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Reihenhäuser Ideen und Design

Пасхальный дом
Пасхальный дом
Карпенко ВладимирКарпенко Владимир
Mittelgroßes, Zweistöckiges Modernes Reihenhaus mit Putzfassade, weißer Fassadenfarbe, Flachdach, Misch-Dachdeckung und schwarzem Dach in Moskau
Rowhouse Reconceived
Rowhouse Reconceived
Hill & Hurtt Architects, PLLCHill & Hurtt Architects, PLLC
Mittelgroßes, Zweistöckiges Klassisches Haus mit Mix-Fassade, weißer Fassadenfarbe und Flachdach in Washington, D.C.
California Twins
California Twins
R&D architectsR&D architects
Josh Targownik
Mittelgroßes Modernes Haus mit Mix-Fassade, bunter Fassadenfarbe und Flachdach in Los Angeles
401 State Street
401 State Street
Greenbaum Home FurnishingsGreenbaum Home Furnishings
Mittelgroßes, Dreistöckiges Modernes Reihenhaus mit Mix-Fassade, grauer Fassadenfarbe, Flachdach und Blechdach in Seattle
Modern Town House
Modern Town House
MaterialMaterial
Mittelgroßes, Zweistöckiges Modernes Reihenhaus mit Steinfassade, beiger Fassadenfarbe, Pultdach und Blechdach
Umbau und Erweiterung Haus B in Köln
Umbau und Erweiterung Haus B in Köln
falke architektenfalke architekten
Mittelgroßes Modernes Reihenhaus mit weißer Fassadenfarbe, Satteldach und Ziegeldach in Köln
Well Street Common
Well Street Common
CairnCairn
Mittelgroßes, Dreistöckiges Eklektisches Reihenhaus mit Blechdach in London
Canmore Fourplex
Canmore Fourplex
THADTHAD
Großes, Dreistöckiges Uriges Reihenhaus mit Steinfassade, weißer Fassadenfarbe, Satteldach und Blechdach in Calgary
Orange Grove
Orange Grove
Brooks + Scarpa ArchitectsBrooks + Scarpa Architects
Located in a neighborhood characterized by traditional bungalow style single-family residences, Orange Grove is a new landmark for the City of West Hollywood. The building is sensitively designed and compatible with the neighborhood, but differs in material palette and scale from its neighbors. Referencing architectural conventions of modernism rather than the pitched roof forms of traditional domesticity, the project presents a characteristic that is consistent with the eclectic and often unconventional demographic of West Hollywood. Distinct from neighboring structures, the building creates a strong relationship to the street by virtue of its large amount of highly usable balcony area in the front façade. While there are dramatic and larger scale elements that define the building, it is also broken down into comprehensible human scale parts, and is itself broken down into two different buildings. Orange Grove displays a similar kind of iconoclasm as the Schindler House, an icon of California modernism, located a short distance away. Like the Schindler House, the conventional architectural elements of windows and porches become part of an abstract sculptural ensemble. At the Schindler House, windows are found in the gaps between structural concrete wall panels. At Orange Grove, windows are inserted in gaps between different sections of the building. The design of Orange Grove is generated by a subtle balance of tensions. Building volumes and the placement of windows, doors and balconies are not static but rather constitute an active three-dimensional composition in motion. Each piece of the building is a strong and clearly defined shape, such as the corrugated metal surround that encloses the second story balcony in the east and north facades. Another example of this clear delineation is the use of two square profile balcony surrounds in the front façade that set up a dialogue between them—one is small, the other large, one is open at the front, the other is veiled with stainless steel slats. At the same time each balcony is balanced and related to other elements in the building, the smaller one to the driveway gate below and the other to the roll-up door and first floor balcony. Each building element is intended to read as an abstract form in itself—such as a window becoming a slit or windows becoming a framed box, while also becoming part of a larger whole. Although this building may not mirror the status quo it answers to the desires of consumers in a burgeoning niche market who want large, simple interior volumes of space, and a paradigm based on space, light and industrial materials of the loft rather than the bungalow.
Westside Station
Westside Station
Brock BuiltBrock Built
Dreistöckiges Industrial Reihenhaus mit Backsteinfassade, roter Fassadenfarbe und Flachdach in Atlanta
Harringay Kitchen
Harringay Kitchen
Jacob Alexander Cabinet MakersJacob Alexander Cabinet Makers
In collaboration with Merrett Houmøller Architects
Mittelgroßes, Dreistöckiges Modernes Haus mit schwarzer Fassadenfarbe und Satteldach in London
Perlach D 18
Perlach D 18
Lebensraum Holz GmbHLebensraum Holz GmbH
Foto: Michael Voit, Nußdorf
Mittelgroßes, Dreistöckiges Modernes Haus mit brauner Fassadenfarbe, Satteldach, Ziegeldach, grauem Dach und Verschalung in München
Corpus Christi Townhome Community
Corpus Christi Townhome Community
Laura Burton InteriorsLaura Burton Interiors
Chase Daniel
Klassisches Reihenhaus mit Schindeldach in Austin
Beach Houses
Beach Houses
JEBENS SCHOOF ARCHITEKTEN BDAJEBENS SCHOOF ARCHITEKTEN BDA
Martin Lukas Kim
Großes, Zweistöckiges Skandinavisches Haus mit brauner Fassadenfarbe, Satteldach und Blechdach in Hamburg
Lot 23 Forest Hills- Fayetteville, AR
Lot 23 Forest Hills- Fayetteville, AR
Trade Mark Homes, LLCTrade Mark Homes, LLC
Elevation of Lot 23 Forest Hills in Fayetteville. Custom home featuring a red mixed brick, black shutters and black trim work.
Mittelgroßes, Zweistöckiges Industrial Reihenhaus mit Backsteinfassade, roter Fassadenfarbe, Satteldach und Schindeldach in Sonstige
Toronto Design Modern House Exterior
Toronto Design Modern House Exterior
Bananarch Design StudioBananarch Design Studio
Mittelgroßes, Dreistöckiges Modernes Reihenhaus mit Backsteinfassade, brauner Fassadenfarbe und Flachdach in Toronto
Fitzroy North House
Fitzroy North House
MMAD ArchitectureMMAD Architecture
The original facade has been restored and gives nothing away to the modern changes that are within. Image by: Jack Lovel Photography Builders: DIMPAT Construction
Maison - Bagnolet
Maison - Bagnolet
Cécile Humbert - Design d'intérieurCécile Humbert - Design d'intérieur
Mittelgroßes, Zweistöckiges Reihenhaus mit beiger Fassadenfarbe in Paris
Inspired By Artwork - Exterior
Inspired By Artwork - Exterior
Allard + Roberts Interior Design, IncAllard + Roberts Interior Design, Inc
As part of the renovation of this existing townhome, new sliding doors were added out to a new stone patio.
Mittelgroßes, Zweistöckiges Klassisches Reihenhaus mit Steinfassade, brauner Fassadenfarbe und Schindeldach in Sonstige
Central city downsizer
Central city downsizer
Four Walls ArchitectureFour Walls Architecture
At night the house glows lantern-like in the street, with fun contrast between the black and white cladding.
Kleines, Einstöckiges Modernes Haus mit schwarzer Fassadenfarbe, Satteldach und Misch-Dachdeckung in Auckland

Reihenhäuser Ideen und Design

14
Deutschland
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