone and stucco with contrasting accents of wood shutters and trim.
Zweistöckiges, Großes Klassisches Haus mit Steinfassade und brauner Fassadenfarbe in Toronto
Zweistöckiges, Großes Klassisches Haus mit Steinfassade und brauner Fassadenfarbe in Toronto
Bruns ArchitectureTricia Shay Photography
Zweistöckiges, Mittelgroßes Modernes Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe und Pultdach in Milwaukee
Zweistöckiges, Mittelgroßes Modernes Einfamilienhaus mit Mix-Fassade, grauer Fassadenfarbe und Pultdach in Milwaukee
E Builders HomesZachary Molino
Großes, Zweistöckiges Country Haus mit Faserzement-Fassade und weißer Fassadenfarbe in Salt Lake City
Großes, Zweistöckiges Country Haus mit Faserzement-Fassade und weißer Fassadenfarbe in Salt Lake City
Bergeron Custom Homes, LLCZweistöckiges Landhausstil Haus mit weißer Fassadenfarbe und Misch-Dachdeckung in Charleston
The Design TeamMittelgroßes, Zweistöckiges Klassisches Haus mit Vinylfassade und blauer Fassadenfarbe in Minneapolis
Howell Custom Building GroupRob Karosis, Sabrina Inc
Große, Zweistöckige Klassische Holzfassade Haus mit grauer Fassadenfarbe in Boston
Große, Zweistöckige Klassische Holzfassade Haus mit grauer Fassadenfarbe in Boston
UserKatie Allen Interiors chose the "Langston" entry system to make a mid-century modern entrance to this White Rock Home Tour home in Dallas, TX.
Zweistöckiges Retro Haus mit Backsteinfassade, beiger Fassadenfarbe und Satteldach in Dallas
Zweistöckiges Retro Haus mit Backsteinfassade, beiger Fassadenfarbe und Satteldach in Dallas
ADŌR HomesSpaceCrafting Real Estate Photography
Zweistöckige, Mittelgroße Klassische Holzfassade Haus mit weißer Fassadenfarbe und Satteldach in Minneapolis
Zweistöckige, Mittelgroße Klassische Holzfassade Haus mit weißer Fassadenfarbe und Satteldach in Minneapolis
dSPACE Studio Ltd, AIAZweistöckiges Modernes Einfamilienhaus mit Mix-Fassade und Flachdach in Chicago
MarvinArchitect: Blaine Bonadies, Bonadies Architect
Photography By: Jean Allsopp Photography
“Just as described, there is an edgy, irreverent vibe here, but the result has an appropriate stature and seriousness. Love the overscale windows. And the outdoor spaces are so great.”
Situated atop an old Civil War battle site, this new residence was conceived for a couple with southern values and a rock-and-roll attitude. The project consists of a house, a pool with a pool house and a renovated music studio. A marriage of modern and traditional design, this project used a combination of California redwood siding, stone and a slate roof with flat-seam lead overhangs. Intimate and well planned, there is no space wasted in this home. The execution of the detail work, such as handmade railings, metal awnings and custom windows jambs, made this project mesmerizing.
Cues from the client and how they use their space helped inspire and develop the initial floor plan, making it live at a human scale but with dramatic elements. Their varying taste then inspired the theme of traditional with an edge. The lines and rhythm of the house were simplified, and then complemented with some key details that made the house a juxtaposition of styles.
The wood Ultimate Casement windows were all standard sizes. However, there was a desire to make the windows have a “deep pocket” look to create a break in the facade and add a dramatic shadow line. Marvin was able to customize the jambs by extruding them to the exterior. They added a very thin exterior profile, which negated the need for exterior casing. The same detail was in the stone veneers and walls, as well as the horizontal siding walls, with no need for any modification. This resulted in a very sleek look.
MARVIN PRODUCTS USED:
Marvin Ultimate Casement Window
Design Associates - Lynette Zambon, Carol MericaExterior of transitional mountain home with inviting hot tub.
Großes, Zweistöckiges Uriges Einfamilienhaus mit Mix-Fassade, brauner Fassadenfarbe und Satteldach in Sonstige
Großes, Zweistöckiges Uriges Einfamilienhaus mit Mix-Fassade, brauner Fassadenfarbe und Satteldach in Sonstige
Exterior Worlds Landscaping & DesignThe problem this Memorial-Houston homeowner faced was that her sumptuous contemporary home, an austere series of interconnected cubes of various sizes constructed from white stucco, black steel and glass, did not have the proper landscaping frame. It was out of scale. Imagine Robert Motherwell's "Black on White" painting without the Museum of Fine Arts-Houston's generous expanse of white walls surrounding it. It would still be magnificent but somehow...off.
Intuitively, the homeowner realized this issue and started interviewing landscape designers. After talking to about 15 different designers, she finally went with one, only to be disappointed with the results. From the across-the-street neighbor, she was then introduced to Exterior Worlds and she hired us to correct the newly-created problems and more fully realize her hopes for the grounds. "It's not unusual for us to come in and deal with a mess. Sometimes a homeowner gets overwhelmed with managing everything. Other times it is like this project where the design misses the mark. Regardless, it is really important to listen for what a prospect or client means and not just what they say," says Jeff Halper, owner of Exterior Worlds.
Since the sheer size of the house is so dominating, Exterior Worlds' overall job was to bring the garden up to scale to match the house. Likewise, it was important to stretch the house into the landscape, thereby softening some of its severity. The concept we devised entailed creating an interplay between the landscape and the house by astute placement of the black-and-white colors of the house into the yard using different materials and textures. Strategic plantings of greenery increased the interest, density, height and function of the design.
First we installed a pathway of crushed white marble around the perimeter of the house, the white of the path in homage to the house’s white facade. At various intervals, 3/8-inch steel-plated metal strips, painted black to echo the bones of the house, were embedded and crisscrossed in the pathway to turn it into a loose maze.
Along this metal bunting, we planted succulents whose other-worldly shapes and mild coloration juxtaposed nicely against the hard-edged steel. These plantings included Gulf Coast muhly, a native grass that produces a pink-purple plume when it blooms in the fall. A side benefit to the use of these plants is that they are low maintenance and hardy in Houston’s summertime heat.
Next we brought in trees for scale. Without them, the impressive architecture becomes imposing. We placed them along the front at either corner of the house. For the left side, we found a multi-trunk live oak in a field, transported it to the property and placed it in a custom-made square of the crushed marble at a slight distance from the house. On the right side where the house makes a 90-degree alcove, we planted a mature mesquite tree.
To finish off the front entry, we fashioned the black steel into large squares and planted grass to create islands of green, or giant lawn stepping pads. We echoed this look in the back off the master suite by turning concrete pads of black-stained concrete into stepping pads.
We kept the foundational plantings of Japanese yews which add green, earthy mass, something the stark architecture needs for further balance. We contoured Japanese boxwoods into small spheres to enhance the play between shapes and textures.
In the large, white planters at the front entrance, we repeated the plantings of succulents and Gulf Coast muhly to reinforce symmetry. Then we built an additional planter in the back out of the black metal, filled it with the crushed white marble and planted a Texas vitex, another hardy choice that adds a touch of color with its purple blooms.
To finish off the landscaping, we needed to address the ravine behind the house. We built a retaining wall to contain erosion. Aesthetically, we crafted it so that the wall has a sharp upper edge, a modern motif right where the landscape meets the land.
ROBERT J. CHERNACK, ARCHITECT P.C.New Porch, & Dormer addition to a standard existing cape, in Huntington, New York.
Photo By: Robert J. Chernack Architect, P.C.
Kleines, Zweistöckiges Klassisches Haus mit Vinylfassade in New York
Kleines, Zweistöckiges Klassisches Haus mit Vinylfassade in New York
The McKernon GroupA beautiful historic Colonial replica. It looks like it has been sitting on this hilltop for hundreds of years, even though it's only been a few. It has all the details of it's era with the energy efficiency available today.
Zweistöckige Häuser Ideen und Design
5