Modernde Esszimmer Ideen und Bilder
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lisa schmitz interior designOffenes, Mittelgroßes Modernes Esszimmer mit bunten Wänden, braunem Holzboden und braunem Boden in Kansas City
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IOANNA LENNOX INTERIORSMittelgroße Moderne Wohnküche mit grauer Wandfarbe, braunem Holzboden und beigem Boden in Sydney
Class S interior design（住吉さやか）Großes Modernes Esszimmer ohne Kamin mit weißer Wandfarbe und hellem Holzboden in Yokohama
EP Architects LtdEP Architects, were recommended by a previous client to provide architectural services to design a single storey side extension and internal alterations to this 1960’s private semi-detached house.
The brief was to design a modern flat roofed, highly glazed extension to allow views over a well maintained garden. Due to the sloping nature of the site the extension sits into the lawn to the north of the site and opens out to a patio to the west. The clients were very involved at an early stage by providing mood boards and also in the choice of external materials and the look that they wanted to create in their project, which was welcomed.
A large flat roof light provides light over a large dining space, in addition to the large sliding patio doors. Internally, the existing dining room was divided to provide a large utility room and cloakroom, accessed from the kitchen and providing rear access to the garden and garage.
The extension is quite different to the original house, yet compliments it, with its simplicity and strong detailing.
Bénédicte Montussacdétail papier peint, mobilier et luminaire
Offenes, Mittelgroßes Modernes Esszimmer ohne Kamin mit blauer Wandfarbe und hellem Holzboden in Paris
Offenes, Mittelgroßes Modernes Esszimmer ohne Kamin mit blauer Wandfarbe und hellem Holzboden in Paris
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Ability Wood FlooringOffenes, Großes Modernes Esszimmer ohne Kamin mit grauer Wandfarbe, braunem Holzboden und grauem Boden in Orlando
Studio NeshamaModernes Esszimmer ohne Kamin mit weißer Wandfarbe, dunklem Holzboden und braunem Boden in Dallas
Architecture Saville IsaacsInterior - Living Room and Dining
Beach House at Avoca Beach by Architecture Saville Isaacs
Project Summary
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The interpretation of experiencing life at the beach in all its forms has been manifested in tangible spaces and places through the design of pavilions, courtyards and outdoor rooms.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
A progression of pavilions and courtyards are strung off a circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
The interiors reinforce architectural design principles and place-making, allowing every space to be utilised to its optimum. There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Project Description
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
The core idea of people living and engaging with place is an underlying principle of our practice, given expression in the manner in which this home engages with the exterior, not in a general expansive nod to view, but in a varied and intimate manner.
The house is designed to maximise the spectacular Avoca beachfront location with a variety of indoor and outdoor rooms in which to experience different aspects of beachside living.
Client brief: home to accommodate a small family yet expandable to accommodate multiple guest configurations, varying levels of privacy, scale and interaction.
A home which responds to its environment both functionally and aesthetically, with a preference for raw, natural and robust materials. Maximise connection – visual and physical – to beach.
The response was a series of operable spaces relating in succession, maintaining focus/connection, to the beach.
The public spaces have been designed as series of indoor/outdoor pavilions. Courtyards treated as outdoor rooms, creating ambiguity and blurring the distinction between inside and out.
A progression of pavilions and courtyards are strung off circulation spine/breezeway, from street to beach: entry/car court; grassed west courtyard (existing tree); games pavilion; sand+fire courtyard (=sheltered heart); living pavilion; operable verandah; beach.
Verandah is final transition space to beach: enclosable in winter; completely open in summer.
This project seeks to demonstrates that focusing on the interrelationship with the surrounding environment, the volumetric quality and light enhanced sculpted open spaces, as well as the tactile quality of the materials, there is no need to showcase expensive finishes and create aesthetic gymnastics. The design avoids fashion and instead works with the timeless elements of materiality, space, volume and light, seeking to achieve a sense of calm, peace and tranquillity.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Focus is on the tactile quality of the materials: a consistent palette of concrete, raw recycled grey ironbark, steel and natural stone. Materials selections are raw, robust, low maintenance and recyclable.
Light, natural and artificial, is used to sculpt the space and accentuate textural qualities of materials.
Passive climatic design strategies (orientation, winter solar penetration, screening/shading, thermal mass and cross ventilation) result in stable indoor temperatures, requiring minimal use of heating and cooling.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
Accommodation is naturally ventilated by eastern sea breezes, but sheltered from harsh afternoon winds.
Both bore and rainwater are harvested for reuse.
Low VOC and non-toxic materials and finishes, hydronic floor heating and ventilation ensure a healthy indoor environment.
Project was the outcome of extensive collaboration with client, specialist consultants (including coastal erosion) and the builder.
The interpretation of experiencing life by the sea in all its forms has been manifested in tangible spaces and places through the design of the pavilions, courtyards and outdoor rooms.
The interior design has been an extension of the architectural intent, reinforcing architectural design principles and place-making, allowing every space to be utilised to its optimum capacity.
There is no differentiation between architecture and interiors: Interior becomes exterior, joinery becomes space modulator, materials become textural art brought to life by the sun.
Architecture Saville Isaacs
https://www.architecturesavilleisaacs.com.au/
https://www.architecturesavilleisaacs.com.au/
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Arjay Builders Inc.Offenes, Großes Modernes Esszimmer ohne Kamin mit weißer Wandfarbe, hellem Holzboden und beigem Boden in Omaha
Studio Ness, LLCPhoto by Costas Picadas
Großes Modernes Esszimmer mit braunem Holzboden, Kamin, Kaminumrandung aus Backstein, weißer Wandfarbe und braunem Boden in New York
Großes Modernes Esszimmer mit braunem Holzboden, Kamin, Kaminumrandung aus Backstein, weißer Wandfarbe und braunem Boden in New York
Modernde Esszimmer Ideen und Bilder
M. Designs ArchitectsCantilevered circular dining area floating on top of the magnificent lap pool, with mosaic Hands of God tiled swimming pool. The glass wall opens up like an aircraft hanger door blending the outdoors with the indoors. Basement, 1st floor & 2nd floor all look into this space. basement has the game room, the pool, jacuzzi, home theatre and sauna
backgroundЗеркала. Их здесь действительно много, они имеют разные габариты - от полос шириной 30мм до полотен шириной 1000 мм и образуют различные композиции в плоскостях стен. Мы получили эффект открытого контура помещения - пространство продолжается за плоскость стены. Технически было достаточно сложно встроить зеркало в плоскость оштукатуренной поверхности заподлицо с ней, и нам это удалось.
Elms Interior DesignPhotography by Michael J. Lee
Mittelgroße Moderne Wohnküche mit grauer Wandfarbe, dunklem Holzboden und braunem Boden in Boston
Mittelgroße Moderne Wohnküche mit grauer Wandfarbe, dunklem Holzboden und braunem Boden in Boston
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