Häuser Ideen und Bilder
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Allen Schrock & Sons, Inc.Custom Front Porch
Zweistöckiges Uriges Einfamilienhaus mit Mix-Fassade und grauer Fassadenfarbe in Chicago
Zweistöckiges Uriges Einfamilienhaus mit Mix-Fassade und grauer Fassadenfarbe in Chicago
Cottage Home CompanyMittelgroßes, Zweistöckiges Klassisches Einfamilienhaus mit Vinylfassade und blauer Fassadenfarbe in Jacksonville
Teale ArchitectureKeith Sutter Photography
Großes, Zweistöckiges Modernes Haus mit Putzfassade, weißer Fassadenfarbe und Flachdach in Orange County
Großes, Zweistöckiges Modernes Haus mit Putzfassade, weißer Fassadenfarbe und Flachdach in Orange County
Finden Sie den richtigen Experten für Ihr Projekt
William Guidero Planning and DesignExterior farm house
Photography by Ryan Garvin
Zweistöckige, Große Maritime Holzfassade Haus mit weißer Fassadenfarbe und Walmdach in Orange County
Zweistöckige, Große Maritime Holzfassade Haus mit weißer Fassadenfarbe und Walmdach in Orange County
Willow HomesTommy Daspit
Mittelgroßes, Zweistöckiges Klassisches Haus mit Backsteinfassade und weißer Fassadenfarbe in Birmingham
Mittelgroßes, Zweistöckiges Klassisches Haus mit Backsteinfassade und weißer Fassadenfarbe in Birmingham
Santa Barbara Home DesignDesign Consultant Jeff Doubét is the author of Creating Spanish Style Homes: Before & After – Techniques – Designs – Insights. The 240 page “Design Consultation in a Book” is now available. Please visit SantaBarbaraHomeDesigner.com for more info.
Jeff Doubét specializes in Santa Barbara style home and landscape designs. To learn more info about the variety of custom design services I offer, please visit SantaBarbaraHomeDesigner.com
Jeff Doubét is the Founder of Santa Barbara Home Design - a design studio based in Santa Barbara, California USA.
Christopher Architecture & InteriorsZweistöckiges Klassisches Haus mit Backsteinfassade, weißer Fassadenfarbe, Satteldach und Schindeldach in Birmingham
First Street BuildersMittelgroßes, Zweistöckiges Uriges Einfamilienhaus mit Faserzement-Fassade, Satteldach und bunter Fassadenfarbe in Atlanta
J. Tight InteriorsExterior of cabin after a year of renovations. New deck, new paint and trim, and new double pained windows.
photography by Debra Tarrant
Mittelgroßes, Zweistöckiges Uriges Haus mit grauer Fassadenfarbe, Satteldach und Blechdach in Sacramento
Mittelgroßes, Zweistöckiges Uriges Haus mit grauer Fassadenfarbe, Satteldach und Blechdach in Sacramento
Moore Architects, PCThe renovation of the Woodland Residence centered around two basic ideas. The first was to open the house to light and views of the surrounding woods. The second, due to a limited budget, was to minimize the amount of new footprint while retaining as much of the existing structure as possible.
The existing house was in dire need of updating. It was a warren of small rooms with long hallways connecting them. This resulted in dark spaces that had little relationship to the exterior. Most of the non bearing walls were demolished in order to allow for a more open concept while dividing the house into clearly defined private and public areas. The new plan is organized around a soaring new cathedral space that cuts through the center of the house, containing the living and family room spaces. A new screened porch extends the family room through a large folding door - completely blurring the line between inside and outside. The other public functions (dining and kitchen) are located adjacently. A massive, off center pivoting door opens to a dramatic entry with views through a new open staircase to the trees beyond. The new floor plan allows for views to the exterior from virtually any position in the house, which reinforces the connection to the outside.
The open concept was continued into the kitchen where the decision was made to eliminate all wall cabinets. This allows for oversized windows, unusual in most kitchens, to wrap the corner dissolving the sense of containment. A large, double-loaded island, capped with a single slab of stone, provides the required storage. A bar and beverage center back up to the family room, allowing for graceful gathering around the kitchen. Windows fill as much wall space as possible; the effect is a comfortable, completely light-filled room that feels like it is nestled among the trees. It has proven to be the center of family activity and the heart of the residence.
Hoachlander Davis Photography
UserTerri Glanger Photography
www.glanger.com
Großes, Zweistöckiges Mediterranes Haus mit Steinfassade und Misch-Dachdeckung in Dallas
Großes, Zweistöckiges Mediterranes Haus mit Steinfassade und Misch-Dachdeckung in Dallas
Jordan Iverson Signature Homes2012 KuDa Photography
Großes, Dreistöckiges Modernes Haus mit Metallfassade, grauer Fassadenfarbe und Pultdach in Portland
Großes, Dreistöckiges Modernes Haus mit Metallfassade, grauer Fassadenfarbe und Pultdach in Portland
Ike Kligerman BarkleyDurston Saylor
Große, Zweistöckige Klassische Holzfassade Haus mit schwarzer Fassadenfarbe, Satteldach, Wandpaneelen und Schindeln in New York
Große, Zweistöckige Klassische Holzfassade Haus mit schwarzer Fassadenfarbe, Satteldach, Wandpaneelen und Schindeln in New York
Noel Cross+ArchitectsFirmness . . .
Santa Cruz’s historically eclectic Pleasure Point neighborhood has been evolving in its own quirky way for almost a century, and many of its inhabitants seem to have been around just as long. They cling to the relaxed and funky seaside character of their beach community with an almost indignant provinciality. For both client and architect, neighborhood context became the singular focus of the design; to become the “poster child” for compatibility and sustainability. Dozens of photos were taken of the surrounding area as inspiration, with the goal of honoring the idiosyncratic, fine-grained character and informal scale of a neighborhood built over time.
A low, horizontal weathered ipe fence at the street keeps out surfer vans and neighborhood dogs, and a simple gate beckons visitors to stroll down the boardwalk which gently angles toward the front door. A rusted steel fire pit is the focus of this ground level courtyard, which is encircled by a curving cor-ten garden wall graced by a sweep of horse tail reeds and tufts of feather grass.
Extensive day-lighting throughout the home is achieved with high windows placed in all directions in all major rooms, resulting in an abundance of natural light throughout. The clients report having only to turning on lights at nightfall. Notable are the numerous passive solar design elements: careful attention to overhangs and shading devices at South- and West-facing glass to control heat gain, and passive ventilation via high windows in the tower elements, all are significant contributors to the structure’s energy efficiency.
Commodity . . .
Beautiful views of Monterey Bay and the lively local beach scene became the main drivers in plan and section. The upper floor was intentionally set back to preserve ocean views of the neighbor to the north. The surf obsessed clients wished to be able to see the “break” from their upper floor breakfast table perch, able to take a moment’s notice advantage of some killer waves. A tiny 4,500 s.f. lot and a desire to create a ground level courtyard for entertaining dictated the small footprint. A graceful curving cor-ten and stainless steel stair descends from the upper floor living areas, connecting them to a ground level “sanctuary”.
A small detached art studio/surfboard storage shack in the back yard fulfills functional requirements, and includes an outdoor shower for the post-surf hose down. Parking access off a back alley helps to preserve ground floor space, and allows in the southern sun on the view/courtyard side. A relaxed “bare foot beach house” feel is underscored by weathered oak floors, painted re-sawn wall finishes, and painted wood ceilings, which recall the cozy cabins that stood here at Breakers Beach for nearly a century.
Delight . . .
Commemorating the history of the property was a priority for the surfing couple. With that in mind, they created an artistic reproduction of the original sign that decorated the property for many decades as an homage to the “Cozy Cabins at Breakers Beach”, which now graces the foyer.
This casual assemblage of local vernacular architecture has been informed by the consistent scale and simple materials of nearby cottages, shacks, and bungalows. These influences were distilled down to a palette of board and batt, clapboard, and cedar shiplap, and synthesized with bolder forms that evoke images of nearby Capitola Wharf, beach lifeguard towers, and the client’s “surf shack” program requirements. The landscape design takes its cues from boardwalks, rusted steel fire rings, and native grasses, all of which firmly tie the building to its local beach community. The locals have embraced it as one of their own.
Architect - Noel Cross Architect
Landscape Architect - Christopher Yates
Interior Designer - Gina Viscusi-Elson
Lighting Designer - Vita Pehar Design
Contractor - The Conrado Company
Compendium Group LLCZweistöckiges Klassisches Einfamilienhaus mit Backsteinfassade, weißer Fassadenfarbe, Satteldach, Schindeldach und grauem Dach in Indianapolis
Häuser Ideen und Bilder
Applewood Landscapinggold rock, flagstone steppers, techo bloc, seating wall, black mulch, canyon boulders, paz pebble, raised planters, uplights, path lights
Modernes Haus in San Francisco
Modernes Haus in San Francisco
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